Sérgio Montagna

The arrival of a chemical plant in a fishermen haven brings along social transformations, interfering with the local traditions. A landmark of Cinema Novo, the result of a partnership between Mario Carneiro and Paulo Cesar Saraceni.

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A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.

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Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).

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Institutional film made for Petrobras in 1958, through a public announcement, about the company's actions for the training of technicians specialized in petroleum engineering.

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