Kiyoshi Kurosawa

It’s 1940, and the population of Japan is divided over its entry into World War II. Satoko, the wife of a fabric merchant, is devoted to her husband but is beginning to suspect he’s up to something. Soon she allows herself to be drawn into a game in which she enigmatically conceals her intentions.

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A young Japanese woman named Yoko finds her cautious and insular nature tested when she travels to Uzbekistan to shoot the latest episode of her travel variety show.

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Miyuki Asakawa tells her colleague Etsuko Yamagiwa that she has a ghost in her home. When Etsuko goes to Miyuki's home, there is only Miyuki's father there. Etsuko becomes worried about Miyuki's state of mind, and she takes Miyuki to the psychiatric hospital where her husband, Tatsuo, works. There, Miyuki receives a diagnosis that she lacks the concept of "family." Later, Etsuko tells Tatsuo that she is not comfortable with Dr. Jirō Makabe. Tatsuo introduced her to Dr. Makabe earlier at the hospital. Etsuko has a feeling of unease about her husband working with Dr. Makabe. One day, Etsuko hears Dr. Makabe state "I came to Earth to invade."

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Something’s wrong and Etsuko is one of the first to notice. It’s not just the sky that looks different, Etsuko suddenly begins hearing strange noises, and an increasing number of inexplicable things are happening around her. (Contains the same footage as the movie version)

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Narumi is on bad terms with her husband, Shinji, when, one day, Shinji goes missing. He comes back a couple of days later, but he seems like a totally different person, and he is now gentle and tender. He goes for a walk every day. Meanwhile, journalist Sakurai covers the story of a family that was brutally murdered, when an unexplained phenomenon takes place.

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An aging photographer's obsession with an early form of photography draws his assistant and daughter into a work of mystery.

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After having narrowly escaped an attempt on his life at the hands of a psychopath, detective inspector Takakura quits active service in the police force and takes up a position as a university lecturer in criminal psychology. But his desire to get to the bottom of criminals’ motives remains, and he does not hesitate long when former colleague Nogami asks him to reopen an old case.

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Mizuki's husband Yusuke has been missing for three years. He suddenly comes back home as a ghost and asks Mizuki to go on a trip with him. Their trip consists of visiting the people that helped Yusuke on his previous travel.

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Thirteen filmmakers share personal reflections on Henri Langlois—the visionary founder of the Cinémathèque Française—recounting his influence on their lives, his role in preserving film history, and his enduring impact on world cinema.

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Akiko, a young woman, comes to Vladivostok to meet Matsunaga, a young businessman she has met in Tokyo only once. Akiko finally finds Matsunaga. However, he leaves her again, warning her not to trust strangers in a foreign country. She tries to follow him, but she is attacked by thugs and dumped on the outskirts of town.

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Neurosurgeon Koichi uses an experimental technique to enter the brain of his beloved Atsumi, who is in a coma after attempting suicide. In his quest, Koichi drifts steadily further into the sweltering marshes of the spirit. It is soon no longer clear what is real and what is not.

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The murder of a young girl leaves the inhabitants of a small Japanese village in shock. The body of Emili is found by four classmates with whom she was playing. The murder is never solved. Emili's mother, Asako, is torn by grief and puts a curse on the four girls when they claim not to remember the killer's face. Each of the girls, in their own way, will do penance for their silence.

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While inspecting a wharf, young Amano, president of an urban planning company, meets beautiful laborer Takako and falls in love at first sight. However, she does not return his affections, so he steals her ID card and goes on the run from the infuriated Takako.

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Beauty in the eyes of 4 filmmakers. Kurosawa Kiyoshi's Beautiful New Bay Area Project finds it in a kung-fu fighting young woman with a particular sense of honor. From China, Lu Yue's 1 Dimension reinvents a childlike Buddhist fable about good and evil. For Taiwan's Wu Nien-Jen and Hong Kong's Mabel Cheung, beauty resides in reconciliation and new hope. Wu's A New Year, the Same Days happens over New Year when a retired old man leaves home, while Cheung's Indigo takes place during Christmas, with Elaine Jin playing an aging dance teacher with two troublesome children.

