Ng Wing-Sze

A dining mishap caused a rift between Ji and Rui, leading to a cycle of revenge. Their already troubled lives only came together to fall apart.

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A hostage situation occurred at a TV station. The kidnapper K was not after money, he just wanted to terminate the monthly subscription to the TV station.

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Owen, a once prestigious and acclaimed stage director, has fallen into depression after more than a decade of creative drought. His ex-lover Su Manling comes back into his life leveraging their old romance, whereas his wife Tracy hovers on the verge of crossing the marital line. Eager to reclaim his dignity, he resolves to write, direct and perform in a brand-new play. However, while holding open auditions for the leading actress, he is powerfully drawn to amateur newcomer Hannah, slowly slipping into a dangerous grey area where stage drama intertwines with real life.

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Youth is always full of confusion, electronic gaming may be a way to achieve hero's dream. This is a story of six passionate girls fighting hard in the gaming world, hoping to break the social stereotype. Yet this is more difficult than it seems, with all the unknown challenges ahead.

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Wrongly imprisoned after Hong Siu-lung’s time-traveling disappearance, Ken was wrongly imprisoned and lost everything. After his release, he leads his daughter Galie and a team to steal the Cme machine. Equipped with a face-duplication device, Ken plans to pose as the Qin Emperor and realize his dream of being king as his way of making up for everything he lost. Meanwhile, in the Qin Dynasty, Hong Siu-lung has been living in seclusion in the countryside with his wives Kam Ching and Ting-fong, his son Bowie, and his blood brother. Life looks peaceful on the surface, but the family are closely watched by the Qin Emperor. Ken launches an ambush on the Qin Emperor, but the emperor manages to escape. Meanwhile, Hong knows that as the only person who knows that the Qin Emperor is actually impersonated his disciple, he will be worthless once the Qin unites the warring states. To protect his family, Hong decides to uproot his family.

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In the Qin Dynasty, time-traveller Hong Siu-lung has lived in seclusion with his family for twenty years. Yet every step he takes remains under the watchful eye of his former disciple, now the Qin Emperor. On the brink of ultimate power after conquering the six warring states, the emperor is suddenly ambushed by a mysterious team wielding advanced weapons clearly originating from Hong’s time. Drawn together by fate again, Hong and Qin Emperor are forced to confront the long-buried conflict between them, because the future now depends on how they settle their past.

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The traditional image of a father is full of masculine charm—strong, brave, and proud—with the male eagle as its symbol. In the post-modern understanding of gender roles, how has the totem animal of a father evolved? Joan returns to Hong Kong to play matchmaker for her father, who happens to be afflicted by a foot injury and is taken care of by the mysterious Kit. Moreover, her father keeps avoiding her matchmaking attempts, leading Joan to suspect that he and Kit are harbouring a secret from her. Award-winning stage actor Simon LO teams up with What If (2025) actors Ernesto DE SOUSA and NG Wing-sze in this magical realist short film about family. The director fills the film with animal symbolism, adding a touch of colour to the gender spectrum.

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It follows Jin and May as memory, friendship, and time intertwine, revealing how fading recollections reshape identity, deepen bonds, and transform the meaning of loss.

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In one of his finest dramatic performances yet, Louis Koo stars as a veteran ambulanceman who simply wants to do his job without any interference from his boss. While he considers emigrating with his daughter, he clashes with his new partner, a young go-getter on the fast-track up the bureaucratic ladder. A mature directorial effort by Cheuk Wan-chi, this dramedy about Hong Kong’s civil service culture and the latest emigration wave is a charming, yet sobering love letter to her city and its people, especially those who still remain.

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Lok Chak-shun, a man who lives three different destinies shaped by his choices. Born prematurely in 1960s Hong Kong, he grows up passionate about comics. A school prank leads him to a fateful encounter with a mysterious girl, but a broken kite triggers a ripple in time, splitting his life into three divergent paths.

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In Macau, where modernity meets tradition, four lives intertwine. Art curator Chen Jiahui seeks inspiration, race car driver Han Junhao chases redemption, and career-driven Mai Youge questions her path after meeting the enigmatic Xu Junle. Amid the city’s charm, they each embark on journeys of self-discovery.

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Belief in our own blessings can bring us good fortune, but what is true fortune? Fortune and misfortune, love and hate, what is their ultimate definitions? One family, three couples, three weddings. After they decided to move on, what further challenges await them? Marriage isn’t just about two individuals; it involves a whole family of aunts, uncles, and cousins.

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Heung Wing has been sensitive to paranormal activity and keeps seeing ghosts since he was a kid. One day, Heung Wing receives news that his mother is in coma after committing suicide, which forces him to return to the old home. Everything seems strange and weird.

