Lefteris Voyatzis

A documentary tribute to the late theater director Lefteris Vogiatzes. An uncanny, dreamy tour to the world of Lefteris and the Theater of Cyclades Street, full of associations. Images, documents, sounds, rare archival material, excerpts from his performances, memories, and interviews with his collaborators, are harmoniously intertwined in one composition. The theatrical space becomes a living map of memories, imagination, and interpretation.

Open details →

Three friends from 60s Paris attempt a road trip to modern-day Greece, looping in and out of fantasy and questioning absolutely everything. A situation comedy and a coming-of-age fairy tale or, according to the director himself, "a film that can be heard". Starring Nikos Kouris, Doukissa Nomikou, Dimitris Katalifos and Pavlos Haikalis. Lifetime Achievement Award to Nikos Panagiotopoulos

Open details →

A writer, locked in his house, writes about a young man who wanders in Athens and tries its fruits.

Open details →

Open details →

1950s Athens. Prince, a self-made impresario and the owner of the "Acropole" review theater, fires one of his leading ladies when she shows up drunk on opening night. In order to replace her, he turns to Lakis Loizos, an expert at comic female roles and an ex-wonder-child of movies, who now runs an agency for extras. At first, Lakis is surprised by the prince's proposal, but finally decides to try his luck on the stage of the legendary theater.

Open details →

Four episodes, four instances from a man’s life covering 25 years, from 1965 in Germany to 1990 in Athens. The episodes seem to be irrelevant to one another, yet they all focus on male powerplay, reveal the self-consciousness and moderation of the protagonist’s idiosyncrasy and depict some special aspects of the Greek male mentality. Probably Nikos Panayotopoulos’ most personal film, covering a substantial period of his generation’s years, “I’m dreaming of my friends” is based on the book by Dimitris Nollas, looks a lot like a “road movie” and features an all-male cast, as if there’s no room for women in it.

Open details →