Eduardo De Filippo

De Filippo agreed to teach a series of drama classes to the students of the Università di Roma Sapienza, with whom he would continue to collaborate until his death in 1984. The lessons were all recorded and today are preserved in the Archivio Audiovisivo dello Spettacolo, at the Labs (Laboratorio Audiovisivo dello Spettacolo) run by Professor Stefano Locatelli.

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Enrico Bottini, an engineering student, prepares to serve as an officer when Italy declares war on Austria-Hungary. At the train station, he meets Garrone, an old friend from elementary school, and begins to reminisce on the values instilled to him by both school and his father.

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Donna Beatrice is determined to expose her husband's alleged affair with the beautiful wife of the scribe Ciampa. The woman, heedless of her own family peace and the reputation of the scribe, who tries in vain to stop her, carries out a plan that does not confirm the adultery but, on the contrary, causes a huge scandal. Ciampa finds himself "forced," finding no other solution, to kill the two alleged lovers, driven by Beatrice's "madness." It is precisely from this "madness," however, that Ciampa will find a way to free himself from dishonor and a crime committed lightly.

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Geronta Sebezio is revered by his fellow villagers for his miraculous ability to bring the dead back to life. However, anyone who wishes to benefit from this gift must sign a contract.

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Traces the life of Anna Magnani, her creations, her successes, her triumphs, her boycotted career, her nonconformism, her anxieties, her generosity ... Punctuated with photos that tell her career in theater and cinema, Extracts of films, this documentary portrait also gives the floor to his friends and relatives, from Roberto Rossellini to Marcello Mastroianni, through Federico Fellini.

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Antonio Barracano is a man who enforces his own law in the Sanità district, which is why he is recognized as the neighborhood's "mayor." He dispenses advice and opinions and solves the problems of poor people.

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Two wise guysmanage a messed up underground casino and brothel. A "hunting club" as a cover up. The place is frequented by all kind of characters, from the Neapolitan upper class to the petty criminals, who use it as a base and such is the turmoil that it will not take much to blow the cover up.

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Oreste Campese is the leader of a traveling troupe of actors—made up of his family—who find themselves in the middle of winter in an unspecified town in central Italy. During the prologue, Campese recounts the events leading up to the present: the troupe has suffered the misfortune of losing their "shed," a mobile theater structure that was destroyed by an accidental fire. The flames spared only the boxes of props and costumes, which were opportunely saved.

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Gennareniello, a crazy inventor, is married to Concettina and lives at home with his son Tommasino, full of tics, his spinster sister and with Matteo, a drawing master who makes plans for his inventions. Driven by his friends, the man courts the young teacher Anna and when his wife notices it, he is forced to run away from home, overwhelmed by the scorn of derision of friends and acquaintances who come to disguise him as a dandy, thus offending his dignity.

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Having withdrawn his complaint from the police station, Alberto now finds himself in trouble: the public prosecutor, suspicious, believes that he acted in this way out of fear or something else.

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The comedy, centered on five characters (Rita, Rodolfo, Agostino, Bettina, and Don Attilio - "o viecchio pazzo"-), has as background the Italy of the 60s between the economic boom and the perennial unemployment crisis. The cylinder, well explained by "Agostino-Eduardo" in the comedy, is a representation of power, designed to intimidate the ignorant for its only evocative "power". It can also be seen as a sort of "Pirandellian mask", where the character of Augustine wears it to defend himself and represent something that he is not.

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Luca Cupiello, like every Christmas, prepares the crib, amid the disinterest of his wife Concetta and his son Tommasino. Ninuccia, the other daughter, writes a letter to her husband in which she communicates that she leaves him for her lover. The letter happens in the hands of Luca who hands it over to his son-in-law, who thus learns of his wife's betrayal. During lunch on Christmas Eve, the two rivals, who were confronted by Luca's carelessness, clash violently.

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Guglielmo Speranza is a young man who, having just graduated from university, decides to ask his beloved to marry him, convinced that the most challenging period of his life is now behind him. This is how we meet the protagonist, who repeatedly addresses the audience directly to explain what is happening on stage. He always wears the same suit and, during the play, changes three beards, black, gray, and white (one for each act), symbolizing the transition from youth to old age.

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Vincenzo De Pretore explains to his girlfriend Ninuccia, who threatens to commit suicide if they don't get married, that he wants to wait until he can give her a comfortable life, and tells her that he is the son of a rich man, raised by a poor couple. But to make a living, he is forced to steal and ends up in prison. On Ninuccia's advice, he chooses St. Joseph as his patron saint, and from then on his "work" goes from strength to strength.