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A wordholic man, acting as the chief editor by a certain publishing company, is confined by the writer who wishes to publish.

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The murder of a young girl shocks a small Japanese village, and the victim's mother is distraught when the classmates her daughter was playing with all claim not to remember the identity of the killer. In her anger, she puts a curse on them.

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The winds of change blow as a family grapples with unemployment, alienation, mistrust and a lack of communication. When a Japanese salaryman loses his job to outsourcing to China, it's simply the beginning of a series of shattering incidents, leading to the implosion of the family unit.

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A detective investigates a series of murders. A possible serial killer might be on a rampage, since the crimes are in the same vicinity, by the same method. However, as evidence points towards the detective, a ghost in red follows him, and he begins questioning his identity. His realization of what seems to be reality results in something far larger and more sinister.

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A writer retreats to a secluded suburban house to work on her new novel. But her attention is instead occupied by her archaeologist neighbor's newly discovered mummy and a ghostly presence in her house.

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Kiyoshi Kurosawa's segment from 'A Story of Love, Wonder and Horror.'

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A husband and wife each believe that the other is cheating on them. The upstairs room in their house becomes a point of bizarre physical transformations.

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Kiyoshi Kurosawa’s contribution to the omnibus film Cop Festival / Deka Matsuri, also presented independently as a standalone short.

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A psychic housewife and her husband accidentally find a kidnapped girl. Instead of informing the police, they hatch a scheme to get famous by working with the police as a psychic consultant to 'find' the girl. Just when it all seems to go right, everything goes horribly wrong.

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Soul Dancing is an order placed to Kiyoshi Kurosawa by a Japanese alcoholic beverage brand named Shôchu. The director then uses this cine-commercial as an excuse to film a weird fable on the arrival of a stranger in a bloodless human community.

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Shortly after hearing from a colleague about a woman whose brother committed suicide after seeing his doppelgänger, a Japanese engineer on the verge of a breakthrough in medical technology is confronted by his own.

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Buddies working at an oshibori factory bond over an uncontrollable rage neither can control, as well as a strange jellyfish they keep as a pet.

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12-part omnibus made under the rules: "the main character is a detective" "at least one gag per minute" "the length must not exceed 10 minutes"

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Each year, at the start of the fall school year in September, Japan suffers from typhoons. That same month, in a small elementary school in a mountainous region, Saburô, a new red-haired pupil has just arrived with the wind. The children of the village thought they recognized in this strange boy who came from the city the spirit that they called “Matasaburô, the wind”. During two weeks of autumn, Matasaburô and the other children will do various experiments in nature.

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"Kaibyo Densetsu" - Maki (Chizuru Ikewaki), who finds it strange that her best friend appears as a living spirit, goes to check on her. "Nanika ga Tsuite iru" - (Atsushi Itô) performs at a live concert under the direction of a female teacher who appears in front of him, and learns the truth behind the mysterious incident. "Hanako-san" - In order to escape from the curse of Sakurako, who committed suicide because of them, a former member of the newspaper club and his friends begin the Hanako-san ritual.

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In the immense city of Tokyo, the darkness of the afterlife lures some of its inhabitants desperately trying to escape the sadness and isolation of the modern world.

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At the invitation of Limosin and Bergala, Kiyoshi Kurosawa rediscovers his own films, first during the shooting of his French film in Paris and then in Tokyo. From his first militant films in Super 8 to his undisputed masterpieces, the Japanese director confides his obsessions, his repulsions, his deliciously heterogeneous tastes as a film buff, his pleasures and his fears as a filmmaker.

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A sequel to the 1980 movie The Legend of the Stardust Brothers. As well as being a rock musical comedy, it also borrows elements from other genres such as road movies, westerns, and meta fiction.

