Mirza Musharraf

An English novelist travels to Bombay to watch one of her novels translated to film. She chases after the movie's leading man while the screenwriter chases after her.

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Deedar is a movie directed by Jugal Kishore featuring Anjana, Premendra.

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Neeta loves Sudhir, but Naina tries to convince her that Sudhir's love is a scam to get her money.

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Orphan Rajoo has always dreamed of becoming a wealthy prince -- but when he finally gets a chance to live out this dream, he must make a difficult choice between love and the realization of his long-held fantasy. As an adult, he works for a grateful prince who offers Rajoo the chance to impersonate him; in order to pull off the deception, however, Rajoo must insult the princess, whom he has fallen in love with.

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Shekar, a guide, leads Rekha and her professor father into the jungle only to steal a valuable necklace from a giant tribal idol. The tribesmen blame the theft on the interlopers and threaten the life of the professor until it is returned. It is up to Tarzan and Rekha to save the day, traveling to to Dehli to retrieve the gem.

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Complications, impersonations and moral dilemmas arise when a Punjabi pretends to be a Tamil in order to obtain accommodation in New Delhi. An eloquent and entertaining plea for national unity that manages to showcase several cultural traditions whilst encouraging people to laugh both with and at each other.

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Born into the opulence of a Lucknow palace, a young man’s silver-spoon childhood is shattered when his mother succumbs to a sudden cardiac illness. Driven by grief and a newfound purpose, he dedicates his life to medicine, becoming a heart specialist to save others from the tragedy that defined his youth.

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When young Jyoti is suddenly widowed, her life takes a dark turn as she faces an indecent proposal from her late husband's brother and pressure from her own sister to become a prostitute. Caught between impossible choices, Jyoti must navigate a treacherous world to find her own path.

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A cruel uncle usurps his niece's inheritance, but a kind doctor and his wife help her reclaim it. Their lives intertwine with betrayal, a scheming dancer, and ultimate vindication, proving that providence always intervenes.

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An elder brother's sacrifice to educate his sibling leads to family strife when the younger brother marries into a rival family, sparking betrayal and tragedy that tests their bonds.

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Fazlu, a lifelong servant, is wrongly imprisoned after being blamed for his master's son's death. He escapes, believing his newborn is the child reincarnated. The film follows Fazlu's heartbreaking journey as he watches his family crumble under economic hardship, ultimately leading him back to prison.

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An idealistic theatre owner discovers a captivating dancer, sparking a passionate romance destined for the stage and beyond. But when tragedy strikes on their wedding day, can their love endure the harsh realities that follow, transforming them and the very soul of the theatre?

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A drama symbolizing a new beginning, hope, or a significant turning point

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The educated Harbala battles the oppressive traditionalism of her husband, Seth Gopaldas. Desperate for her children, Somnath and Neelam, to live freely, her frustration leads to a tragic act. Haunted by guilt, her children ultimately follow. The film, aptly titled "The Unfinished Tale," suggests hope for a more liberated future.

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The naive Saroop (Nandrekar) romantically renounces earthly pleasures under the influence of a sadhu (Ashraf Khan). Arrested at a fairground and jailed, fellow convicts change his view of the world. Working in the prison’s garden, he meets the superintendent Sohanlal’s (Nazir) daughter Durga (Kumari), who was married as a child to a boy now believed dead. Ranjit (Singh) covets her and on her wedding day to the nasty Ranjit, it is discovered that Saroop was her child-husband.

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Ostensibly a Central Asian war fantasy about a conflict between the Cossacks and the Tartars, Mehboob’s film proposes a tale advocating national independence. The Cossacks are oppressed by the despotic Russian king (Siddiqui) and his minister Jabir (Kayamali), who has Tartar blood in him. General Murad (Kumar) covertly sides with the opposition, gets arrested for treason and escapes. He meets the wild Gulnar (Sitara Devi) and gets her to spy as a maid of Princess Nigar (Bibbo). Nigar falls for Murad and Gulnar withdraws from the scene for the sake of her nation. Eventually Nigar, at the head of an army of women, helps defeat the villains.

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