Sebastian Galasso

In 1979, Native Hawaiian poet Wayne Kaumualii Westlake (1947–1984) published MANIFESTO [for Concrete Poetry], a sardonic and avant-garde three-page poem that challenged the conventions of language and form. Reexamining the roots of Dadaism and the International Concrete Poetry movement of the 1950s, the film transforms text into a living, dynamic force—an interplay of words, sound, and movement that defies traditional narrative constraints.

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In 1979, Native Hawaiian poet Wayne Kaumualii Westlake (1947–1984) published MANIFESTO [for Concrete Poetry], a sardonic and avant-garde three-page poem that challenged the conventions of language and form. Reexamining the roots of Dadaism and the International Concrete Poetry movement of the 1950s, the film transforms text into a living, dynamic force—an interplay of words, sound, and movement that defies traditional narrative constraints.

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Grace is a robot incognito whose primary function is to represent humanity based on a generalization created from all social media and wireless communications. Rudy is her final test.

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Two inexplicably coherent zombies awake amidst a zombie attack and decide to take a road trip to find the one's lost love, unaware they are being chased by the agents of a ruthless company with its own agenda.

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follows a young African-American man, Dwight Porter, an unwilling criminal on the run. After committing murder, Dwight grows remorseful and leaves his environment with a goal: walk across the United States in search of a former teacher, the one person who believed in him

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Three men, each named Michael Smith, are linked in various ways to a mysterious murder: the victim, the killer, and the homicide detective who's forced to try and sort it all out.

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Legend tells of a creature unlike any known to man. Some say it's the devil's most prized invention. A creature which takes on the characteristics of those who have slain it, as well as those which it has slain. A creature that can be destroyed again and again only to come back stronger every time. A creature named The Sorcalak. Unfortunately, seven stereotypical horror film characters on a religious retreat are headed straight for it.

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In 1979, Native Hawaiian poet Wayne Kaumualii Westlake (1947–1984) published MANIFESTO [for Concrete Poetry], a sardonic and avant-garde three-page poem that challenged the conventions of language and form. Reexamining the roots of Dadaism and the International Concrete Poetry movement of the 1950s, the film transforms text into a living, dynamic force—an interplay of words, sound, and movement that defies traditional narrative constraints.

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Queer performance artist and musician Saturn Risin9 returns home to the Bay Area to share their journey of perseverance centering self discovery, healing and creative expansion poetically told through dance, visual narrative, performance, and documentary.

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A weaver navigates between survival and her connection to the land while a mysterious rash grows on her body. While working as a cleaner, she becomes entranced by a mysterious painting and learns it is inspired by a Hawaiian creation story. As her rash worsens, she realizes her drinking water has been poisoned by fuel leaking into the island’s watersheds, and undergoes a major transformation.

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