Chester Clute

Ex-baseball player Bill Johnson, failing at many jobs when his ball-playing days are over, reluctantly takes the advice of his father-in-law, Jonah Evans, a retired umpire, and enters an umpire-training school. Assigned to the Texas League, he does fine until the championship play-offs when a riot develops over one of his calls. The involved player is knocked unconscious in the proceedings and cannot verify that Bill made the correct call. Despite lynch mob plans to at least tar-and-feather him, Bill's family - his daughters Lucy (Gloria Henry and Susan and his wife Betty - help Bill reach the ballpark safely the next day through a series of hair-raising encounters.

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Biff Jones is a driver/salesman for the Good Humor ice-cream company. He hopes to marry his girl Margie, who works as a secretary for Stuart Nagel, an insurance investigator. Margie won't marry Biff, though, because she is the sole support of her kid brother, Johnny. Biff gets involved with Bonnie, a young woman he tries to rescue from gangsters. But Biff's attempts to help her only get him accused of murder. When the police refuse to believe his story, it's up to Biff and Johnny to prove Biff's innocence and solve the crime.

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When Sach eats too much sugar, he goes into a trance whereby he's able to predict the future. Slip tries to make some money off of Sach by using him as a fortune teller in a carnival, until a mad scientist kidnaps Sach to use him in an intelligence-switching experiment with a monster.

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Two talent scouts for a New York-based country music TV show called "Square Dance Jubilee" are sent out West to get authentic western singing acts. They find what they're looking for, but also get mixed up in cattle rustling and murder.

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A female police detective enters jail to gain the confidence of a shoplifter and learn the identity of the leader of a stolen goods racket.

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Two co-workers in a music shop dislike one another during business hours but unwittingly carry on an anonymous romance through the mail.

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Failed TV pilot short which had an episode name of "Chapter One: The Lion Men of Tanganyika". The end of the short advertised another chapter, which did not materialize.

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Joe O'Hara finds out he has a damaged optic nerve just before a boxing match for the title. He needs the money badly, so he doesn't delay the fight. The opponent discovers Joe's weakness and pounds on his eyes, causing him to go blind.

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Dagwood accidentally discovers a non-flammable paint. Bad guys Dillon and Stack steal it before he can give it to his boss Radcliffe. To show off his invention, Dagwood paints Radcliffe's house with it and is disgraced when the house burns down!

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Maggie is resentful of being pointed out and laughed at in public because she resembles the cartoon character in the George McManus comic strip "Bringing Up Father." She visits McManus in his studio office and tries to persuade him to stop drawing the syndicated comic-strip. He tells her he will...in 1959. Maggie, not getting any younger, retains counsel and takes McManus to court.

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Hoping to bury her criminal past, Jenny Hadley settles into a comfortable existence as Gina, the wife of the politician Clinton Crane. When her former associate Floyd Durant shows up to blackmail Gina, she has no choice but to murder him. Things take a bizarre turn when Barbara Arnold is charged with Durant's murder and Gina is selected to serve on the jury.

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In order to help neighboring Indians irrigate their farms, the Hotshots plan to put on a fair for tourists. But first they need $2000 for an advertising campaign, and the only way they can get it is to borrow it from a wealthy local woman, who has made it clear that she won't give them the money until Hezzie marries her.

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Joe is scheduled for the big fight as usual. This one has more fight sequences than plot.

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Criminals aboard a train to the infamous penitentiary plot an escape, and receive outside help in their attempt.

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After bungling a real-estate transaction, Dagwood Bumstead (Arthur Lake) is demoted to office boy by his flustered boss Radcliffe (Jerome Cowan). Number 23 in the long-running Blondie series.

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A young navy lieutenant is brought in as technical adviser on a song-dance-and-swim film being made by screen star Rosalind Reynolds. Having once done a number with her at a Forces show, the young lad somehow believes she should be his girl. Her boyfriend is just one of those disagreeing.

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Oliver Pease gets a dose of courage from his wife Martha and tricks the editor of the paper (where he writes lost pet notices) into assigning him the day's roving question. Martha suggests, "Has a little child ever changed your life?" Oliver gets answers from two slow-talking musicians, an actress whose roles usually feature a sarong, and an itinerant cardsharp. In each case the "little child" is hardly innocent: in the first, a local auto mechanic's "baby" turns out to be fully developed as a woman and a musician; in the second, a spoiled child star learns kindness; in the third, the family of a lost brat doesn't want him returned. And Oliver, what becomes of him?

