Sabine Sinjen

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A study of German 19th Century Romantic art through the writings and paintings of Carl David Friedrich and his fellow artist, Carl Gustav Carus.

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A classical who-dunnit-detective-story in an unusual setting: In the retirement-home for aging stage-artists "Ewige Rampe", an overly engaged doctor discovers what seems to be a murder by poison. The victim is the only inhabitant of the home who was not on stage, but a reporter of a gossip magazine. The two investigating police inspectors soon find out that the deceased lady blackmailed most of the inhabitants with little secrets she found out in her time as a reporter - nasty, but harmless things like a little shoplifting, alcoholism, a corrected date of birth, a success one never had... but are these little old secrets reason enough to kill someone? Or is there someone with a more important dark spot in the past? And

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The aristocratic families of Rossitz and Warwand, who are relatives, have started to treat each other with mistrust and hatred, since a testamentary contract has stated, that the complete goods will be inherited to the respective surviving line. At the same time the young generation is in love, how can the tender ties between Agnes of Warwand and Ottokar of Rossitz be protected? Killed by their own fathers, they lie in their blood. A radical drama about the term "family". (www.filmgalerie451.de)

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Scheibenwischer was the name of a long-running German Kabarett show. It was founded in 1980 by Dieter Hildebrandt and produced by BR / RBB to be broadcast on Das Erste. The show ended in 2008 after 28 years on the air.

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TV drama about the 15-time poisoner Gesche Gottfried, who was beheaded in front of 35,000 spectators on April 21, 1831 - the last public execution in Bremen.

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Der kleine Doktor is a German television series.

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Count Harro von Treuenfels is suspected of poisoning his wife. Griseldis von Ronach, his daughter's governess, falls in love with the count and sets out to find the real culprit.

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A filmed German performance of William Shakespeare's Twelfth Night, directed for the stage by Otto Schenk and performed at the Landestheater in 1973.

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Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

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After ten years, Hella Mayer and her boyhood friend Andreas meet again in Berlin on the street. Both know each other from common dance lessons times.

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Hofreiter, who has a relationship with Natter's wife Adele, confronts Natter after the latter launches a newspaper advertisement linking the suicide of an admirer of Hofreiter's wife to Hofreiter himself. In his tried and tested manner, Hofreiter challenges his vis-a-vis to a duel, but contrary to all etiquette, Natter refuses and exposes Hofreiter's system of vain notions of honor by confronting him with "genuine feeling". Natter: "I am hopelessly in love with my wife. That happens, dear Hofreiter. Nothing helps. That's just the way it is." His revenge is of a different nature, because he gets out of Hofreiter's narcissistic game and disavows his deceptive maneuvers and strategies of shifting blame.

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Emilia Galotti is an adaptation of the German drama of the same name written by Gotthold Eprahim Lessing.

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Der Kommissar is a German television series about a group of detectives of the Munich homicide squad. All 97 episodes, which were shot in black-and-white and first broadcast between 1969 and 1976, were written by Herbert Reinecker and starred Erik Ode as Kommissar Herbert Keller. Keller's assistants were Walter Grabert, Robert Heines, and Harry Klein who, in 1974, was replaced by his younger brother Erwin Klein.

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A man returns every year to visit his estranged family and friends in this drama dripping with biting social commentary. His 40-year-old buddies are part of the nouveau riche who consider themselves elite and are content to sandbag it at work. Teutonic sentimentality is lampooned, and the narrow minded are held up to ridicule. Some fine performances outweigh the passages of unintentional humor in this second film from director Ulrich Schamoni.

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Manfred and Hilke live a live perfectly complied with each other in West Berlin. They managed to elude from the bourgeois conformity, which they loath. But when Hilke finds out about her pregnancy she estranges from her partner. Trying to keep her former life as it was, she desperately looks all over the city to get an abortion.

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