Klara Badiola

On the birthday of the patriarch of the family, one of his sons decides to come out of the closet and test the tolerance of his nearest and dearest. But the surprises that he has up his sleeve do not end there.

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The story of a family; the story of a conflict. The rural and the urban, the past and the present, parents and their offspring: opposing ways of life struggle against one another whilst, in eloquent silence, the grandmother ('amama') watches her family’s destiny unfold.

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At the death of his father, Paulo, the youngest son, will have to be in charge of his mentally handicapped brother Daniel. Based on the novel by Bernardo Atxaga.

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Victoria is a republican widow who enters in the prison of Saturrarán (Vizcaya), place where an experiment of the Franco regime takes part: the separation of children from their mothers to give them up for adoption to families close to the regime, in order to break the chains of communism.

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Mugaldekoak is set in the early 40s, when, on this side of the border, the wounds of the Civil War were still open and, on the other, they were living under occupation by the German Army. The tale revolves around the Comète Network, an initiative developed during World War II on the border with Navarre: the clandestine evacuation of British pilots brought down in enemy territory.

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After the death of the last survivor of a multiple murder, which remained in a coma, a journalist is asked to make an infographic about the case. Her personal involvement with the event will give clues to unexpected connections that shed new research data.

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La Buena Voz (aka The Good Voice) explores the relationship that develops between a father and a gay son he never knew existed -- two men suddenly and unexpectedly thrust into each other's lives. Pepe, a slightly listless, fifty-something taxi driver with a heart condition, suddenly learns that he fathered a child, Jordi, from a quiet affair with his wife's girlfriend. Jordi, now HIV-positive, enters Pepe's world and recolors the elder's perspective and outlook on life, with his take-no-prisoners zeal for living and a restless, inquisitive spirit.

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Marta must travel to Colombia to take charge of the corpse of his brother Juan, who has been murdered. Once there, she gets involved in a mysterious plot.

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Ana, a young Basque woman whose husband, Tomás, is serving a sentence for terrorism in Puerto de Santa María, finds love again with Luis. Although Tomás, aware that his chances of regaining his freedom are nil, encourages her to rebuild her love life, this new relationship is met with rejection by those close to the prisoner.

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An act of cowardice influences the lives of two Basque families over three generations.

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Itziar is eight years old and lives in two very different worlds. On the one hand, the world of her disappointed Basque nationalist parents and, on the other, the religious school, which gives the girl a repressive and retrograde education. However, there is another kind of world, much nicer to Itziar, formed by the street and her friends.

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After a robbery at a bingo hall, Azucena, the girlfriend of one of the thieves, decides to seize the money for herself. On the run she stumbles upon Verónica, the manager of a nursing home that wants a cut in exchange of helping her to evade the criminals and the cops.

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Jim is the drummer for the great black musician Billy Swann. With him, he plays in a club called San Sebastián, owned by his friend Floro, every summer.

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It's 8 AM in a summer morning from the 70's. Jon, an ETA member, is being chased by the police in the Old Town of San Sebastian. While he runs, he revises his whole life.

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King Carlos II of Spain (r. 1665-1700) once sent his brother Luis to lead a military expedition into Albania and conquer that land for the Spaniards. Since Albania was a part of the dowry of Luis' wife, it seemed like a reasonable idea at the time. While that expedition and its final battle is the subject of this historical film, the scale involved can hardly do justice to the concept. The protagonists talk incessantly, and by the time they get down to the final grand battle, it turns out to be a skirmish between several dozen men.

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In the summer of 1977, a political prisoner, living in exile, recounts the circumstances of his escape to a journalist: in April 76, a group of ETA members planned to escape from prison, but the project fails when, due to a tip-off, the guards discover the tunnel they are digging. The inmates, far from being discouraged, start a second tunnel.

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