Julia de Castro

Milagros stretches a carefree youth in her last years of fertility while Jonathan seeks solace in Grindr to overcome abandonment issues. A delirious road movie, full of music, where a mysterious mermaid will set the course of the journey....

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The duo made up of musician and actress Julia de Castro and double bass player Miguel Rodrigáñez thus premieres their latest show, Exhalación: vida y muerte de De La Puríssima. With it, they intend to put an end to the ten-year revolution of EL CUPLÉ this scenic musical genre, which the singular tandem has merged with jazz, cumbia and electronics on stages around the world. Show nominated for the Premios Valle Inclán. As the duo explains, De La Puríssima was born in 2009 “as a transit project, in which music was the most direct and ritualistic medium from which to raise core issues such as sex, bullfighting, folklore or religion”. Now, a decade later, it is time to remove the peineta and celebrate the end of a stage in which the provocative lyrics by Julia de Castro have traveled through numerous audiences to bring up to date a genre that was in the forgetfulness of national folklore, the cuplé.

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A documentary about the erotic writer, costume designer, theater decorator, and composer of several very popular cuplés. It is part of RTVE’s special programming for Pride 2025 and pays tribute to one of the pioneers in advocating for sexual diversity. Álvaro Retana’s family has opened their personal archive to recover the figure of their grandfather, a creator as essential as he is currently unknown. In addition, extensive research was conducted in the files of numerous archives and museums. All this work brings to the present a world of color, freedom, revolutionary frivolity, and compulsive creativity, which he left behind in a legacy of over a hundred novels, more than 1,000 cuplés (perhaps the most well-known being Las tardes del Ritz, Ven y ven, La pulga...), hundreds of costume designs, drawings, and more.

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God Sees It is a journey into the creative universe of Oscar Tusquets, one of the most fascinating figures of the last sixty years as well as one-of-a-kind character of the gauche divine, in whose mind art, irony, and rebellion coexist. The film traces an inimitable career, from his beginnings in Barcelona, quietly rebelling against the backdrop of the dictatorship, and his collaborations with Salvador Dalí, to his interventions in the Palau de la Musica Catalana or the unique Toledo metro station in Naples. If this is not enough, the film is filled with reflections and conversations on art with friends like Miquel Barceló, Albert Serra, Mario Vargas Llosa or Julia de Castro.

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Milagros stretches a carefree youth in her last years of fertility while Jonathan seeks solace in Grindr to overcome abandonment issues. A delirious road movie, full of music, where a mysterious mermaid will set the course of the journey....

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Hildegart is conceived and educated by her mother Aurora to be the woman of the future, to become one of the most brilliant minds of Spain in the 1930s and one of the European references on female sexuality.

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Milagros stretches a carefree youth in her last years of fertility while Jonathan seeks solace in Grindr to overcome abandonment issues. A delirious road movie, full of music, where a mysterious mermaid will set the course of the journey....

Open details →

The duo made up of musician and actress Julia de Castro and double bass player Miguel Rodrigáñez thus premieres their latest show, Exhalación: vida y muerte de De La Puríssima. With it, they intend to put an end to the ten-year revolution of EL CUPLÉ this scenic musical genre, which the singular tandem has merged with jazz, cumbia and electronics on stages around the world. Show nominated for the Premios Valle Inclán. As the duo explains, De La Puríssima was born in 2009 “as a transit project, in which music was the most direct and ritualistic medium from which to raise core issues such as sex, bullfighting, folklore or religion”. Now, a decade later, it is time to remove the peineta and celebrate the end of a stage in which the provocative lyrics by Julia de Castro have traveled through numerous audiences to bring up to date a genre that was in the forgetfulness of national folklore, the cuplé.

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