Sothean Nhieim

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Derek and Theo, mad about poetry and cinema, exalt their love by making films and filming each other, alternately subject and object. "But life separates those who love each other ...", fate hits hard. How to survive the disappearance of the loved one, how to distinguish now reality, dream and cinema?

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A succession of 12 short films more or less experimental aiming at transgressing any idea of norms. Those who animate the Queer Factory collective are gay, lesbian, bi, trans. and/or heterosexual. Their objective: to show the political sex of art.

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Wandering Cambodian peasants, stripped of their land, decide to camp out in front of the National Assembly so as not to disappear, not to forget, to honour the damned and the disappeared. Rimbaud was right. Screening accompanied by a performance sung by the filmmaker.

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A queer fiction that pays homage to 1930s Universal horror films and German Expressionism—a sacrificial rite of sex and rock.

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An abandoned pavilion, a representation of Khmer shadows, and it is the presence/absence of the disappeared that comes to light.

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A powerful and poetic evocation of the Khmer genocide based on the views of a traditional celebration of the dead.

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Forever the mirror stage.

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A cruising area takes on majestic proportions as we discover Greek-esque male bodies in the forest. The sonnets 18, 57, 20 by William Shakespeare add to the Midsummer Nights Dream like ambiance of the film.

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Jean-Christophe, about twenty, meets his father for the first time. In a forest where they have decided to meet, reality transforms itself and takes the form of a fantastic tale. For Jean-Christophe, the hour is of disappointment in front of the fantasized father who turns out to be very different from what he had dreamed.

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A young gay boy, from his birth to his teenage years, in which he experiments his sexuality and his own boundaries, to the day he finally meets his father. In three acts: Act I — L'Annonciation or The Conception of a Little Gay Boy (2011); Act II — Little Gay Boy, ChrisT is Dead (2012); and Act III — Holy Thursday (The Last Supper) (2013).

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A queer fiction that pays homage to 1930s Universal horror films and German Expressionism—a sacrificial rite of sex and rock.

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Derek and Theo, mad about poetry and cinema, exalt their love by making films and filming each other, alternately subject and object. "But life separates those who love each other ...", fate hits hard. How to survive the disappearance of the loved one, how to distinguish now reality, dream and cinema?

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