Oscar Micheaux

The epic story of the actors, writers, directors, and producers who fought for their place on the page, behind the camera and on the screen. From blackface to Black Panther, this series is a definitive chronicle of more than a century of the black experience in Hollywood and a powerful reexamination of a quintessentially American story – in brilliant color.

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A look at the extraordinary achievements and contemporary legacy of Oscar Micheaux, a pioneer of the African-American film industry.

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A Black night watchman at a chemical factory finds the body of a murdered white woman. After reporting it, he finds himself accused of the murder.

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A movie producer offers a nightclub singer a role in his latest film, but all he really wants to do is bed her. She knows, but accepts anyway. Meanwhile, a patron at the club gets a note saying that she'll soon get another note, and that she will be killed ten minutes after that.

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An episode of the Screen Snapshots newsreels, showing seven segments of filmmakers behind the scenes. Featuring Oscar Micheaux,Colleen Moore, Ormer Locklear, and more.

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Gangsters use a woman to get to a boxer and convince him to throw a big fight.

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A nightclub singer refuses to "date" customers, so she's framed for the murder of her aunt.

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Naomi, a light-skinned Black child, is abandoned by her mother and raised by the virtuous Mrs. Saunders. When the girl's fixation with whiteness turns her against her own race, she is sent to a convent. Hopelessly in love with her adoptive brother Jimmie, Naomi consents to marry his friend, but is repulsed by his darker skin and unrefined ways.

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Ted Gregory is trying to be the first black producer to mount a show on Broadway, but he has trouble with his star singer.

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After graduating from Harvard University, Peter Siner returns to his small Tennessee hometown, where he hopes to start a school for black children.

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A young Southern college student falls for the charms of a female nightclub owner while on summer break in Chicago - and soon enough meets her club co-owner boyfriend and his gangster pals.

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A Black night watchman at a chemical factory finds the body of a murdered white woman. After reporting it, he finds himself accused of the murder.

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Gangsters in Harlem make plans to commit a kidnapping.

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An Oscar Micheaux' film.

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A movie producer offers a nightclub singer a role in his latest film, but all he really wants to do is bed her. She knows, but accepts anyway. Meanwhile, a patron at the club gets a note saying that she'll soon get another note, and that she will be killed ten minutes after that.

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An undercover government agent on a case in Mississippi meets and falls in love with a beautiful young woman who's being menaced by a local crime boss.

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A young woman plans to marry, but her mother and brother--a lawyer--don't like her prospective husband and scheme to prevent the marriage.

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An idealistic young man is torn between a sultry Chicago nightclub owner and a Scottish South Dakotan farmgirl.

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With a series of long takes and frontal camera set-ups, Michaeux provides a record of several cabaret acts, using intertitles to separate the individual numbers. This quietly outrageous film begins with the high-toned Heywood Choir singing "Watermelon time" and concludes with Amon David playing a preacher using heavy blackface. Amon Davus was known as "the Back Biting Comedian, Par Excellence", and his sermon is one of Michaeux's many notable send-ups of the clergy.

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Con artists try to trick an old man out of his life savings.

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A US cavalry officer rescues a mulatto girl, raised in Africa, from slavers.

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Film producer Winston L. Jaune gives his brother J. Lee a job in his company. J. Lee promptly steals company funds, spends lavishly in cabarets, at wild parties, and on women putting the company in financial difficulties.

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An African-American violin prodigy overcomes her impoverished background to find success in music and love. Based on Oscar Micheaux's unpublished novel, House of Mystery.

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George Eldridge Van Paul, the son of a white father and a black mother, is brought up to believe that he is completely white. He falls in love with Hester Morgan, a black girl, but when she learns that he is white, she refuses to see him. Considered a lost film.

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An African American entrepreneur who has built up his fortune in South America returns to the U.S. and falls in love with a young woman who turns out to be part of a notorious family of criminals. Considered a lost film.

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A lost film. Remade by Micheaux as a sound film, The Girl from Chicago (1932).

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Rena is a young woman of mixed race. Although she is romantically pursued by an upwardly mobile African American named Frank, Rena does not decide in his favor. Her appearance allows her to pass for white, as she is of majority European ancestry, although she has grown up in the black community. She meets and falls in love with George Tryon, a young white aristocrat. But as their relationship deepens, Rena believes she has to acknowledge her African ancestry. Considered a lost film.

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Screenplay adapted from Charles Chestnutt's novel.

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A convict escapes to a Southern town and passes himself off as a reverend, giving him the perfect cover to swindle the townspeople and corrupt an innocent young woman.

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Aileen Kennibrew, a charming and beautiful girl calls on one Richard Ellis, a motion picture producer, who is impressed by her modesty, refined personality and striking carriage and is persuaded to "try" her out in the movies. She makes good, and altho' elevated after a few pictures to stardom, becomes obsessed with an overwhelming desire to go on the stage. Finally securing a part with a dramatic stock company, she fall in love with a character man, who, unknown to her, is of degenerate character. Giving him all her love, however, she sets out to reform him with the usual result—but that's the story!

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An Oscar Micheaux' feature film.

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A Son of Satan is a 1924 silent race film directed, written, produced and distributed by Oscar Micheaux. The film follows the misadventures of a man who accepted a bet to spend a night in a haunted house. Micheaux shot the film in The Bronx, New York, and Roanoke, Virginia. A Son of Satan ran into distribution problems when state censorship boards rejected the film based on its contents. New York censors objected to the film’s depiction of violence, particularly against women and animals (a cat is killed onscreen in one scene, a Ku Klux Klan leader is slain and a man chokes his wife to death), while Virginia censors complained the film’s references to miscegenation would "prove offensive to Southern ladies". In at least one state the film was banned for its title alone No print of the film is known to exist and it is presumed to be a lost film.

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A young black Harvard graduate fights against a variety of obstacles, including racist opposition, in order to build a school for black children. Considered a lost film.

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The film focused on a young black man who joins the Royal Canadian Mounted Police and becomes a hero by rescuing a captive mixed-race woman from a hostile American Indian tribe. The young man later purchases a ranch that becomes the foundation for great financial wealth.

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Deceit (sometimes referred to as The Deceit) is a 1923 American silent black-and-white film. It is a conventional melodrama directed by Oscar Micheaux. Like many of Micheaux's films, Deceit casts clerics in a negative light. Although the film was shot in 1921, it was not released until 1923. It is not known whether the film currently survives, which suggests that it is a lost film. The 1922 film The Hypocrite was shown within Deceit as a film within a film.

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Myrtle Downing, an African-American woman, is coerced into marrying a corrupt would-be politician named Gyp Lassiter, even though she is really in love with Stephen Cameron, a young lawyer. When she discovers that her husband has conspired to support segregationist policies in exchange for support by white political power brokers, she objects to his crooked dealings and gets herself imprisoned in a secret dungeon where her husband had murdered his previous wives. Presumed to be a lost film.

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A drama about the contents of a last will and testament left behind by an African-American sharecropper who was lynched after being falsely accused of the murder of a white plantation owner.

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When Arthur Gilpin, a black night watchman, finds young Myrtle Gunsaulus mysteriously murdered in the basement of a factory, he is charged with the crime. The film is now believed to be lost.

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Eve Mason, a white-passing black woman, moves to a remote cottage she inherited from her late father. She makes the acquaintance of her neighbor, a dashing black settler named Hugh Van Allen, and quickly falls for him. Trouble brews as the local cadre of racist hucksters want the valuable land Van Allen lives on, and will do anything to take it from him.

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Abandoned by her fiancé, an educated black woman with a traumatizing past dedicates herself to helping a near bankrupt school for impoverished black children.

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