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From a young age, Mancer had always known that his father Wah is different from other adults; he speaks illogically, he has slow comprehension and he’s quite easily deceived. After growing up, Mancer finally understood that Wah is intellectually disabled. After his mother ran away from home, Mancer was forced to become his father’s primary caregiver. By chance, Mancer joins a stand-up comedy competition for the prize money and becomes instantly hooked. He’s addicted to the joy he feels from making people laugh. However, after the competition, Mancer couldn’t make people laugh again. While searching for inspiration, Mancer realizes that his best jokes seem to come from his hardships – the ridicule he received at school, his difficulties at work, his struggles in caring for his father, and even the worldwide pandemic. Perhaps misery can also be the best source of comedy after all.

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Drowning in a room cluttered with mementos reminding her of her ex, Mevius comes across the storage service “Move In, Move Out, Move On”, catering to people suffering from a breakup and managed by the eccentric and mysterious Takumi. With wisecracks and scientific anecdotes, Takumi helps Mevius go through the stages of grief. During the decluttering process, Mevius embarks on a healing journey. NG Wing-sze, previously in award-winning short Conditioned (2015), feature films Septet: The Story of Hong Kong (2022) and Mad Fate (2023), plays Mevius and shares the screen with RubberBand lead vocal No.6 in this colourful romantic comedy.

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A fortune teller fails to help a prostitute who is facing a deadly calamity. When he meets a young boss of a tea restaurant, he predicts that his bloodthirsty tendencies will lead him to a prison sentence for murder.

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Three short films about the hidden horrors that lurk behind the urban landscape of Hong Kong.

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A seven-part anthology film exploring the history of Hong Kong from the 1940s to present day.

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When the Grande Hotel suddenly detected a suspected Covid case, the epidemic prevention center ordered a total blockade. All guests staying in the hotel must accept mandatory quarantine for 14 days. Everyone is isolated in the hotel, and the relationship between people is getting closer unconsciously. Everyone has lived through difficult times together, and learned to cherish what may be the last time to get along with each other.

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In the insurance exam hall, Wing is afraid of being categorized as social failures. She trains hard to be professional. However Wing is pressured by the examiner Chan and it’s been tough. With Wing’s pure heart, the system slowly malfunctions… When life gives you lemon, you make lemon tea and you swallow it. But is this our only way out?

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Teenager Kiki runs away from home, angry at her mother Jane's profession as a back-street abortionist. For her daughter's sake, Jane retires and finds religion, repenting her sins. Months later, Kiki faints on the street and wakes up in hospital with Jane by her side. The last hope for Kiki is that Jane can return to her former profession...

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An overwhelming pro-democracy movement in Hong Kong (also described as the Occupy Movement or the Umbrella Revolution in the region) in 2014 has devastated many families in the city. A veteran journalist father, a policeman son and an activist daughter are living in a torn society of Hong Kong. The trios in the Suen family are caught off-guard by the teasing of Moerae, or the Goddess of Destiny. In philately, "tête-bêche", or head-to-tail in English, is used to referred to a pair of generic stamps which is inverted in relation to one another, either through a printing error or intentionally. The stamps are of special value only when they are unseparated. Metaphorically, "tête-bêche" can precisely reflected the portrayed family's tricky situation, that different role-plays or value judgments can lead to sparkling tension among family members, yet somehow the old saying of "blood is thicker than water" prevails.

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The film is a resonant portrayal of the younger generation in the post-Umbrella Movement era. Two years ago, Ah-man (Ng Wing-sze), an independent yet stubborn university student, left home after a furious argument with her mum when the Umbrella Movement broke out. Now, she undertakes a new kind of lifestyle – a life of a vegetarian and an organic farmer. However, she never stops thinking of the taste from home. With the film's fragmentary narrative style, Ah-man’s story also reflects the ambivalent decisions between family and society of her friends.

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In order to fulfill the expectation of her mom and her grandpa, Nam is raised as a boy since she was born. She dresses like a boy every day before going to school, gets changed back to a girl’s uniform, and puts on a boy’s outfit before heading home. Her hysterical mom anticipates the return of her husband, which is a dream never come true. Nam finds her only shelter at her childhood friend Yeung’s house, a place where she can finally be herself, i.e. doing laundry for her underwear. But her life changes on the day when Yeung disappears.

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A lawyer named Yau Yum-yum finds herself in the underworld, where she is authorized by the King of Hell to become the "Underworld Advocate," traversing both realms to defend ghosts in court while simultaneously investigating her own murder.

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