Krystyna Janda

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A mysterious woman recounts the rise and fall of Nikodem "Nikoś" Skotarczak, one of the biggest gangsters in Poland's history. Inspired by a true story.

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The film was inspired by one of the most important documentaries shot by Krzysztof Kieślowski, Talking Heads (1980). The director asked his interlocutors seemingly simple questions, such as “Who are you?” and “What do you want?”.

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Two Slavic warriors do everything in their power to defend the village of Mirmiłowo from the evil order of Knaveknights.

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Fleeing from despair after losing those dearest to him, the hero hides in a safe land of memories, where time stands still and all those dear to him are alive.

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Such changes took place in Poland over a period of several months - from the end of 1988 to the end of January 1990? Michał Bielawski, through the prism of official and underground archives, shows the then state of mind of Poles, their fears, hopes and reflections. Film materials from the 1988-1990 period are in harmony with the photographs and diaries written by Poles at that time, as well as with the messages about the changes taking place. We observe the most important political, social and moral events of that period, confronted or reinforced by the comments of their active observers: ordinary people, politicians of the government camp and oppositionists.

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In Tuscany, Maria's stable family life begins to erode as her relationship with a young immigrant develops against a backdrop of terrorism and eroding democracy.

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An organised arts teacher has only one main problem in life, which is his father – a painter always going from one party to the next. When the father lives through his second heart attack and still refuses to change his lifestyle, Julius will have to find a way to influence his behaviour.

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A moving documentary depicting a recent and very candid interview with Wojciech Mlynarski, in which we learn about previously unknown archival photographs and music videos. The film is complemented by more than 30 statements from his closest friends who collaborated with the artist on many occasions: Janusz Gajos, Janusz Glowacki , Jerzy Derfl, Janusz Senta, Wlodzimierz Korcz, Ewa Bem, Janusz Stoklosa, Irena Santor, Michal Bajor, Magda Zawadzka, Krystyna Janda, Family and those who worked with and for him: prominent composers, actors, singers. This extraordinary film shows the true face and difficulties that Wojciech Mlynarski faced, not only as an artist, but also as a person.

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A documentary about Elzbieta Czyzewska, one of Poland's greatest actresses, a beauty icon of the 1960s, who died in 2010. She had a great career in Poland, but the filmmakers focus more on her attempts to make a name for herself as an actress in America, after her sudden emigration to the United States with her husband, American journalist David Halberstam. Friends and acquaintances of Elzbieta Czyzewska speak without embellishment about her failed marriage, her battle with alcoholism won after years, and her attempts to return to Poland. This is a story about the fate of the actress at different stages of her career: at the top, at the bottom and in between.

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Rainer Dulsky, a professor of psychiatry from Switzerland, comes to Melania, the granddaughter of Mrs. Dulska. He feels he’s got something in common with the tenement house in which the Dulski family live... Melania, a film director, intrigued by her family history joins Rainer in his research. Their discoveries will take them back to the past full of secrets that were meant to stay hidden forever. The Dulski family have much on their conscience...

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The story about the friendship between two women, family problems and difficult childhood.

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The unique story of film directors who managed to critic the Communist regime while being produced by the State: this is Polish cinema's golden age, in the 1970s. Director Ania Szczepanska, born in Poland and raised in France, meets prominent filmmakers, producers, actors such as Andrzej WAJDA, Marcel LOZINSKI, Krzyszstof ZANUSSI, Kristina JANDA, Ryszard BUGAJSKI and confronts them the testimonies of the State men of that time. Through unknown archives, forgotten documentaries and excerpts of cult films, she relates how the Solidarnosc people ended up in Cannes.

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How was it possible that a single man influenced contemporary world so significantly? This film is an attempt to capture the phenomenon of a common man’s metamorphosis into a charismatic leader — an attempt to see how a Gdansk shipyard electrician fighting for workers’ rights awakened a hidden desire for freedom in millions of people.

