Maximilien Regiani

It's mid 19th century, north of France. The story of a coal miner's town. They are exploited by the mine's owner. One day the decide to go on strike, and then the authorities repress them.

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Three penniless artists become friends in modern-day Paris: Rodolfo, an Albanian painter with no visa, Marcel, a playwright and magazine editor with no publisher, and Schaunard, a post-modernist composer of execrable noise.

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Prague, 1920. Milena's father wants her to follow in his footsteps and be one of the first female doctors in Czechoslovakia, but she is determined to be a writer. She elopes to Vienna with the Jewish music critic Ernst Pollak, and starts a correspondence with Franz Kafka. She leaves Pollak and returns to Prague with her father, where she befriends and translates Kafka. As a journalist, Milena covers the 1923 Ruhr worker's strike and meets the communist architect Jaromir.

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All of Europe was affected by the Great Depression of the 1930s, but some parts were hurt less badly than others. France, for instance, was relatively prosperous. In this grim drama, a sturdy Polish boxer and his family have settled into a mining town in northern France because that's where the work is. Like European "guest workers" in the 1990s, the Polish immigrants then were frequently treated badly by the locals. In this drama, the romantic aspirations of the boxer's son are thwarted by the concerted efforts of the local men and his own family's preference that he marry another Polish girl. After his romance fails, the son becomes a union activist and sacrifices a great deal to try to gain higher wages for the miners, but the contract he works out is reneged on by the duplicitous owners.

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The unsanctioned efforts of a covert unit to gather evidence about illegal arms shipments with the unwitting help of an embassy employee.

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