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Guests of the wealthy young Don Alberto De Simone, the ramshackle troupe of actors known as "L'eclettica," led by Gennaro De Sia, rehearse a new play in an attempt to redeem themselves after the fiascos of their previous performances. The "rehearsals" are interrupted by the arrival of Salvatore, brother of Viola, an actress who is expecting Gennaro's child and who wants to force the man to act like a gentleman and marry her.

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Thanks to the legacy of an English lord, the cobbler Andrea has become a baron and now has delusions of nobility: he wants a high-ranking marriage for his stepdaughter Virginia and does not recognize the brothers of his wife, Rosina and Michele, even after the latter has saved the his house from a fire. Virginia does not like her promised Marchese Alberto, but Felice Sciosciammocca, a shy and poor master of calligraphy, who reciprocates her. But when Felice learns that the girl will soon marry another, out of spite he accepts the court of the late Marquise Zoccola, Alberto's mother.

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Happy Sciosciammocca has a double life: he plays sacred music in the convent of Rondinelle and teaches music to the educators, at night he goes to Naples where he is known as the actor.

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Sofia, Don Saverio's sister, confesses to her brother that she was the victim of a fateful event: while she accompanied her brother to Rome, while he was resting at a hotel, a terrible storm broke out during the night, accompanied by thunder and lightning. Frightened, she left her room to seek refuge in her brother's, when, after the lights went out, she accidentally entered a stranger's room in the darkness and fainted from fear of a violent clap of thunder. The unknown individual seized the opportunity and took advantage of her. From that turbulent encounter, Don Felice Sciosciammocca was born, Sofia's illegitimate son, now engaged to Marietta, Don Saverio's daughter.

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The renowned director Franco Zeffirelli interviews Eduardo De Filippo to discuss the famous Neapolitan mask Pulcinella.

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Stuck in a dream world of his own, Italian sculptor Albert Saporito, sometimes has difficulty separating truth from fiction. When he dreams that his gangster neighbor has been murdered, he reports the crime to the police, only to involve himself in a complicated situation.

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Antonio Barracano is an old Camorra member who administers justice according to his own unique criteria. Magnanimous and tough, severe and affectionate, he is recognized as the 'mayor' by all the dispossessed of the Sanità district. His particular brand of justice towards the poor leads him to sacrifice his own life in order to solve the financial problems of Rafiluccio and Rita, a couple expecting a child and overwhelmed by debt.

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Television adaptation of the three-act play of the same name written in 1955.

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Lorenzo, a restorer, and Chiarina, his unmarried and God-fearing sister, live in their deceased parents' house. When Lorenzo returns from America, where he has been on a business trip, he finds Chiarina pregnant and intending to marry Filuccio, the child's father. The couple asks Lorenzo for four rooms and a warehouse as a wedding gift so they can start a fruit shop. Soon, however, the restorer realizes that the two are driven by greed and acts accordingly.

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Exasperated by her husband Matteo, who lives with the nightmare of an imminent third world war, Virginia asks her brother Arturo for help. He decides to indulge the man's phobia by creating a fake newspaper announcing the outbreak of the conflict. The ploy works and Matteo seems to calm down, but the fear of the return of war reawakens fears and concerns in those around him that were thought to be buried.

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Amongst the guests of the Metropole Hotel there is Calogero Di Spelta ridiculed for his unnecessary jealousy towards Marta, his beautiful wife. The illusionist Otto Marvuglia during his show pretends to make her disappear, and this allows her to meet her lover Mariano D'Albino. But Marta definitively escapes while the magician makes Calogero believe that his wife's in a box, and that she could reappear only if he blindly believed in her loyalty.

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In Naples, where the modest clerk Michele Crispucci lives with his daughter Assuntina, his ex-wife arrives with her circus. The young Concettino confides to a friend that he wants to give up his marriage to Assuntina, because twenty years earlier the girl's mother had abandoned the family and become rich by giving herself to wealthy lovers.

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Two jerks are enlisted in the Italian army during W.W.1 and by pure luck manage to help win an important battle.

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Filumena Marturano is a former prostitute who has been living for years with Domenico Soriano, a wealthy Neapolitan pastry chef who was once her client. To force Soriano into marriage, the woman pretends to be dying in order to invoke a "deathbed" wedding, but the charade fails and Don Domenico tries everything he can to annul the sacrament. Filumena is forced to come clean.

