Julius Falkenstein

Film by Boese.

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Portrait photographer Lu Tiemann owns a white wire-haired terrier named "Stork." For Lu, the charming dog has a very specific purpose: to either jump into parked cars with men at the wheel, thereby attracting their attention, or to hide inside the car and emerge while it's moving – with the same result. When the driver then wants to get a closer look at the "crazy" dog, the following inscription can be read on his collar: "My name is Stork, owned by Lu Tiemann, Regentenstrasse 17." Many well-to-do gentlemen fall for this approach, such as a portly consul or a factory owner and privy councillor, next to whom "Stork" brazenly positions himself on the passenger seat.

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English-language version of Ich und die Kaiserin. 'Germany, 1890. Duke falls in love with voice which is not that of empress, but of hairdresser.' (British Film Catalogue)

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Film by Heuberger.

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Film by Waschneck.

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During a concert tour, famous tenor Riccardo Gatti meets Lixie at an Aida rehearsal and takes her for a ballet dancer. She is in fact trying to get a position for her boyfriend, so she accepts Gatti's date for supper. When she runs away he publishes a newspaper ad offering to give a concert anywhere she chooses if she shows up. She chooses a swimming pool hoping to discourage him, but he accepts.

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An unattractive secretary is hired so the men in the office will focus on their work, but comic complications ensue.

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After the death of his uncle, the owner of the Rhine based Bockelmann Sparkling Wine, Peter turns up for the reading of the will. Justus Bockelmann, a producer of mineral water, is confident he will inherit the business, but ‘for reasons of moral rectitude’ he has no intention of running an ‘alcoholic business’. The opening of the will comes as a surprise to all the potential heirs.

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A dashing marquis bends from his horse when he discovers a lost garter in the woods and falls. During his delirium he is serenaded by a little hairdresser. She is the person who lost the garter to begin with and has only come to get it back having borrowed it from her employer--the empress of France. The marquis mistakenly thinks he was nursed by the empress, herself, and decides to woo her.

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A young painter in the academy hires as a model the daughter of a rich soap manufacturer and has her pose for a work based on the biblical Susannah and the Elders, which almost causes a scandal.

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Young French student Madeleine Duchanel wants to go to the theater and therefore pulls out of the well-protected environment of her school. In Paris she hopes to make a career, but in her naivety she ends up on the street.

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A deranged woman artist falls in love with a young sculptor. The impossible love ends tragically.

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A nightclub waiter and a manicurist share the same room, she sleeps there by night and he by day. They've never meet , but they can't stand each other. Then they meet by chance, not knowing who's who and fall in love.

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A town's business begins to suffer, when a military outfit is confined to quarters for three weeks because they have been harassing the local women.

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Paulus van Geldern is a lawyer who has made a name for himself as a criminal defense attorney, but is notoriously short of funds due to his unbridled passion for gambling. His gambling causes problems with his marriage to Martha who is thriving.

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Gottfried Jonathan, a small civil servant, lives as a lodger and is roommates with the blonde Käthe. Although she tries very hard, she can’t find a job and can no longer afford her rent of 40 marks. Jonathan secretly loves Käthe and decides to raise the necessary money for her.

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The cousin of an ugly duckling, during a search for missing documents, brings out her hidden charm and falls in love with her.

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He was known as Anatole Litvak during his Hollywood directorial career, but he was still Anatole Litwak when he helmed the German musical Das Lied Einer Nacht (The Song of Night). Famed Polish tenor Jan Kiepura stars as famed Italian tenor Ferraro. Escaping from his tyrannical manager, Ferraro switches identities with a young tourist (Fritz Schulz) and goes off on an unscheduled Swiss holiday. Still travelling incognito, our hero falls in love with a winsome mountain girl (Magda Schneider). Alas, both his romance -- and his freedom -- are placed in jeopardy when it turns out that the charming young fellow with whom Ferraro traded identities was actually a notorious swindler. Anatole Litvak also directed the English-language version of Das Lied Einer Nacht, Be Mine Tonight

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A count's son has a place to meet his poor Parisian girlfriend and they even make some money for a while with him singing and her playing piano.But the father offers him support to marry someone else.

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An unemployed man who plays a concertina gets involved with a band of crooks and tries to frustrate a kidnapping, in this farcical caper.

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Two inspiration sources appear clearly: contemporary American gangster movies and Alfred Döblin’s novel Berlin Alexanderplatz (1929).

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A GIRL YOU DON'T FORGET can be thought of as a backstage musical that treats the whole world as backstage. Melodies seem to be buzzing through the air, available to anyone in the right state of mind. Willi Forst always is, and he is also an actor who can transform any space into a stage. Fritz Kortner, one of the defining personalities of the German theatre scene of the 1920s, makes the most of his star’s talent in an intricately constructed romantic comedy that believes in the truth of artifice. Forst plays Paul Hartwig, a wannabe actor who is reduced to selling books in the cold streets of Berlin. While pursuing his big break, he meets Lisa Brandes (Dolly Haas), another victim of the global financial crisis who has just learned a new trick: cheating horny old men out of their money by selling promises she does not intend to keep. Dedicated theatre man Paul decides to win her over by putting on an act, but a misplaced slap leads to unintended consequences. - Lukas Foerster

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The athletic young widow Antoinette Peterson gets into financial troubles when a business venture backfires and has to sell her car and her villa. On the road, she meets a stranger whose car she is able to repair and whom she later meets again as the buyer of her house. It is no one else than the venturer William P. Harrison to whom she lost her whole fortune in the first place. He offers her a bet: If she manages to stay for three months as his chauffeur and behaves accordingly, he would give her back her fortune. Although Harrison makes it as hard as possible for her, she keeps up. But they have already fallen in love with each other.

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The plot centers on Ignaz Fischbein, a bullied employee at Strohbach's fashion house, who encounters misfortune at a fairground where he quarrels with Mizzi, who is awaiting her fiancé. A hypnotist named Brahmaputra, played by Albert Paulig, places the pair in a trance for his audience's amusement, causing them to believe they are a newlywed couple. Unable to reverse the hypnosis immediately, Ignaz and Mizzi head to the "Villa Waldfrieden" pension, where chaotic interactions unfold involving Strohbach, Mizzi's jealous fiancé Paul Kasulke (Paul Westermeier), and a retired Russian anarchist (Karl Huszar-Puffy)

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Viktoria is a Hungarian countess who believes her Hussar captain husband was killed in World War I. She marries an American and resettles at the American consulate in Tokyo. Her first husband reappears, alive; and the American generously releases Viktoria from their union.

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Franz Biberkopf has served four years in prison. His return to normal life is not successful.

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