Rana Karam

Salma's life unravels overnight when her husband vanishes under mysterious circumstances, leaving her alone with two young children, no money and no answers. Forced back to the working-class neighbourhood she once escaped, she rebuilds from nothing — reconnecting with her family, confronting buried secrets and slowly finding her footing again. A deeply emotional Arabic adaptation of the acclaimed Turkish series Kadin, starring Maram Ali and Nicolas Mouawad.

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A seemingly fake marriage sets the stage for a journey of unexpected turns, propelling two souls towards genuine affection; a choice awaits-unite in their adventure or embrace separate paths.

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The film carries within it a dose of love, hope and optimism, in addition to the human relationships that connect the inhabitants of the old city with each other. I believe that relationships based on love are one of the reasons for the continuation of this city until now. The film is based on the concept of the word “love”, not love between a young man and a young woman, but rather love for things, people, place, profession and work.

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The series revolves around Erwa, a 40-year-old television writer, whose story begins on the night of Baghdad's fall, to show the historical events and political turns that have occurred from 2003 until now.

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It tells the story of cinematic worlds through the perspectives of their creators, along with the hopes and desires these worlds impose and experience. The film, which took four days to shoot, explores the nature and philosophy of the violence sweeping the country, and its impact on generations, human souls, and their actions.

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The film tells of a poor citizen whose wife died and has five children, three love to sing and play and work in parties, one learns and loves a rich girl, and the other works with his father in selling watermelon, they are surprised by the relationship of their father to the maid who works with them, things go wrong and some object

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