Carolina Rosi

The narrative wanders through Rosi’s films, not in the order they were shot but following the chronology of the historical facts they deal with. The documentary therefore not only narrates Rosi’s work, but also portrays half a century of Italian history.

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Rome. The 1980s. After the magnum opus The Art of Joy she has been working on for a decade is rejected by the Italian publishing world, writer Goliarda Sapienza commits a desperate theft that costs her her reputation and social position. Incarcerated in Italy’s largest female prison, she finds herself living alongside thieves, junkies, sex workers and revolutionaries. After her release, she continues to meet with these women and over the course of a sweltering summer, a life-changing relationship flowers – a relationship that will reawaken her the desire to live and to write.

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On the occasion of the sixtieth anniversary of the founding of Portorotondo (1964 – 2024), the documentary tells the story of this locality established by two Venetian brothers, Nicolò and Luigino Donà dalle Rose. Enamored with Poltu Ridundu, they transformed a perfectly round body of water into one of the most renowned tourist destinations in the world. Through interviews with illustrious figures such as writer Marcello Fois, Nicola Pietrangeli, Enrico Vanzina, and Carolina Rosi, the documentary explores the social, economic, and cultural revolution that completely transformed Gallura during the years of the economic and tourist boom.

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The narrative wanders through Rosi’s films, not in the order they were shot but following the chronology of the historical facts they deal with. The documentary therefore not only narrates Rosi’s work, but also portrays half a century of Italian history.

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After a long marriage, Maria and Jeffrey are now in crisis. Trying to keep the family together, she tries to convince their children to attend the birthday of the old grandmother Assunta, owner of the beautiful house in which they live. But their children are going through a rough patch. Francesco is a writer who is ashamed of having achieved fame with a book of literary shoddy, why his wife has lost respect. Marco is a doctor and is happy with his family, but his wife is determined to throw it all away for that to become an actress. Meanwhile, Miriam, a young emancipated, discovers she is pregnant, but does not know which of her lovers is the father.

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The narrative wanders through Rosi’s films, not in the order they were shot but following the chronology of the historical facts they deal with. The documentary therefore not only narrates Rosi’s work, but also portrays half a century of Italian history.

Open details →