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An interview with cinematographer Junichiro Hayashi speaking about his work with director Kiyoshi Kurosawa

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An interview with director Kiyoshi Kurosawa discussing his work in the horror genre from his V-cinema days to his 2001 released film Pulse.

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Documentary on the film "Pulse"

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Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.

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A “Cinéma, de notre temps” series episode directed by french filmmaker Philippe-Emmanuel Sorlin, originally aired 16 June 2015.

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With Taiwan remaining in the grip of martial law in 1982, a group of filmmakers from that country set out to establish a cultural identity through cinema and to share it with the world. This engaging documentary looks at the movement's legacy.

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Thirteen filmmakers share personal reflections on Henri Langlois—the visionary founder of the Cinémathèque Française—recounting his influence on their lives, his role in preserving film history, and his enduring impact on world cinema.

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The image of a mysterious, solitary filmmaker - a cineaste maudit - who flees from both the media and the public, is unrelentingly bound to the figure of Leos Carax, in France. Elsewhere, the real focus is on his films and he is considered to be an icon of world cinema. Mr.X dives into the poetic and visionary world of an artist who was already a cult figure from his very first film. Punctuated by interviews and unseen footage, this documentary is most of all a fine-tuned exploration of the poetic and visionary world of Leos Carax, alias "Mr.X".

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This documentary by Hubert Niogret looks at the revival of Japanese cinema during the 1990s.

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Koji Shiraishi interviews the survivors of an indiscriminate attack at a sightseeing resort and starts investigating the strange events that have been happening to them.

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Martin Scorsese narrates this tribute to Val Lewton, the producer of a series of memorable low-budget horror films for RKO Studios. Raised by his mother and his aunt, his films often included strong female characters who find themselves in difficult situations and who have to grow up quickly. He is best remembered for the horror films he made at RKO starting in 1940. Starting with only a title - his first was The Cat People - he would meticulously oversee every aspect of the film's completion. Although categorized as horror films, his films never showed a monster, leaving it all to the viewers imagination, assisted by music, mood and lighting.

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A secretive assassin collective is formed with a single purpose: to eradicate absolute evil from the world. Their final target, however, turns out to be their own leader. As loyalties collapse, a brutal showdown erupts—killer against killer in a fight to the death.

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Works commemorating the 70th anniversary of the founding of Japan mapping Supervision Association

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A new documentary on director Nobuo Nakagawa and the making of the film, Jigoku. Featuring exclusive interview with Nakagawa collaborators.

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A Japanese actress begins having strange visions and experiences after landing a role in a horror film about a real-life murder spree that took place over forty years ago.

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Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.

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In this compact, off-kilter vignette, a lone researcher conducts a small-scale “experiment” whose procedures slide quietly from the scientific to the absurd. Confined to a minimal setting, his deadpan actions and seemingly methodical gestures generate a cool, understated comedic tension. Kiyoshi Kurosawa appears as the white-coated experimenter, and his impassive presence anchors the short’s blend of observational humor and controlled unpredictability.

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At some time in the 21st century, Japan's economy is in shambles. Riots and terrorism are the norm. The government buys up television stations in a last-ditch effort to promote nationalism and order to the nation. But this is the dawn of a new dark state. A new form of 3 on 3 basketball is developed in which anything goes, and the winner of the game is the team with the last man left standing.

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Initially, Ambivalent Future was intended as a film about the production of Kiyoshi Kurosawa's "Bright Future". But director Fujii has taken the "behind the scenes"-concept to unprecedented heights with this unique documentary offering a close look into the world of Kiyoshi Kurosawa, the auteur. Scenes from the surprisingly low key and relaxed production of "Bright Future" are of course sprinkled liberally throughout the documentary, but between these we are treated to interesting and revealing interviews with actors, producers and Kurosawa's many other collaborators. And perhaps the most surprising thing of all is how much of Kurosawa there is, talking candidly about his working methods and the philosophy behind it all.

