Irm Hermann

A film portrait of the influential Bavarian actor, director, and screenwriter who publicly confessed his homosexuality, which chronologically covers all the important stages from Action-Theater to the director's early death, supplemented with anecdotes.

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Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as well as a body of unique, multi-layered, and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. The film is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother, Lilo, in the 1970s.

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A young woman has the idea of setting up her boyfriend with a very wealthy but sickly lady to claim her inheritance.

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Ada Hänselmann presents her debut novel. However, the numerous guests are only interested in the 82-year-old legendary actor Nino Winter and his autobiography. The two meet again in the evening at the hotel bar. Ada involves Nino in a game - he is supposed to play a detective and shadow her. After a tour of the city, the games continue: Both are to answer any five of the other's questions honestly. Nino is skeptical, but eventually there are hundreds of questions, big and small, casual and existential, about life, love, fame, transience: what would Nino look like as a woman, what was nature thinking when it created the family, what does love sound like, what does death mean? Ada and Nino become allies of the night. They have to jump over their own shadows and a magical closeness develops between them. It is an encounter that neither of them will ever forget...

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The 37-year-old Munich survivor and rickshaw driver Basti struck by lightning than one day unexpectedly the 17-year-old Dina from Bitterfeld turns up on his doorstep and quite credible claims to be his daughter. Moreover, they presented him her baby Paul and asks Basti, fearing further turmoil, not only attention, but also money.

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Ulrike Ottinger is an exceptional filmmaker and artist. Her cinematic universe has influenced entire generations. As a young woman, she brought the international art world to the sleepy town of Konstanz. It all began on the shores of Lake Constance where Ulrike Ottinger was born and where she still often spends time. Filmmaker Brigitte Kramer chose to begin her film at Lake Constance since she too shares Ottinger’s birthplace and a great love of these waters. This is also where the filmmaker’s own artistic development began, not least as a result of her encounter with Ottinger and her work. Other fellow travellers and friends appearing in this film include art historian Katharina Sykora, collector and curator Ingvild Goetz, film historian Ulrich Gregor, philosopher Bernd Scherer and actor Irm Hermann. Using this common ground as a starting point for an exploration of Ottinger’s substantial oeuvre, this documentary provides a keen insight into the artist’s life and work.

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A pure nightmare: outtakes of a film that consists of nothing but outtakes. Its truest moment is a dream sequence in which the torturous initial sequence dissipates in an intoxicating rush, only to resurface, ghost-like, in a third sequence. Nothing is finished, not even the intertitles. Everything is emerging. Or decaying.

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In the 1980s, an Israeli refugee, deemed a traitor, coaches West Germany's basketball team.

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Travelling between Germany, France, and Tunisia, Viola Shafik reconstructs and deconstructs the unknown life story of El Hedi Ben Salem through interviews with his companions and family members as well as archival material. With openness and slight naivety, the interviewees explain how “Ali” became an oriental object of projection for the Fassbinder group, while El Hedi Ben Salem, the human being, was overlooked in order to establish the foreigner as “other.” A no-frills examination of a piece of German and Munich film history.

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Everyone in the Bavarian village of Frühling knows her: village volunteer Katja Baumann. Whether it’s milking cows or lending a helping hand to someone in need… Katja is always there.

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In no less than 180 minutes the film showed frenzied dashes of wild colors and idyllic natural images, of wonderful music and powerful lyricism, which, among others was flawlessly recited by star actors such as Corinna Harfouch, Angela Winkler and Ulrich Matthes. The work treats of the consciousness-defining echoing thunder of modern rock music, of the rock inscriptions of the ancient Egyptians, of the Merseburg magic spells, the author’s childhood impressions, in the latter’s homeland in the forests of the Upper Palatinate, and the ghosts of the Nazi era, who today continue to haunt us in the most vivid manner.

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Perhaps the fun-loving Lotta takes her impulsiveness a bit too far: so far, she’s taken a detour at every turn on the path to adulthood. Now in her mid-20s, she believes she’s finally found her place in life. After passing her exam to become a geriatric nurse, she naturally wants to return to work at “Haus Abendrot.” Once again, there are cheerful, touching, and even sad encounters with the residents of the nursing home, and everyone is happy that Lotta is back. But just now, as she’s making long-term plans for her future for the first time, fate throws a wrench in her plans. Lotta discovers that a fleeting encounter at a party has not gone without “consequences.” So Lotta is suddenly faced with the big question of how much responsibility she can and wants to take on in her life.

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The SOKO Stuttgart team investigates analytically and with sensitivity in the likeable state capital. The exciting cases of the series lead them to bizarre crime scenes and to different milieus.