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Airline hostess Ann Parker is fired for being undignified when she sang to calm the passengers during a storm. Mike Connors, publicity man for Frankie Carle's orchestra, invites her to try out as the band's vocalist since the regular singer, Mary Lou, had just quit the band on the eve of an engagement at a swanky New York night club. Encouraged by her boyfriend, Steve Roberts, Ann lands the job and assumes the name of "Mary Lou", a trademark almost for Frankie Carle singers. But the departed Mary Lou shows up and threatens to sue if she is not rehired. Ann returns to her former job. Meanwhile, Steve locates the woman who was the original Mary Lou with the band, and urges Mike to keep the current Mary Lou off the bandstand until he can return with Ann.

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An old millionaire, who believes he's dying, bequeaths his fortune to a young woman with a fanatical obsession with movie stars. But then the elderly tycoon recovers from his illness and decides he wants his money back. Comedy most notable for its numerous unbilled cameos by Warner Bros. actors.

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The third of the Monogram series based on Ham Fisher's "Joe Palooka" comic strip, opens with Knobby Walsh, the manager of Joe Palooka trying to talk his way out of a traffic citation, and the story leading to that point is told in flashback as narrated by Walsh. Heavyweight champion Joe, after knocking out an opponent who later died in his dressing room, feels responsible and threatens to give up boxing. But the dead fighter's fiance thinks he died as the result of a drug that was given to him by a gang of gamblers, who made a rich haul betting on Palooka. Joe, Knobby and the police unite to run down the gamblers, but not before Joe also is nearly murdered by the same means...a poisoned mouthpiece. Elyse Knox is along as Joe's sweetheart Anne Howe, although Anne and Joe had long been married in the comic strip.

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Funloving Pearl White, working in a garment sweatshop, gets her big chance when she "opens" for a delayed Shakespeare play...with a comic vaudeville performance. Her brief stage career leads her into those "horrible" moving pictures, where she comes to love the chaotic world of silent movies, becoming queen of the serials. But the consequences of movie stardom may be more than her leading man can take

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Larry Morgan, a private detective, is hired by a woman who wants Larry to trail her husband. The husband is murdered and, shortly afterwards, the wife is also killed. Larry shuffles through a long list of suspects before revealing the killer...

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Ernie Reardon, the superintendent, and Bill O'Hara, the foreman, of a construction company crew working on a bridge to a remote valley, are constantly quarreling over small and minor matter, especially when it comes to Peg Mallory, whom both men are romancing and Peg enjoys the attention. Thed work is suspended when a worker is killed, but a flood is approaching and the valley citizens are in dire straits unless the bridge is completed - in a hurry.

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A shell-shocked young GI mistakenly believes he is dying, and a young artist takes it upon herself to prove to him that he's not.

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A New Yorker hobo moves into a mansion and along the way he gathers friends to live in the house with him. Before he knows it, he is living with the actual home owners.

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Comedy about an Irish father, who enjoys betting on horses, who keeps interfering with his daughter's romance with a serviceman.

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A WAC officer returns from the war to find her husband wants a divorce.

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The stuffy manager of lovely opera singer Vicki Cassel and her uncle, a classical conductor, is determined to close down the noisy nightclub next door to the Cassels' home. The club's owners--Steve, a handsome ladies' man, and Jeff, his clownish sidekick--hatch a plan to keep the club open. Steve arranges to meet--and woo--Vicki and then invite her and her uncle to the club. When Vicki's snobbish aunt and the manager discover that Vicki now favors popular music over the classics, they arrange to get the club closed. But that doesn't keep Steve and Jeff down. Instead, they decide to put on a Broadway show if they can get a backer. They find their "angel" in Vicki's uncle who agrees to finance the show only if Vicki is the leading lady. But again, Vicki's aunt and manager may be the spoiler in everyone's plans.

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Penny Addams lives in a constant state of depression stemming from the trauma of her father's death when she was just a young girl. Her brother, Chase, and stepmother, Lee, work to help Penny process her grief through psychotherapy and revisiting their past, but only the revelation of long-buried family secrets -- including her Lee's secret lover and the true nature of her father's death -- can bring Penny out of her intense despair.

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