Tathagata Mukherjee

A stolen hard drive drags a ruthless couple into a deadly game of power and survival.

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Once, the Chakrabortys of Manikpur were a thriving family of 34, united in laughter, meals, and the grand celebration of Raas. In the 90s, Rajat left for Kolkata to chase his ambitions, leaving behind his wife Annapurna and son Somnath. Raised among his cousins, Somnath grew closer to his grandmother than his mother. When he was twelve, Annapurna succumbed to a terminal illness. Rajat, unaware until his return, was consumed by anger and left Manikpur with his son, vowing never to return.

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A reclusive yet short-tempered man, takes a stand against the inhumane treatment of the outcast Indian stray dogs. His journey leads him to confront a massive dog trafficking racket, advocating for the rights and protection of these voiceless creatures.

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After losing his parents at a very tender age, Bhotbhoti was raised in a ghetto close to the Ganges by his 'daadi' (grandmother) who too has passed away. Daadi was a great story-teller and Bhotbhotis favourite story was the one about mermaids and their world that exists, or rather flourishes underwater. Bhotbhoti's belief was further strenthened when he found out, not in the distant past, a story (movie) on mermaids that floats on the televison screen, called The Mermaid Princess. His most prized possession, the dvd of the film stays in his little trunk under his chowki (bed) until he takes it out every night and puts it into his battered but not run-down collected and repaired dvd player which brings to him his Ariel (the name of the mermaid in the film). The Ganges calls out to him and while his friends (group members) are sloshed, he dives into the waters to look for his mermaid queen, but she is ever-elusive.

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Unable to cope with harsh reality of the world she lives in, Apala seeks solace in vivid and frequent flights of fantasy. She slowly detaches herself from everything real and starts treading the thin line between imagination and delusion.

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A lady wants to rent an apartment but everything goes wrong once she enters the abbot with a happy go lucky property agent.the agent leaves her alone just for a few minutes and suddenly she discovers that she is definitely not the only visitor!and on broad daylight things start to happen which make no sense but with only one explanation....there are few inmates in the apartment who are too friendly to handle.

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Memory X is a story of Sikkim that charts across time and mind.

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Sequel to the 2024 Indian movie Pariah Vol. 1.

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A single shot film from 2 AM to 4:15 AM.

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Tania returns home from Spiti Valley with an artefact she bought.

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‘Pinjar’ is an evocative meditation on captivity—of bodies, of spirits, of choices—unfolding through the entangled lives of five individuals and a wild bird.

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The plot of the film traces the journey of Suhita, as an illegal clinical trial of Human Papillomavirus leads to multiple deaths of innocent girls and women. She joins hands with her friend and colleague Kamal as well as special officer Indra, to fight against the breakout.

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A reclusive yet short-tempered man, takes a stand against the inhumane treatment of the outcast Indian stray dogs. His journey leads him to confront a massive dog trafficking racket, advocating for the rights and protection of these voiceless creatures.

Open details →

After losing his parents at a very tender age, Bhotbhoti was raised in a ghetto close to the Ganges by his 'daadi' (grandmother) who too has passed away. Daadi was a great story-teller and Bhotbhotis favourite story was the one about mermaids and their world that exists, or rather flourishes underwater. Bhotbhoti's belief was further strenthened when he found out, not in the distant past, a story (movie) on mermaids that floats on the televison screen, called The Mermaid Princess. His most prized possession, the dvd of the film stays in his little trunk under his chowki (bed) until he takes it out every night and puts it into his battered but not run-down collected and repaired dvd player which brings to him his Ariel (the name of the mermaid in the film). The Ganges calls out to him and while his friends (group members) are sloshed, he dives into the waters to look for his mermaid queen, but she is ever-elusive.

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An author’s life changes completely after two sisters come to work for him. Is this a sinister war of love and identity?

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Once, the Chakrabortys of Manikpur were a thriving family of 34, united in laughter, meals, and the grand celebration of Raas. In the 90s, Rajat left for Kolkata to chase his ambitions, leaving behind his wife Annapurna and son Somnath. Raised among his cousins, Somnath grew closer to his grandmother than his mother. When he was twelve, Annapurna succumbed to a terminal illness. Rajat, unaware until his return, was consumed by anger and left Manikpur with his son, vowing never to return.

Open details →

A reclusive yet short-tempered man, takes a stand against the inhumane treatment of the outcast Indian stray dogs. His journey leads him to confront a massive dog trafficking racket, advocating for the rights and protection of these voiceless creatures.

Open details →

After losing his parents at a very tender age, Bhotbhoti was raised in a ghetto close to the Ganges by his 'daadi' (grandmother) who too has passed away. Daadi was a great story-teller and Bhotbhotis favourite story was the one about mermaids and their world that exists, or rather flourishes underwater. Bhotbhoti's belief was further strenthened when he found out, not in the distant past, a story (movie) on mermaids that floats on the televison screen, called The Mermaid Princess. His most prized possession, the dvd of the film stays in his little trunk under his chowki (bed) until he takes it out every night and puts it into his battered but not run-down collected and repaired dvd player which brings to him his Ariel (the name of the mermaid in the film). The Ganges calls out to him and while his friends (group members) are sloshed, he dives into the waters to look for his mermaid queen, but she is ever-elusive.

Open details →

Unable to cope with harsh reality of the world she lives in, Apala seeks solace in vivid and frequent flights of fantasy. She slowly detaches herself from everything real and starts treading the thin line between imagination and delusion.

Open details →