Jonathan Munby

Considered by many to be the greatest tragedy ever written, King Lear sees two ageing fathers – one a King, one his courtier – reject the children who truly love them. Their blindness unleashes a tornado of pitiless ambition and treachery, as family and state are plunged into a violent power struggle with bitter ends.

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Portia, a wealthy heiress of Belmont, is forced to set her suitors a challenge. The winner will win her hand in marriage; the losers will lose her hand and much more. In Venice, the epicentre of consumption, speculation and debt, Bassanio borrows money from his friend Antonio to finance his attempt. Antonio, in turn, takes out a loan from the moneylender Shylock. The loan will be repaid when Antonio’s ships return to the city. But if the ships fail to return, and the money cannot be repaid, Antonio will give to Shylock a pound of his own flesh. And they do fail. And Shylock will have his ‘bond’.

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Cleopatra, the alluring and fascinatingly ambiguous Queen of Egypt, has bewitched the great Mark Antony, soldier, campaigner and now one of the three rulers of the Roman Empire. When Antony quarrels with his fellow leaders and throws in his lot with Cleopatra, his infatuation threatens to split the Empire in two.

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