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In Mea Culpa, Christoph Schlingensief blurs a delicate line: he ignores the threshold that separates the healthy from the sick. By making his cancer the subject of an opera, premiering on the largest German-speaking theater, he is putting the art district under pressure: a wonderful institution like the Burgtheater must use its artistic resources lavishly to reveal the entire "truth" about us humans. At the end of the day, when the scenery on Janina Audick's revolving stage has finally come to rest, when Isolde's last Liebestad has been sung enchantingly beautifully by Elfriede Rezabek and indescribable jubilation breaks out, then Schlingensief is completely alone with his illness.

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Lilly was a normal girl with a healthy sense of adventure. That is, until she finds a magical book, complete with a funny little dragon, "Hector". With the help of her new friend and the book, Lilly has the ability to time-travel and truly satisfy her adventure- lust!.

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On a summer evening the circuit of the village policeman Krause suddenly went crazy. His doctor immediately prescribed a cure on the Baltic Sea for him. And so Krause and his sisters set off in the legendary "Dübener Ei". In the sanatorium he meets his roommate Rudi - an encounter with far-reaching consequences.

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A woman tries to survive the invasion of Berlin by the Soviet troops during the last days of World War II.

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Air traffic controller Markus Hofer is partly to blame for a collision between two airplanes in which 83 people lost their lives. Although the incident happened a year ago, he still blames himself, which his wife Franziska can only bear by having affairs. Erik Loth, on the other hand, is full of revenge, having lost his wife and daughter in the disaster and is now determined to kill the pilot responsible. Police officer Harald was on duty on the night of the accident and has been unable to get the images out of his head ever since. One evening, the television reports on the murder of Markus Hofer. Harald knows Erik, the man who killed him, and now thinks he sees him everywhere...

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Die Stein is a German television series.

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The wealthy industrialist Ernst Schmitt has to take a step back for health reasons. But first he wants to arrange his succession, as he doesn't trust the manager of his chocolate factory. Without further ado, he pretends that his chauffeur is his millionaire boss and that he is his own driver. This allows him to uncover the factory manager's machinations unobserved...

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Doctor’s Diary is a German-Austrian medical drama, that aired for three seasons from 2008 to 2011 on RTL in a coproduction with ORF. The focus of the series is the young doctor Margarete "Gretchen“ Haase, who wants to make a career in a hospital. It was directed by Bora Dağtekin and shown from the June 23, 2008 to February 14 2011 on German television, RTL Television. In Canada, it was shown starting August 31, 2010 on Séries+ television. In France, from June 8, 2011 on TF1 television and starting March 31, 2013 on HD1 television.

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Documentary about filmmakers of the New German Cinema who were members of the legendary Filmverlag für Autoren (Film Publishing House for Authors). Among them are Werner Herzog, Rainer Werner Fassbinder, and Wim Wenders.

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The unusual friendship between a German embassy employee and a twelve-year-old refugee girl helps both of them rediscover their joy in life, but also brings with it suspicion, corruption and violence.

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At 52, traveling salesman Wolfgang Zenker (Edgar Selge) is in old school territory: he peddles the company's classic clothing line to boutiques that cater to women over 35. When Wolfi loses his drivers license in his brand-new Mercedes but can't afford to lose the season's sales because his frustrated wife (Franziska Walser) desperately wants a new bathroom, their son's vacation plans take a back seat as Karsten (Florian Bartholomäi) is forced to making sales rounds with his father instead of celebrating his high school graduation in Spain. Also making the rounds in small town southern Germany is successful and attractive sales rival Steven Brookmüller (Roman Knizka), 33. As the men's paths cross, long-hidden secrets are revealed and things come to a hilarious head.

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Germany in 2020: the state social security systems have been dissolved and will be regulated purely by the private sector from now on. The insurance group TRUST.Wohltat is at the forefront. Well-heeled customers take out pension contracts by buying a "genetically clean" person - a so-called talent - and having them work for TRUST.Wohltat for a good return. 28-year-old Luca Permann is one such talent. His owners order a child from the company - bred from Luca's genetic material. They choose Hannah Bitlik, a young, genetically clean woman, as the surrogate mother. When Luca is confronted with the fact that, contrary to all expectations, he has a genetic defect, he begins to doubt himself for the first time. The child is to be aborted, but Hannah refuses and breaks off contact with TRUST.Wohltat...

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A situational family comedy, wordplay and a whole host of idiosyncratic characters are the ingredients for this both cheerful and emotional film about family ties and love confusion, trust and the ability to let other people have their way.

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