Madiha Anwar

Ramy is living a reckless life, but the tough economic conditions and the successive crises made him a different person, his actions are now serious and he becomes more enthusiastic in addressing the problems facing the country and he participates significantly in the daily life concerns.

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A corrupt minister sends his men to kill his mistress's husband to look like a suicide, but the forensic doctor sees otherwise and is kidnapped in order to change the report. A gym teacher witnesses the kidnapping and tries to save her in spite of the dangerous confrontation.

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Instead of celebrating her doctorate in pharmacy, Nada was surprised that she was accused of killing her professor before he revealed her to a dangerous secret, and indeed the police chase her to arrest her after escaping from the prison vehicle that overturned during her deportation, and at that time she tries to prove her innocence of killing her professor. See I succeed in that?

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The events of the series revolve around the story of the rise from the bottom to the top of Abdel Ghafour Al Borai (Noor Al Sharif), starting from the agency of Hajj Ibrahim Sardinah (Abdul Rahman Abu Zahra) until he becomes a private business owner who makes a fortune, during which he has admired Fatima (Abla Kamel), a saleswoman. Al-Kushari, whom he admired, passes the days and marries Fatima and gives birth to his son Abdel-Wahhab (Mohamed Riyad), and four girls (Sunni, Bahira, Nafisa, and Nazira), and despite the availability of the elements of happiness in the life of Abdel Ghafour Al-Borai, he suffered from the separation of his only son. About him, and Abdel Wahab's insistence on building a very special world away from his father and his influence.

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An advertising company owner gets involved in successive crises due to the weakness of his team, while Naima, a new actress who has fled her addicted stepfather, tries to save the company and fix the situation.

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The story of a play in which I am in 1992 revolves around the author of unsuccessful novels and stories called Saad, and the wife of a controlling Suheir acting as a teacher. Events follow and the house is turned into a classroom in which literacy classes are given in a dramatic comedy format.

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The story is adapted from the famous Arabic fantasy novel of the same name.

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Bwabet El‑Halawani brings to life the human stories behind Egypt’s transformation during the Suez Canal era. Through craftsmen, families, and dreamers caught in political and social upheaval, the series blends history with personal struggle, showing how ambition, sacrifice, and resilience shaped a defining moment in Egypt’s past.

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