György Nagyajtay

In a bustling European city, Bulgarian agent Pavlov, under suspicion of double-dealing in a Western spy center, is exonerated and assigned to lead a covert operation alongside colleague Robert Houston. Tasked with recruiting a Bulgarian contact as part of a larger plan to neutralize missile sites at home, Pavlov and Houston are sent to Bulgaria, where their mutual distrust fuels a dangerous game.

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The elderly Mikola Menyhért, former imperial and royal master detective, talks about the great criminals of a bygone era on television. He considers Ignác Sztrasznov to be the uncrowned king of swindlers, the greatest swindler of the Monarchy. To describe him, suffice it to say that at the age of 23, he sold the entire Vérmező to a Bulgarian horticulturalist, swindled money from lords, industrialists, and businessmen while dressed in a smart military uniform, and did not spare even the higher circles of the church. Mikola's narration brings Strasznov's adventures to life.

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Jirka is a composer, his wife, Jana, a pianist. Jana would like to have an own concert, but so far she has only been selected to accompany Valenta during his concerts in Budapest. After some resentments, she accepts the proposal.

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Paris-based New York Herald Tribune reporter Jimmy Race is sent by his boss behind the Iron Curtain in Budapest to investigate a meeting involving the Hungarian ambassador.

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A female spy goes to Budapest to steal the plans of an anti-aircraft gun.

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In a chic hotel in the French mountains, a lonely woman is attracting a lot of attention. And yet Eva is married, and thinks back with sad nostalgia to the first happy years of her marriage. She would like Adam to be a loving, attentive husband again. One rueful evening she decided to take a month's 'holiday' and travel to the mountains of France. But away from her husband, she realises that true love and appreciation are not about compliments, flowers or a night of dancing...

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Modern and exciting short from a series of Hungarian noir films. Rácz Vali, playing the protagonist, was famous and beloved for her propensity to sing sad songs and recite lyrical poetry. She also played in movies, but only before 1945, as the cultural and social climate she represented didn't fit in the program of the post-war regime.

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