Françoise Graton

A white room. The aging bodies of actors Gilles Pelletier and Françoise Graton testify to a love that has triumphed over time and a captivating lover's dialogue emerges between two octogenarian bodies defying inertia, old age and death. With music by the group Forêt, this sensuous short film depicts the tremblings of desire and the most elemental components of love.

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Jean-Marc is a man without qualities living in times that are out of joint. His wife and children ignore him; he's a mid-level government functionary in Montreal doing his job without care. He has an active imagination of sexual conquest, but his only real feelings come when he visits his aged mother, whose health is failing. When his wife leaves abruptly to work in Toronto, Jean-Marc sets out to reorder things with his daughters, his social life, and at work. In a world that at best is a farce, does he stand a chance?

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When schoolteacher Kieran Johnson discovers that his father was not a French sailor (as he had been led to believe) but rather an Irish farmer, he looks to his mother for answers. When she refuses to provide any, Kieran travels to Ireland.

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The mayor of a suburban town must try to deal with cultural clashes with the local hassidic jewish community, while trying to mend his relation to his emotionally-distant son.

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While visiting their grandparents in the Québec countryside, two children enter a fantasy kingdom and are confronted by evil forces.

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In the early 1940's, Canada is a country at war and Florentine is a young woman, from a very poor family, looking for love. She meets two suitable men, a nice soldier from a good and wealthy family, and an ambitious self-centered engineer. She must decide whether she wants to follow her head or her heart...

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A young man, Jean Liber (Paul Guèvremont), who, at the end of his cours classique, decides to leave his rich, happy family and his finance, Pauline (Denise Pelletier), in order to become a missionary in China. This story of his struggle, 'at the crossroads' between love and God's calling, is clearly a pretext for a film designed to encourage young men to enter missionary work.

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