Anne Rotger

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Adam Vollmann is 40 years old; he is a journalist for the web editorial staff of a major national daily newspaper. One morning, the portrait of Axel Challe, designated as the main suspect in the murder of a young girl, in Guerches-sur-Isoire, appears on the television screen in front of him. When he insisted to his editor-in-chief to go straight away to report there, he explained to him that he was from there, that he grew up there. What he doesn't say is that he knows Axel Challe well: he was his friend. Even more, Axel Challe was the demigod of his childhood.

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A woman is suspected of her husband's murder, and their blind son faces a moral dilemma as the sole witness.

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The 20s. In a seaside resort where everybody is bored, Albert Marvuglia, a slightly shabby conjurer, makes Marta, the wife of the wealthy bourgeois Charles Moufflet, disappear, who takes advantage of this tour to escape for good.

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Paris, summer 1942. Irene is a young, bubbly, 19-year-old Jewish girl. Her family watches her discover the world, friends, new love and a passion for the theatre. The aspiring actress is living her youthful life without a care in the world, but she does not know that time may be running out.

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Doctor Petypon, a respectable doctor, partied until early morning at Maxim's. His best friend discovers him asleep at noon under an overturned sofa. From the bedroom comes the Môme Crevette, a dancer from the Moulin Rouge. She is forced to pretend to be his wife. It stings at the game and causes a cascade of misunderstandings, imbroglios and drama at a frantic pace.

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Fabien, former star of a television show, always seems disoriented when he wakes up. He feels abandoned since the disappearance of Corinne, his co-star, whom he loved so much. Nothing surprises him already, not even his encounter with Yoni, a sad young man, who carries in a bag a beautiful and disturbing token of his own loss.

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When the tree of magical wood falls from a storm, a poor man decides to make a puppet out of it. Pinocchio is born. But he is naive and cruel child who refuses to go to school, only thinks of having fun and dreams of being a prince. So naturally, when his path crosses with two crooks, he can only behave like a blockhead... Revisiting Carlo Collodi's popular tale, Joël Pommerat defends children's right to learn from their mistakes by themselves and to not obey without understanding.

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