Alessio Carbone

Sergei Prokofiev's setting of the fairy tale "Cinderella" premiered at Moscow's Bolshoi Theater in 1945. In 1986, Rudolf Nureyev, then ballet director of the Paris Opera, choreographed the ballet anew and transposed the story into a private cinema, with sets reminiscent of Fritz Lang's "Metropolis." ARTE shows the Paris Opera performance from December 31, 2018.

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Hélène leads a sad life as editor of cheesy romance novels. But one day, when the old and delightfully eccentric American Mrs. Mills moves into the apartment next door, there is a sudden return to her everyday life. The two unequal women make friends in a hurry and Mrs. Mills is finally even the new face for Hélènes publishing - and that brings great success. But actually the old lady pursues a completely different plan. And is she even a lady?

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Theseus, Duke of Athens, and Hippolyta, queen of the Amazons, become caught up in a domestic quarrel between the king of the elves and the queen of the fairies which results in the intervention of the mischievous Puck and his magic potion along with a troupe of amateur actors. The denouement is celebrated in the form of a grand virtuoso entertainment. One of George Balanchine’s rare narrative ballets, A Midsummer Night’s Dream is entering the Paris Opera Ballet’s repertoire. The sets and costumes for this production have been designed by another magician of the stage, Christian Lacroix.

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In 2008, the Opéra national de Paris honored the legendary Jerome Robbins. Though the general public may remember him primarily for his staging and choreography of Bernstein’s West Side Story, Robbins was also a brilliant ballet choreographer. In this production, we discover three of his works of classical ballet—En sol, In the Night, and The Concert—paired with Benjamin Millepied’s Triade.

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The choreographer brings the Paris of yesteryear back to life: the city of the Boulevard du Crime from the first half of the 19th century, with its artists, theaters, and cabarets. In a staging reminiscent of a movie set, the mime Baptiste bathes in his memories, tell about his encounter with Garance, his impossible love for a marvelous yet unattainable woman, the magical universe of the stage, life behind the scenes, and the tenuous line performers maintain between reality and illusion. Marc-Oliver Dupin's original score provides the musical backdrop for a choreography alternating between larger ensemble numbers and intimate love duets.

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