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Bez tajemnic is HBO Europe’s Polish adaptation of the Israeli award-winning TV drama series BeTipul (In Treatment), part of a series of adaptations that also includes Romanian, Czech and Hungarian versions. It explores one of the defining features of modern society, therapy, as seen through the eyes of a psychiatrist whose professional and personal life is on the verge of collapse.

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A journalist tries to balance the duties of marriage and motherhood while researching a piece on college women who work as prostitutes to pay their tuition.

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In this documentary, Andrzej Wajda presents a biography of the famous filmmaker and his long-time collaborator, Edward Klosinski. He was an outstanding cinematographer. Among others, his wife Krystyna Janda and closest friends, as well as the director himself, talk about his extraordinary work. The film also uses excerpts from many major productions that Klosinski took part in creating.

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A story about women, set in the present and in 1950s Warsaw. Sabina, a quiet, shy woman who has just turned thirty lacks a man in her life. Her mother knows all about it and tries at all costs to find her daughter a good candidate for a husband. The whole situation is controlled by the grandmother, an eccentric lady with a sharp tongue from whom no secrets can be kept.

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As an aging woman married to a workaholic doctor by chance meets a young man who makes her feel young again. All of this is films by a director making a film about her which cuts in and out of the on camera and off camera drama.

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The unusual bond between a blind female writer and an acclaimed poet changes their lives and forms an exceptional creative cooperation, free of politics and the complexities of mundane life.

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A Polish woman and a German man fall in love against the odds and decide to set up a cemetery for exiles. But can their daring venture survive the call of the toad? Adapted from Gunter Grass’ novel.

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A 2005 novella film created to commemorate the 25th anniversary of the Solidarity movement. It consists of 13 10-minute shorts. There are various forms: mini-feature, music video, documentary, animation, interview.

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Polish-born Russian subject Cezary Baryka comes of age during a tumultous period of ten years from 1914 to 1924, during which he witnesses revolution, rebirth of Poland, war with the Soviets and communist plots.

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The film is based on the well-known, translated into many languages novel of writer Pawel Huelle. It is imbued with nostalgia and the atmosphere of mystery story of a group of children, fascinated by the figure of a man named David Weiser.

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The main character - a man who suffers from alcoholism - wants to change his tumultuous life. The day before Christmas Eve he receives a gift from his son - a yellow scarf. A gift is a kind of talisman he receives from loved ones, and every time he loses it. When after another banquet he falls into delirium, his ex-wife and secretary bring him to his mother. She helps him to sober up and arranges holiday celebration for two of them. She gives her son another yellow scarf, in belief that it will help him break the pernicious habit.

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Tomasz, a doctor, and atheist, is diagnosed with cancer. His ex-wife offers him the money for treatment in Paris, but his lung cancer is past the operating stage. Facing imminent death, he questions the beliefs he has held all his life and starts experimenting with both his own life and those of others.

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A handsome young chauffeur hired by a powerful and charismatic businesswoman discovers he has been made an unwitting party to fraud, but his moral outrage is complicated: the married man allowed himself to be seduced by the woman, who threatens to tell the man's wife.

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In the midst of WW I, a doctor and a lawyer team up to turn a ramshackle old mountain chateau into a sanatorium/health spa that caters to the afflicted from most every stratum of European society, most of whom show up with false hope in their hearts and plenty of equally false identities. Even the proprietors have a few deceptions, chief among them is the part of the resort where they provide shelter for dying and horribly maimed soldiers. Still the atmosphere of this high-class convalescent home is that of great gentility that thinly disguises the seaminess of the guests' secret activities. Though much of the film is a quirky comedy, tragedy comes creeping in when people begin dying of unnatural causes, and not even the pure mountain air can save the owners and the residents.

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Barbara leads a stable life, is fulfilled professionally and has a loving family. Her foster daughter Alicja, who learns that she is adopted, decides to find her biological mother. When Alicja finds the real mother, the life of the main characters changes, and the positive relationships that linked them become blurred.

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