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12-part omnibus made under the rules: "the main character is a detective" "at least one gag per minute" "the length must not exceed 10 minutes"

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Shinji Aoyama’s short film follows an unlikely pair of detectives—played by Susumu Terajima and filmmaker Kiyoshi Kurosawa—as they navigate a quirky case with deadpan seriousness. Mixing parody with genre tropes, the film riffs on the idea of “The Detective Who Can Say No,” echoing the satirical spirit of its title while playfully undermining the conventions of Japanese cop dramas. Made for the omnibus film "Deka Matsuri"

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In the immense city of Tokyo, the darkness of the afterlife lures some of its inhabitants desperately trying to escape the sadness and isolation of the modern world.

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A mother is accused of murdering her daughter but when she tells her tale, things don't seem to make sense. Her husband says they have no daughter, there's a psychic that can trace phone calls, a blonde who sings the US anthem, a house with no bathroom, some Lynchian dream sequences, aliens, breeding experiments, very quirky FBI agents, and some other random events.

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Documentary showing the production of Kiyoshi Kurosawa's 1999 film Charisma

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An ex-boxer working for a game parlor owner gets caught up in a complex blackmail operation he doesn't understand. Before long he's caught between two yakuza bosses and a mysterious thief who motivation is unknown. Add in the boss' daughter who has a crush on him and watch him struggle to make sense of it all and come out alive.

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It’s 1940, and the population of Japan is divided over its entry into World War II. Satoko, the wife of a fabric merchant, is devoted to her husband but is beginning to suspect he’s up to something. Soon she allows herself to be drawn into a game in which she enigmatically conceals her intentions.

Open details →

A young Japanese woman named Yoko finds her cautious and insular nature tested when she travels to Uzbekistan to shoot the latest episode of her travel variety show.

Open details →

Narumi is on bad terms with her husband, Shinji, when, one day, Shinji goes missing. He comes back a couple of days later, but he seems like a totally different person, and he is now gentle and tender. He goes for a walk every day. Meanwhile, journalist Sakurai covers the story of a family that was brutally murdered, when an unexplained phenomenon takes place.

Open details →

After having narrowly escaped an attempt on his life at the hands of a psychopath, detective inspector Takakura quits active service in the police force and takes up a position as a university lecturer in criminal psychology. But his desire to get to the bottom of criminals’ motives remains, and he does not hesitate long when former colleague Nogami asks him to reopen an old case.

Open details →

Mizuki's husband Yusuke has been missing for three years. He suddenly comes back home as a ghost and asks Mizuki to go on a trip with him. Their trip consists of visiting the people that helped Yusuke on his previous travel.

Open details →

Akiko, a young woman, comes to Vladivostok to meet Matsunaga, a young businessman she has met in Tokyo only once. Akiko finally finds Matsunaga. However, he leaves her again, warning her not to trust strangers in a foreign country. She tries to follow him, but she is attacked by thugs and dumped on the outskirts of town.

Open details →

Neurosurgeon Koichi uses an experimental technique to enter the brain of his beloved Atsumi, who is in a coma after attempting suicide. In his quest, Koichi drifts steadily further into the sweltering marshes of the spirit. It is soon no longer clear what is real and what is not.

Open details →

The murder of a young girl leaves the inhabitants of a small Japanese village in shock. The body of Emili is found by four classmates with whom she was playing. The murder is never solved. Emili's mother, Asako, is torn by grief and puts a curse on the four girls when they claim not to remember the killer's face. Each of the girls, in their own way, will do penance for their silence.

Open details →

While inspecting a wharf, young Amano, president of an urban planning company, meets beautiful laborer Takako and falls in love at first sight. However, she does not return his affections, so he steals her ID card and goes on the run from the infuriated Takako.

Open details →

The murder of a young girl shocks a small Japanese village, and the victim's mother is distraught when the classmates her daughter was playing with all claim not to remember the identity of the killer. In her anger, she puts a curse on them.

Open details →

The winds of change blow as a family grapples with unemployment, alienation, mistrust and a lack of communication. When a Japanese salaryman loses his job to outsourcing to China, it's simply the beginning of a series of shattering incidents, leading to the implosion of the family unit.

