András Tassy

Jirka is a composer, his wife, Jana, a pianist. Jana would like to have an own concert, but so far she has only been selected to accompany Valenta during his concerts in Budapest. After some resentments, she accepts the proposal.

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Merry soldiers arrive in the sleepy Transdanubian town. The cynical woman-hunter, Ferdinándy, learns to know doctor Barlay's beautiful wife at a carnival. She lives a happy married life, and the attentions of the lieutenant are all in vain.

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Daddy Kárász, the stakhanovist worker, complains in a television interview about the fact that his family, consisting of many members, cannot get a home on their own. Kéri, the chairman of the local authority, promises to help him on the condition that if he does not, they may move in to his villa at elegant Pasarét. Nothing happens, therefore the Kárász family takes Kéri by his word. From this time on, tumultuous scenes and frequent quarrels take place in the villa between the two families.

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Feri Noszty forges bills of exchange, which is an unforgivable sin in his circle. The family, to pay the debt and save the boy's honour, cash in their only fortune by marrying Vilma, Feri's sister, to a wealthy man. But this will not save Feri, who must resign his commission as an officer. He gets a job as a magistrate, but the income does not satisfy the young man's needs. All that is left is a good marriage and a huge dowry.

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The "sleepless years" in this propaganda piece by director Felix Marlassy occur on Csepel Island, an island south of Budapest that is home to an armaments factory. The factory workers are shown being exploited by imperialists, capitalists gone berserk, and fascists, more or less in that exact chronological sequence. The heavy-handed approach does much to undercut the belief that when socialism finally takes over, the lives of the workers are brought up to a human level. In this instance, audiences might prefer a more nuanced and subtle statement, no matter what the message.

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In the thirties, the poor living by the Romanian-Hungarian border were forced to smuggle if they wanted to survive. Mihály, a Hungarian peasant, kills a border guard while fleeing. He is fed up with smuggling and wants to put an end to it, yet he needs money to get a job, so he embarks on another turn.

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1932, Budapest. Gere János, an unemployed worker searching for employment in the capital, is organised into the secret police after a raid. Summary justice is declared, and the police wants to find an illegal communist press at any price. Gere, wandering about in the dark city, joins a man, helping him to carry his luggage. Slowly, Gere learns that his companion is a Communist and his task is to keep the press machine hidden from the police.

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In 1944, Feri Margittai escapes from the front, but his mother sends him away from home.

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Nagy István, the formerly poor peasant boy returns to his native village as a teacher. His conviction is that the abyss between rich and poor can be diminished by good will. The rich Böröcz Horváth Klári returns his love, and also Böröcz Horváth is willing to help the poorest family, the Bakos. Bakos Jóska, who was sent to serve the tough Böröcz Horváth as a payment, dies of an infected wound and the people in the village hold the teacher liable as well. Nagy István realises, that the abyss cannot be ceased, what is more, it is impassable. He breaks up with his fiancée and stands by the side of the poor.

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A heavily indebted schoolteacher raising two marriageable daughters is buoyed by rumors that his long-lost uncle in America is a millionaire, until the uncle’s unexpected arrival in poverty sparks a rush of creditors, patrons and fortune-seekers. Ambitious lawyer Jenő Szekeres orchestrates the deception so that the family, the town and himself profit from the false fortune, and even when the truth comes out, everyone, including Szekeres, now eyeing a political career, chooses to uphold the lie.

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György Dandin, the rich bourgeois concludes a marriage contract with the noblemen Lükeházy couple who has turned poor: he can marry their daughter in return of a regular financial contribution. Angyalka escapes the undesired husband at their very first night, and furthermore she establishes a secret romantic relationship with Count Klitander who suits her a lot better.

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Judge Csanádi András makes a confession to his boss one night: he fell in love with the pretty, modern driver woman, Zenthe Judit in a fencing room. The girl suddenly returned his feelings. One night she confessed to him crying: she hit someone. The case was assigned to Csanádi, who wanted to investigate the circumstances meticulously despite his feelings. Thus the so far hidden life of Judit, which is bound to the past former world and its values is now highlighted. He is confused, asks his boss to absolve him from the assignment, but refuses to do so. Csanádi realises in the court room: Judit kept on telling lies, she played the lover for her own interest. The judge passed his crisis, he will deliver a fair sentence.

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This propaganda film from the early years of socialist transformation in Hungary depicts kulak sabotage in production cooperatives. The prosperous peasant Ignatz Hato, one of the best farmers in the village, joins the Two Octobers cooperative, and soon all the small peasants follow him. The village rich, led by Lili Sohar, watching the great expansion of the cooperative, try to break up the cooperators with each other. Sohar's attempt bears fruit and Hato leaves the cooperative. Next, Lili Sohar tries to convince Ignatz Hato that she is planning to create a rival team of new rich people and urges him to join her. Ignatz refuses and does not give in to the blackmail. Lili's lover, a former gendarme, shoots party secretary Bozhine. At the wounded Božine's bedside, Ignác admits his mistake and asks to be accepted back into the cooperative. Sándor, the president of the cooperative, realizes that the collective should not prevent those who want to work honestly from joining.

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The first Hungarian spy film ripped the mask off those ministerial officials who, having sold out to foreign agents, sabotaged the rebuilding of Hungarian factories and plants destroyed by the war. In the film, spies and saboteurs with wallets full of dollars and pistols in their hands set fire to Hungarian factories. The former ruling class was reluctant to give up its place in life and had to be fought to the death.

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