Yann Philipona

After Angelica is disturbed by her adult son Mattia in her relaxation bath, she is finally able to let go. She begins to masturbate in front of the poster of footballer Valenti, her son's idol. Suddenly, Valenti's gaze fixes on her… a cry for help. An absurd euphoria spreads: the miracle crystallises into a struggle for power and intimacy between mother and son.

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Spring 1945, Heinrich Zwygart, Swiss ambassador to Germany flees bombed-out Berlin after eight years of service in the capital of the Reich. This is the end of a terrible mandate, during which he had to make fatal compromises to preserve the neutrality and security of his country. He went through the war, but will he survive the peace?

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Elisabeth catches her son James kissing a young man. As she now faces a life struggle, Elisabeth decides to fight for what she believes in and cure her only son from his presumed homosexuality. While James in subject to conversion therapy, Elisabeth begins to realize that appearances can be deceiving.

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Three women, three generations, two secrets. In the early 1970s, a bomb exploded on board the Swissair flight 330 to Tel Aviv. Isabelle's husband also died. The young, very pregnant widow feared that her lover, the Palestinian activist Djibril, might be entangled in it ... Now, 47 years later, Isabelle finds out that her granddaughter Anaïs has converted to Islam. But why does the young student keep her new faith secret from the family? Anaïs's mother, Léa, immediately rings the alarm.

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A regular performer of the great works of the French repertoire, Jean Liermier takes pride of place in the most popular of them. With the help of the great Gilles Privat—who embodies a Cyrano who is as effervescent as he is melancholic—the director creates a very personal version of this romantic tragicomedy. A sensitive version that stays true to the poet Rostand, telling the story of a storyteller. Cyrano takes us on the adventures of his life. As if he wanted to shout: "Theater is dead: long live theater!"

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