Luis Felipe Fuks

Unaware that they are both involved with Capucine, Henri and Charles debate historical and literary figures in a Parisian bookstore.

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A problem of the past is rotting in the corner of the office, and the smell doesn't allow Dad to work in peace.

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In the cemetery of images, a fox wanders above the Klipot, in which lie industrial memories of life and death.

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Result of experiments on 35mm film. Images extracted from 'The Man Who Was Turned into Juice,' directed by João Batista de Andrade.

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After a boy and a girl meet at a party, strange desires begin to appear.

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Through an online videocall, Victor Konskier reads a poem by portuguese poet Fernando Pessoa.

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Strange dreams wake you up to the nightmarish reality of solitude. Made during the COVID-19 pandemic.

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Unaware that they are both involved with Capucine, Henri and Charles debate historical and literary figures in a Parisian bookstore.

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We see the film, not the cinema; cinema remains hidden within the film. Cinema is the Phantom of the Opera. A movement and a moment of transition, the Phantom fades away with each opera. It disappears and then reemerges in another, and another, and another, and yet another opera.

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Strange dreams wake you up to the nightmarish reality of solitude. Made during the COVID-19 pandemic.

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Unaware that they are both involved with Capucine, Henri and Charles debate historical and literary figures in a Parisian bookstore.

Open details →

A problem of the past is rotting in the corner of the office, and the smell doesn't allow Dad to work in peace.

Open details →

After a boy and a girl meet at a party, strange desires begin to appear.

Open details →

Strange dreams wake you up to the nightmarish reality of solitude. Made during the COVID-19 pandemic.

Open details →