Gabrielle Stemmer

Through the editing of archive footage and a reading of Ovidie's La Chair est triste hélas, Gabrielle Stemmer's collage film shatters the heterosexual model, a story that is both intimate and political.

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In five eight-minute episodes, “Femmes sous algorithmes” deciphers the most popular videos from the women's YouTube universe (fed and consumed mainly by women). This webseries immerses viewers in current trends that present a typically feminine model of success, using all the tools of advertising to model the ideal woman. For if algorithms force us to confront the depths of our unconscious, they also reveal the unconscious of the world in which we live. If there's one thing we all share, it's the Algorithm. It touches us, threatens us, watches over us - it binds us.

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Leïla is late. But not any kind of delay : her period is late. This is going to be hell.

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Hundreds of women film themselves on YouTube cleaning the house.

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In five eight-minute episodes, “Femmes sous algorithmes” deciphers the most popular videos from the women's YouTube universe (fed and consumed mainly by women). This webseries immerses viewers in current trends that present a typically feminine model of success, using all the tools of advertising to model the ideal woman. For if algorithms force us to confront the depths of our unconscious, they also reveal the unconscious of the world in which we live. If there's one thing we all share, it's the Algorithm. It touches us, threatens us, watches over us - it binds us.

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