Javier Aguirre

Vida/Perra is the first feature-length film of Aguirre's "Anticine" and the first monologue in movie history. Aguirre's wife, Esperanza Roy, is the actress of this piece of visual art made as an adaptation of Ángel Vázquez's novel, whose texts are read by Esperanza "as they are." This means, the text have been extracted from the novel without changing their words.

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When the Parcheesi kids return from Disneyland, they learn that Vicky, Don Atilio's daughter, will be their new group mate. But Don Atilio opposes Vicky's relationship with Gemma, Yolanda, David, Tino, Frank and Carlitos, so he sends her to a nuns' school run by Don Atilio's sister.

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A school closes due to heavy debt which brings the children into action by doing naughty deeds so as to persuade the real estate agency to reopen the school, and since this didn't work, they kidnap the school's owner in order to be heard.

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Gloria and Enrique form an apparently happy marriage. But their sexual relations do not work out as they would both like.

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In a small provincial town on the Spanish coast, a conflict arises between prostitutes and a group of devout women, annoyed by the presence of prostitutes in their locality. The tension is increasing and the prostitutes are asking Carmelo, the local pharmacist, to intercede for them. He, who goes out with Asunción, one of the women facing the heteros, refuses. To convince Carmelo, prostitutes force him to have sex with them. Due to the pleasure of this experience he changes his mind.

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The film chronicles the life and marital problems of a couple, through the vision of his two sons, four and eight years old and how, despite their young age, they understand the marital problems.

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Homage to the basque sculptor Eduardo Chillida.

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Eusebio Sempere's work serves as the basis for transforming it into movement and rhythms that are implicit in his own visual arts, but which can only be converted into another dimension other than the sculptural-pictorial through cinema.

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Homage to the artist Antoni Tàpies

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One of our part of the sculptural and pictorial work of Gerardo Rueda, they inspire sequences of different and opposite times, from the slow camera movements with which wooden constructions are treated to the liveliness of the rhythms achieved with brightly colored surfaces.

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The circus in which Rocky Carambola and Coco, his chimpanzee friend, work, arrives in a city where strange things happen.

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Berta, imprisoned in Franco's Spain on fraud charges, learns to navigate the indignities of prison, spreading her own brand of kindness and empathy to the other inmates, but she unwillingly learns a valuable lesson when she falls in love with one of them.

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Raquel's not able to have children, so she and her boyfriend manipulate another young woman into bearing his child.

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A married couple are temped by passions around them.

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In a sun-drenched pastoral world, two teenage shepherds—Daphnis, raised by goats after being abandoned, and Chloe, his devoted companion—explore the innocence and intensity of first love. As they awaken to desire and defy the expectations of wealth and status, their bond deepens in secret. But when Daphnis’s true lineage resurfaces, the lovers must navigate family opposition and the stirrings of adulthood.

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Leonor and Engracia suddenly become widows, but both will take their new social situation in different ways. When they meet Jose Luis and Eugenio, all the plans made will change with the intention of reaching the altar.

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The day of his wedding, Carlos recibes the most unexpected present he coud receive, a son. Carlitos, makes the weadding a complete disaster and fails to place. Carlos to solve the misunderstanding, decides to follow the boy home to meet his mother and to find out what is going on. This will bring him more than one surprise.

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On the sculptural work of the Austrian Günter Häese based on objects that vibrate at the slightest breath. The works of this artist allude to the natural elements of air, fire, water and earth, which is why abstract images, in negative, of the four elements, are combined with those created by the sculptor.

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"The universe is rotary, circular, spherical, round ... / ... The street of our planet = three dimensions. The kinetic = Two dimensions. Analogous to the real, to the law of Universal gravitation." Maruja Mallo

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One man becomes each day more and more fat. The exercise does not help him. Finally he goes to the doctor that finds out his problem: he is pregnant.

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