Irina Savitskova

Ira is an artist. She lives with her daughter in a shared apartment. Despite her modest circumstances, Ira creates a world for the girl where she feels like a princess. Ira gets a chance to prove herself at a publishing house, but loses the job following a surprise inspection by child protective services. At home, she continues to foster a sense of wonder for her daughter. And the miracle happens: sketches she had found make their mark, and Ira gets another chance.

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Twelve-year-old Anya discovers a mysterious stranger in her secret hideout after another quarrel with her mother. A stranger who has settled in an abandoned house next door reveals to the girl a fantastic world that was hidden in the routine of summer cottage life. However, not everyone is ready to understand her friendship with an adult man, who obviously has something to hide. Anya is also shocked and disappointed when it turns out that she is not the only one — the mysterious stranger also communicates with her friend Amaranta, also gives her gifts and tells stories. They are angry at him and at each other. The stranger is both their main secret and a bone of contention.

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Prima ballerina is preparing for the premier, but because of the jealousy of her husband, a choreographer, find herself involved in a violent clash with the troupe.

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Lisa, Sonya and Yana have been friends since childhood and grew up in the same cottage. Usually, a girl has already graduated from college at the age of 25, has work experience and several novels behind her back. Someone even manages to get married and have a child. But Lisa, Sonya and Yana are not going according to plan. They don't know who they want to be yet and haven't found the love of their life yet. They are growing up, they want to be happy, and each is looking for their own way.

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The life of a twenty-four-year-old Indian collapses overnight when he finds out that he is the father of a five-year-old girl Marusya. The Indian is not ready to part with a successful career, bachelor meetings with friends and take care of a small child, but over time, the sincere love of his daughter changes the Indian. Almost deprived of the right to raise his daughter, he finds a way to leave Marusya and become a real family.

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When the mother and father of ten-year-old Lena and Marusya decide to get married, these two completely alien girls are forced to become sisters. Now they share one room, one class, friends, and most importantly, they are fighting for the attention of their parents. Each of them dreams of returning to their former life, and for this it is necessary to embroil adults.

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Young and extremely talented dancer Yulya Olshanskaya from a small mining town draws a “happy ticket”: she is noticed by a former ballet dancer Pototsky and he promises her a future of great ballerina, worthy of the main stage of the country. However, in order to become a diamond, anyone, even the most outstanding brilliant, needs to be cut, and the way to the legendary stage of The Bolshoi Theatre for Yulya lies through the walls of the ballet school, where the more capricious teacher Galina Mikhailovna Beletskaya takes custody of the rebellious provincial. Turning into a prima will require incredible self-denial, and Yulya herself will have to make sure that the big ballet is not only the whiteness of the packs, the gold of the boxes and the slip of silk ribbons. But no obstacles will stop the one who has the big dream.

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Based on the Russian classic novel. While maintaining all the main plot-lines of the novel, it follows the events not as they happen but as they are reflected in the mind of the dying hero. Thus make a chain of recollections about the life he had lived through, now seen as a series of irrevocable mistakes and interpreted anew: it is either reconsideration or repentance. Recollections make main hero torment himself over his own past pretenses that seem ridicules now agonize and despair over his perfect indifference to everything except himself, see the horrible aspect of killing his friend, a greenhorn and a show-off. The final action of an intelligent and outstanding man is judging oneself without mercy.

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