Jalaal Khamil

In a time of turmoil, where memories of the past intertwine with the wounds of the present, this work unfolds a human epic set in Iraq, shedding light on a generation born of war and raised amidst profound transformations. Through interwoven stories For characters from diverse backgrounds.

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After the recent incident that occurred to Watan, he feels guilty and decides to live normally, while Hayat decides to take revenge on the organization that killed her family. Within the framework of a police drama, the events of the series revolve around a group of thorny cases that occur and the circumstances are investigated by the police

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In this work, the Iraqis will have a superhero emerging from the womb of love and war, to embody the ambitious Iraqi dream of ending injustice, violence and corruption in the country. At work, techniques are used for the first time in Iraq, and a unique tale, accompanied by a lot of imagination and emotions, and many stars of Iraqi drama.

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The film revolves around a gang blinded by greed and falling into the evil of their deeds.

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Our neighborhood workshop, is an educational series for young and old. Introduces the viewer to many popular professions and crafts such as farming and making the musical lute, and the series is interspersed with 30 songs about various professions and crafts.

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Ibrahim finds himself under intense nervous pressure as he seeks revenge for his father's murder by one of the sons of his village in a brawl that occurred between them. At the same time, a love relationship arises between him and the girl Ward, so he tries to persuade his family to forgive and distance themselves from bloodshed. On the other hand, Ibrahim tries to monitor what is happening in his work, dealing with theft and looting, attempting to rectify the situation in various ways.

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The film presents, in a comedic manner, how to execute a dramatic film featuring a love story between a young man and a young woman. It depicts the execution of comedic scenes by shooting at the lover, as well as the selection of a cart and horse by the carriage driver Alwan. Alwan becomes annoyed during filming by the romantic expressions between the lovers, believing them to be real, which causes disruptions in the film's production.

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Hamed is arrested after he starts working in the black market. When he is released, he tries to make amends, but his obsession with money and wealth throws a wrench in his plans, and he gets arrested again.

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The film depicts life in Iraq during the Iraq-Iran war through the characters of the fighters Jabbar and Imad (played by Jalal Kamel and Nizar Al-Samarrai). They live in the city of Basra and the Iraqi countryside amidst the war atmosphere. Jalal develops a love relationship with the beautiful girl Soha, and they both join their military duties.

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Saleh inherits a building after the death of his uncle, he is surprised to find out that tenants living in the building are suffering from different kind of problems caused by his late uncle especially the high rent that he used to collect from them which is higher than the amount agreed on in the contract. Saleh gets an offer from a rich man who wants to buy the building by any price but Saleh refuses that causes the rich man to ask one of his men to do the job of scaring the tenants so they would leave the building.

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تدور أحداث السهرة التلفزيونية حول قصة حب تجمع بين أحمد وجميلة، وتستعرض التحديات الاجتماعية والعاطفية التي تواجههما. الإطار الاجتماعي: تعكس التمثيلية واقع العائلة العراقية والتقاليد السائدة في تلك الفترة، وكيفية التعامل مع العلاقات الإنسانية والروابط الأسرية. الطابع الدرامي: يركز العمل على الحوارات العميقة والمشاعر الإنسانية الصادقة، وهو أسلوب اشتهرت به "التمثيليات" (الأفلام التلفزيونية ذات الحلقة الواحدة) في ذلك الوقت The television drama revolves around the love story of Ahmed and Jamila, showcasing the social and emotional challenges they face. The social context reflects the reality of Iraqi families and the prevailing traditions of that era, exploring how they navigated human relationships and familial bonds. The dramatic style emphasizes profound dialogue and genuine human emotion, a hallmark of the "television dramas" (one-episode television films) of that time.

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