Johnny Kraaijkamp Sr.

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The film is based on the popular Dutch childrens book by Chris van Abkoude. In a Dutch port in 1921 lives a 10-year-old orphan boy known to everyone simply as Little Crumb. His poverty-stricken mother Lize van Dien filled with shame was forced to turn him over to Mrs. Koster soon after he was born. Foster mother Mrs. Koster, who has cared for him since he was a baby, is very poor too, unable to support him by herself and proves to be a cruel taskmaster who insists Crumb bring her money before shell feed him. Somehow he must earn his keep out on the streets and can only go home after he has earned enough money. Crumb becomes an urchin stealing from the streets barrows and the shops to stay alive, sleeping in churches or huddled in doorways. Sometimes he has to run off from the police and he has earned the enmity of the most grownups around him.

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When ex-colleague Peter de Beer is killed, detective De Cock is facing the ultimate challenge. Peter’s daughter Michaelle, a witness of the murder, is in shock and cannot help De Cock. But, does the killer also know this? Out of precaution De Cock takes the little crown witness under his wings. To his regrets he concludes that his past pursues him. The trail is leading to a couple of old-India travelers. These old but very tough men already prevented him to solve a murder case years ago. Also this time they try whatever is in their power to keep the murder covered up.

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A female veterinarian moves to the country side to start her own practice. She encounters a lot a skeptical villagers.

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A woman gets off a train by mistake and finds herself stranded alone with a peculiar man who doesn't even speak her language.

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At the end of WWII the Dutch resistance kills a German officer in front of the house of a Dutch family. Years after the war the young boy who witnessed the killing runs into the members of the resistance who committed the killing.

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Eight newspaper-columns by Dutch writer Simon Carmiggelt were turned into a film in honor of his 70st birthday.

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In the Belgian hamlet of Verbrande Brug, former lovers Monique and Louis reconnect at a carnival, stirring up drama with their current partners.

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Tim, now a respectable family man, runs into his old buddy Bodde. Bodde convinces Tim to go out with him under the motto: "Laugh, laugh, laugh!" Tim calls his wife to tell her "he'll be a little late," while Bodde keeps persuading him to stay with him for a new deal or a wonderful plan, and so they roam the country. Along the way, they swindle money from everyone and meet the young, beautiful Aafke. Isn't Tim too old for all this?

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A series of four stories written by the Dutch writer Heere Heeresma, interpreted by four different directors. A confirmed bachelor bumps into his secretary after work. An old man just wants to be left alone at Christmas time. A former sailor yearns to get back to the sea, away from his clarinet playing wife. A shopkeeper in a rowboat gets into an argument with a postman on a bicycle.

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Part of the anthology film Zwaarmoedige verhalen voor bij de centrale verwarming based on Heere Heeresma's darkly humourous short stories. This instalment is about a grocer who goes sailing with a postman whom he gets to know in a bizarre way. With Rijk de Gooyer and John Kraaijkamp Sr.

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Four inmates are ordered to enter an annual four day walking tournament. When they get over their initial annoyment, each one of them finds a way to take advantage of their time out of jail.

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Well, who says that they were chaste and modest, the ladies and damsels of yesteryear? And even the knights themselves. They knew exactly why they had the chastity belt fastened to their ladies' pretty bodies when they themselves went on crusade or had other important official business to attend to. Better safe than sorry - that's what the robber baron Archibald meant in our case, or in this cheerful film case, when he was summoned to help by his bosom friend Sigurd and went to war with his proud host.

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After a year's trip around the world, twenty-year-old Daniël comes home where a surprise awaits him. In his absence, his boring bourgeois parents have become completely captivated by the sexual revolution. In their new trendy clothes and their 'groovy' white interior, they make sexual freedom a mockery. This upsets Daniël so much that he flees again. This time to the 'peaceful, unspoilt countryside'. Disillusionment awaits him there too. Frustrations and sexual obsessions appear to be just as intense there as in the big city.

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