François Périer

To a non-French speaker, the word La Pagaille looks charming, elegant, even tidy. However, it means "a mess," and a mess is just what the happily divorced Martin gets into when he and his ex-wife Brigitte, the mother of his children, rekindle their long-dormant relationship and announce that they intend to move back in together. Not only do the children find this whole thing confusing, but the husband's and the wife's lovers are equally befuddled. Add to that the need for Martin to meet Brigitte's lover and vice-versa, and you have the beginnings of a mess. When it begins to seem to Brigitte's former lover that he has offended the Muslims with a book he translated and he is slated for death, the whole thing grows yet more complicated. In this comedy, this list only scratches the surface of the messes these people must confront.

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In 19th-century France, doctor's wife Emma Bovary seeks to escape her dull provincial life through various extramarital affairs and extravagant spending, leading to tragic consequences.

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On 9 January 1836, Pierre Lacenaire goes to the guillotine, a murderer and a thief. He gives Allard, a police inspector, his life story, written while awaiting execution. He also asks Allard to care for Hermine, a lass to whom he has been guardian for more than ten years. In flashbacks, from the prison as Lacenaire writes, from Allard's study as he and Hermine read, and from other readers' memory after the book is published, we see Lacenaire's childhood as he stands up to bullies, including priests, his youthful thieving, his first murder, his brief army career, his seduction of a princess, and his affair with Avril, a young man who dies beside him.

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A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

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This film is made up several sketches in which certain actors play several real or fictional roles to a background of rock music. The lead character, played by Godard himself, is an annoyingly perfectionist film-maker determined to wring every last drop of the finest performance possible from his stars.

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Made for the centenary of France’s trade union laws, Chris Marker’s 2084 imagines a future in which a computer looks back on the labor movement of the 20th century. Mixing documentary reflection with speculative fiction, the film envisions contrasting paths for the future of workers and unions.

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Orgon is a man of property duped by the false piety of the penniless Tartuffe. Orgon takes him into his house, believing him a paragon of virtue. Orgon orders his daughter to reject her fiancé and marry Tartuffe. First Dorine, the family servant, tries a strategy to avert the marriage; then Orgon's son tries his hand. They anger Orgon, and to prove paternal power, he disinherits his son and makes Tartuffe his heir. Next Orgon's wife tries to bring her husband insight, a stratagem that partially backfires. With the bailiff at the door ordering Orgon to vacate his own home and with Tartuffe at court to prove Orgon's a traitor, all seems lost.

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An epic crime saga of power, money, violence and corruption. The mafia controls everything through local and international networks like an octopus, and anyone who tries to bring them down pays the ultimate price.

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Jacques Darnay has served 8 years for robbing a jeweller. Now he is out of prison and looking for his loot worth 6 million francs.

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A gangster (Daniel Duval) incurs the wrath of the patriarch of a well-established crime family.

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Fush and Ballestrat are the heads of each department of the French police. Both have the task of combating serious crime and cleaning up the underworld.

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The series Mazarin (1978) recounts the rise of Jules Mazarin, first an Italian diplomat and later France’s chief minister after Richelieu. The story shows how he earns the trust of Anne of Austria and becomes the political mentor of the young Louis XIV. Over the course of the episodes, Mazarin faces court intrigues, the hostility of powerful nobles, and the turmoil of the Fronde, which threatens royal authority and forces him into several periods of exile. Despite pamphlets and conspiracies, he manages to restore order and prepare the emergence of the future Sun King. The series thus portrays a skilled statesman, often contested but essential in shaping absolute monarchy.

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Professor Marrot obtains the secret documents containing evidence of the illegal weapon transactions between the French government, in the face of its high official Leroi, and two African countries. Before making the public statement, Marrot finds himself under surveillance. In the critical circumstances his Italian friend and partner Angela takes action and the game continues.

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Chris Marker’s A Grin Without a Cat is an epic political essay tracing the rise and decline of the global left from the 1960s to the 1970s. Through archival footage and commentary, the film examines revolutionary movements in France, Latin America, and beyond, reflecting on the ideals, failures, and fading hopes of a generation.

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In an empty villa, Vera Baxter sits and contemplates her life, as she recounts to a woman who was drawn to the villa when she heard the name Vera Baxter pronounced. Vera tells her about her no-good husband, who has been using her to keep his failing business afloat, up to her present love affair.

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Documentary on the events provoked by the systematic attack of imperialism on the Popular Unity government in Chile, presided by Salvador Allende.

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A methodical police inspector becomes entangled in a web of deceit after a murder investigation reveals disturbing connections to his own department. As suspicion tightens around him, he must outwit both the killer and the system to survive.

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Dr. Françoise Gailland has a hectic schedule, which causes her to have little time to spend with her family, which consists of her husband Gérard, her pregnant teenager daughter Élisabeth, and her sullen son Julien. However, she does manage to find the time to spend with her lover, Daniel Letessier. While her life in such disarray, she learns that she has cancer. Françoise tries to put a brave face on it, and is determined to face the life-threatening disease with courage.

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A talk show presented by Michel Drucker

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Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.

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Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.

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