Adri Schrover

The film is about researcher Victor Dreissen. At his research institute, he discovers songs from Drenthe dating back to the beginning of the last century. These songs are special. They are about crimes that were committed and never solved. One song in particular captivates Victor Dreissen. He falls in love with the voice in the song and travels to Drenthe in search of its origins and background. He does not yet know that anyone who wants to sing or pursue these songs will never return.

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Anthon is renowned physicist researching Dark Matter - particles we know nothing about, but of which 95% of our universe consists of. Anthon's life is turned upside down when his eleven years old son Thomas is kidnapped by Elena, a mysterious woman. From that moment Anthon not only has to go look for his son, but also for himself. Dark Matter is a reflection on the dark mysteries of our universe and how we relate to the unknown.

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"What does the animal see when it looks at me?" Three animals and a woman in an enclosed space. As they study each other, their own methods of communication create a wordless conversation. We view them in close-up and from various perspectives, with the woman as a solitary species in this universe.

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“There Is No Path” follows legendary director Heddy Honigmann on a real and spiritual journey. Today, facing a terminal illness, she will travel to her country of birth, Peru and through Europe revisiting all the important places and moments of her life, richly illustrated with clips of her films. Is it a farewell journey in which she lets go of her family, her loved ones and her work? Or is it a celebration of life? Her travelling companion is taxi driver Hussein, a refugee from Iraq with whom Heddy has a tight bond. As they trace Heddy’s family history they find many common themes. They are no longer taxi driver and customer, but two souls who each find joy in life in the face of adversity. It is a life affirming film about universal connection and comfort.

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Walking in the forest without being able to see, coming down the stairs or going shopping when one is paralysed, falling asleep with post-traumatic stress disorder: for the protagonists of Buddy, all of this is made possible by the presence of an assistance dog at their side. Edith, 86 years old and blind since adolescence, remembers all of the dogs she has had with her, and their portraits—even if she cannot see them—cover the walls of her house.

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We think we know what ethnic profiling is, but what does it feel like? Dutch citizens report on at times bizarre and disconcerting experiences with police checks, where their skin colour routinely makes them suspicious. For years, the police has been aiming to proactively execute security checks in order to arrest more riff-raff. But practise shows that Dutch people with a migration background are regularly stopped without any suspicion of criminal offences. Poignantly, the teacher, the soldier, the lawyer, the rapper, the fellow police officer and other coloured Dutchmen talk about helplessness, frustration, humiliation, alienation, anger and what it feels like to be a suspect from the start. Wry, but insightful indictment of ethnic profiling.

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Following her mother's death, an 11-year-old indigenous Australian girl named Shay moves with her father and brother to Belgium. Shay finds that her grief is readily accepted in her new town, which still bears scars from World War I.

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At the end of 2003 the main building of the Amsterdam Rijksmuseum has closed, in the words of managing director Ronald de Leeuw, becoming 'the most conceivable art museum'. The Spanish architects Cruz and Ortiz signed for the big design; in 2008 the modernized museum would open with a pioneering museum concept. Moviemaker Hoogendijk followed the first four years of what is called the biggest Dutch cultural operation in history.

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The film is about researcher Victor Dreissen. At his research institute, he discovers songs from Drenthe dating back to the beginning of the last century. These songs are special. They are about crimes that were committed and never solved. One song in particular captivates Victor Dreissen. He falls in love with the voice in the song and travels to Drenthe in search of its origins and background. He does not yet know that anyone who wants to sing or pursue these songs will never return.

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Alan Lomax (1915-2002) was a song collector who recorded ordinary people, who gave their heart and soul in front of his microphone. The film maker decides to search for people Lomax recorded, travelling through Europe in an old Volkswagen. His journey leads him past desolate Scottish islands, through the withered interior of Spain and to isolated Italian mountain villages. The search is combined with conversations with colleagues and friends of Lomax. Throughout the movie, every now and then we return to a frail but happy 86-year old Lomax. In this passionate and musical roadmovie we slowly discover why folk music can be so pretty and what could have once possessed the legendary Alan Lomax.

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In Wreed Geluk, the maker fathoms Claus' multifaceted personality through his poems and through conversations with some of his former companions.

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An intimate portrait of the Dutch filmmaker George Sluizer, best-known for The Vanishing (1988).

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