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A husband is persuaded to move his new bride into an old palace that is supposedly haunted. But the so called ghost is really the bride's former lover, who is stalking her on the premises.

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Luca Cupiello lives with the wife Concetta, the son Tommasino, and a brother, Pasquale. The son is wild, living by gimmicks and stealing from his uncle; the daughter Ninuccia does not get along with her husband Nicolino and plans to run away with her lover Vittorio; the wife tries to hide her family's troubles from her husband. Luca, who silently suffers the family situation, takes refuge in setting up the Nativity scene.

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Michele, recently released from the asylum, returns home where his sister Teresa, the only one who knows about his past madness, is waiting for him.

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Naples, 1942. To feed her family and respond to her husband Gennaro's inertia, Amalia is forced to enter the black market. To save his wife from prison, the man fakes his own death.

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Ferdinando inherits a lottery office from his father. He fantasises about making it famous with a millionaire prize. The winner, however, will be his employee Mario, to whom Ferdinando's father "went in a dream".

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Like every Saturday, Rosa Priore prepares the ragù for Sunday while her husband Peppino paces nervously around the kitchen, arguing about every little thing. When Sunday arrives, the entire Priore family gathers around the table and Mrs. Priore wears a beautiful blue scarf given to her by her neighbor, the thoughtful accountant Ianniello, who lavishes compliments on Donna Rosa and her cooking. After yet another compliment, Peppino explodes and accuses them in no uncertain terms of having an affair. Sunday is ruined, but will the family be able to pull themselves together on Monday?

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A mature mother of several children is concerned that her beloved husband is losing interest, so she does her best to provoke some jealousy in him.

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Donna Beatrice is determined to expose her husband's alleged affair with the beautiful wife of the scribe Ciampa. The woman, heedless of her own family peace and the reputation of the scribe, who tries in vain to stop her, carries out a plan that does not confirm the adultery but, on the contrary, causes a huge scandal. Ciampa finds himself "forced," finding no other solution, to kill the two alleged lovers, driven by Beatrice's "madness." It is precisely from this "madness," however, that Ciampa will find a way to free himself from dishonor and a crime committed lightly.

Open details →

Geronta Sebezio is revered by his fellow villagers for his miraculous ability to bring the dead back to life. However, anyone who wishes to benefit from this gift must sign a contract.

Open details →

Antonio Barracano is a man who enforces his own law in the Sanità district, which is why he is recognized as the neighborhood's "mayor." He dispenses advice and opinions and solves the problems of poor people.

Open details →

Two wise guysmanage a messed up underground casino and brothel. A "hunting club" as a cover up. The place is frequented by all kind of characters, from the Neapolitan upper class to the petty criminals, who use it as a base and such is the turmoil that it will not take much to blow the cover up.

Open details →

Oreste Campese is the leader of a traveling troupe of actors—made up of his family—who find themselves in the middle of winter in an unspecified town in central Italy. During the prologue, Campese recounts the events leading up to the present: the troupe has suffered the misfortune of losing their "shed," a mobile theater structure that was destroyed by an accidental fire. The flames spared only the boxes of props and costumes, which were opportunely saved.

Open details →

Gennareniello, a crazy inventor, is married to Concettina and lives at home with his son Tommasino, full of tics, his spinster sister and with Matteo, a drawing master who makes plans for his inventions. Driven by his friends, the man courts the young teacher Anna and when his wife notices it, he is forced to run away from home, overwhelmed by the scorn of derision of friends and acquaintances who come to disguise him as a dandy, thus offending his dignity.

Open details →

Having withdrawn his complaint from the police station, Alberto now finds himself in trouble: the public prosecutor, suspicious, believes that he acted in this way out of fear or something else.

Open details →

The comedy, centered on five characters (Rita, Rodolfo, Agostino, Bettina, and Don Attilio - "o viecchio pazzo"-), has as background the Italy of the 60s between the economic boom and the perennial unemployment crisis. The cylinder, well explained by "Agostino-Eduardo" in the comedy, is a representation of power, designed to intimidate the ignorant for its only evocative "power". It can also be seen as a sort of "Pirandellian mask", where the character of Augustine wears it to defend himself and represent something that he is not.

Open details →

Open details →

Luca Cupiello, like every Christmas, prepares the crib, amid the disinterest of his wife Concetta and his son Tommasino. Ninuccia, the other daughter, writes a letter to her husband in which she communicates that she leaves him for her lover. The letter happens in the hands of Luca who hands it over to his son-in-law, who thus learns of his wife's betrayal. During lunch on Christmas Eve, the two rivals, who were confronted by Luca's carelessness, clash violently.