Open details →

A detective investigates a series of murders. A possible serial killer might be on a rampage, since the crimes are in the same vicinity, by the same method. However, as evidence points towards the detective, a ghost in red follows him, and he begins questioning his identity. His realization of what seems to be reality results in something far larger and more sinister.

Open details →

A writer retreats to a secluded suburban house to work on her new novel. But her attention is instead occupied by her archaeologist neighbor's newly discovered mummy and a ghostly presence in her house.

Open details →

Soul Dancing is an order placed to Kiyoshi Kurosawa by a Japanese alcoholic beverage brand named Shôchu. The director then uses this cine-commercial as an excuse to film a weird fable on the arrival of a stranger in a bloodless human community.

Open details →

Shortly after hearing from a colleague about a woman whose brother committed suicide after seeing his doppelgänger, a Japanese engineer on the verge of a breakthrough in medical technology is confronted by his own.

Open details →

Buddies working at an oshibori factory bond over an uncontrollable rage neither can control, as well as a strange jellyfish they keep as a pet.

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In the immense city of Tokyo, the darkness of the afterlife lures some of its inhabitants desperately trying to escape the sadness and isolation of the modern world.

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In a near future where allergies have become an epidemic, music producer Haru half-heartedly dates post office clerk and mail thief Michi. He searches for violent ways to reactivate his life, she dreams of escaping abroad; both volunteer to test a new drug which may provide a cure.

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A seasoned detective is called in to rescue a politician held hostage by a lunatic. In a brief moment of uncertainty, he misses the chance for action. Leaving his job and family without explanation, he makes his way to a mountain forest, encountering a peculiar tree called Charisma.

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Having fallen into a coma following a car accident at 14, Yutaka wakes ten years later and realizes that his family is no longer intact: father, mother and sister live at different places, so he decides to reopen the farm that his family once ran.

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After killing the man he believes murdered his daughter, a white-collar worker returns to his mundane life, until he's approached by a man offering a mysterious job opportunity.

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A frustrated detective deals with the case of several gruesome murders committed by people who have no recollection of what they've done.

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Second half of the violent tale of revenge from actor Sho Aikawa and director Kiyoshi Kurosawa! It's been five years since he left the force, lost his wife, and waged all out revenge, and now our hero is idling his time with a failing yakuza group. When he discovers the secret of one of his superiors, he takes up the gun of vengeance and realizes that his life has only been to serve that purpose.

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A duo get mixed up with a girl who finds a trunk load full of heroin.

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Having lost everything to horse racing, Yûji accidentally gets 10 million yen. But this sum belongs to a Yakuza.

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Yûji and Kosaku are hired to track down an old man. But when he suddenly dies, his granddaughter surfaces with a map to his buried fortune, which the yakuza and a dirty cop are determined to find.

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Hapless gangsters are hired by the yakuza to tail his daughter. Once the identity of the boy she's dating has been unveiled, the boss offers a reward for his capture.

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Two petty gangsters get ransomed by a group of Yakuza members, fortunately they are rescued by a kindly Kindergarten teacher.

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The second installment of a V-Cinema sports drama, directed by Kurosawa in 1994, following "打鐘" (Dakan) from 1993, which was based on Yamamoto's manga and directed by Komatsu Takashi. While there is no direct narrative connection between the two films, they share thematic similarities. The protagonist, Wataru Tachibana, a self-destructive yet genius keirin cyclist, is once again passionately portrayed by Nishimura. This time, Wataru fiercely competes against a rival known as the "Prince of Keirin," who is also the heir of a powerful conglomerate. Kurosawa directs with intense and dramatic storytelling, capturing the protagonist’s burning determination.

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Yakuza clan Inoshika decides to help a small family business, Taxi Tanaka, lured by the clan Jinryûkaï and deeply in debt.

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An ex sumo wrestler turned corporate security guard goes on a murderous rampage at his place of employment.

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