Pia Andersson

After the bankruptcy of their fine dining restaurant, the Eerolas are stuck in the seaside village of Nauvo with no clear plan for the future. In the shadow of the father’s depression both the mother and the teenage daughter rebel against the stagnant life, each in their own way. In the magical light of the midnight sun, new loves begin while others come to an end.

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1942. The State of Finland has formed an alliance with Nazi Germany. An elderly man single-handedly tries to stop a secret attempt by the Finnish State Police to hand over Jewish refugees directly to the Gestapo.

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Teppo, who works as an officer in Sodankylä, loses everything after he suffers a brain stroke, forcing him to move to Helsinki to rehabilitate.

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Minna is taking driving lessons. The teacher starts to behave inappropriately.

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In Soviet-era Estonia, three young mavericks drop everything and flee to Sweden, but soon learn the free world is not all it's cracked up to be.

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Summer 1962 and Olli Mäki has a shot at the world championship title in featherweight boxing. From the Finnish countryside to the bright lights of Helsinki, everything has been prepared for his fame and fortune. All Olli has to do is lose weight and concentrate. But there is a problem – he has fallen in love with Raija.

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Marja (Minka Kuustonen) is a blogger. Olavi is one of the richest men in the country. She might be able to save her blog if she dates him, but what if she falls for him for real?

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When an accounting company moves, it’s CEO gets an opportunity to display her awesome management skills.

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The director Lauri Nurkse tells that Veijarit is a film about "arjensietokyvyttömyys" (= inability to tolerate everyday life) and about the Peter Pan complex. The main actor Mikko Leppilampi says it's about "kolkyttoistavuotiaat" (= thirtyeenagers = people of thirty behaving like teenagers). An immediate reference point is the commedia all'italiana of the 1950s and the 1960s, the black comedy often exposing the infantile stage of development of the Italian male. Saku and Ässä are anti-heroes, but we never fail to sense the humanity behind their shallow and crazy ways. Veijarit is a satire and a parody of a superficial way of life, but there is a vitality in the protagonists that we feel can lead them to a more meaningful stage of existence after the prolonged youth full of sound and fury. There is a motif of transcendence in the imagery of flying: will the balloons carry me or will they burst.

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