Open details →

Guglielmo Speranza is a young man who, having just graduated from university, decides to ask his beloved to marry him, convinced that the most challenging period of his life is now behind him. This is how we meet the protagonist, who repeatedly addresses the audience directly to explain what is happening on stage. He always wears the same suit and, during the play, changes three beards, black, gray, and white (one for each act), symbolizing the transition from youth to old age.

Open details →

Vincenzo De Pretore explains to his girlfriend Ninuccia, who threatens to commit suicide if they don't get married, that he wants to wait until he can give her a comfortable life, and tells her that he is the son of a rich man, raised by a poor couple. But to make a living, he is forced to steal and ends up in prison. On Ninuccia's advice, he chooses St. Joseph as his patron saint, and from then on his "work" goes from strength to strength.

Open details →

Guests of the wealthy young Don Alberto De Simone, the ramshackle troupe of actors known as "L'eclettica," led by Gennaro De Sia, rehearse a new play in an attempt to redeem themselves after the fiascos of their previous performances. The "rehearsals" are interrupted by the arrival of Salvatore, brother of Viola, an actress who is expecting Gennaro's child and who wants to force the man to act like a gentleman and marry her.

Open details →

Thanks to the legacy of an English lord, the cobbler Andrea has become a baron and now has delusions of nobility: he wants a high-ranking marriage for his stepdaughter Virginia and does not recognize the brothers of his wife, Rosina and Michele, even after the latter has saved the his house from a fire. Virginia does not like her promised Marchese Alberto, but Felice Sciosciammocca, a shy and poor master of calligraphy, who reciprocates her. But when Felice learns that the girl will soon marry another, out of spite he accepts the court of the late Marquise Zoccola, Alberto's mother.

Open details →

Stuck in a dream world of his own, Italian sculptor Albert Saporito, sometimes has difficulty separating truth from fiction. When he dreams that his gangster neighbor has been murdered, he reports the crime to the police, only to involve himself in a complicated situation.

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Italian comedy film in three segments

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Antonio Barracano is an old Camorra member who administers justice according to his own unique criteria. Magnanimous and tough, severe and affectionate, he is recognized as the 'mayor' by all the dispossessed of the Sanità district. His particular brand of justice towards the poor leads him to sacrifice his own life in order to solve the financial problems of Rafiluccio and Rita, a couple expecting a child and overwhelmed by debt.

Open details →

Television adaptation of the three-act play of the same name written in 1955.

Open details →

Lorenzo, a restorer, and Chiarina, his unmarried and God-fearing sister, live in their deceased parents' house. When Lorenzo returns from America, where he has been on a business trip, he finds Chiarina pregnant and intending to marry Filuccio, the child's father. The couple asks Lorenzo for four rooms and a warehouse as a wedding gift so they can start a fruit shop. Soon, however, the restorer realizes that the two are driven by greed and acts accordingly.

Open details →

Exasperated by her husband Matteo, who lives with the nightmare of an imminent third world war, Virginia asks her brother Arturo for help. He decides to indulge the man's phobia by creating a fake newspaper announcing the outbreak of the conflict. The ploy works and Matteo seems to calm down, but the fear of the return of war reawakens fears and concerns in those around him that were thought to be buried.

Open details →

In Naples, where the modest clerk Michele Crispucci lives with his daughter Assuntina, his ex-wife arrives with her circus. The young Concettino confides to a friend that he wants to give up his marriage to Assuntina, because twenty years earlier the girl's mother had abandoned the family and become rich by giving herself to wealthy lovers.

Open details →

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Three tales of very different women using their sexuality as a means to getting what they want.

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Luca Cupiello lives with the wife Concetta, the son Tommasino, and a brother, Pasquale. The son is wild, living by gimmicks and stealing from his uncle; the daughter Ninuccia does not get along with her husband Nicolino and plans to run away with her lover Vittorio; the wife tries to hide her family's troubles from her husband. Luca, who silently suffers the family situation, takes refuge in setting up the Nativity scene.

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In Naples, during World War II, Amalia Jovine, in order to survive, smuggles food and coffee in her crowded and dilapidated basement, in partnership with Settebellizze. Her husband Gennaro disapproves, but does not prevent Amalia from continuing her trafficking...

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Pasquale Grifone, who lives in Naples with his family, receives in a dream the visit of Dante Alighieri. The poet suggests to the man, clouded by the fumes of alcohol, four numbers to play.

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