Ramiz Yalçın

Yusuf Yüzlü tells the story of a child whose father died after the earthquake and his search for his mother who lost his memory alone.

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A young man sent to prison for slander is forced to leave his beloved country. His wife struggles to survive in the big city alone.

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The comedy of three incompetent tough guys.

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Ramazan (Sönmez Yıkılmaz), who has been fighting in Cyprus for a long time and resentful of life, is back on the move after the murder of his unit commander, because his beloved soldier friend has been killed by an international arms smuggling organization. Ramazan, codenamed Ramo, fights against this organization with a fellow soldier. During this struggle, he also establishes a relationship with the daughter (Ayşegül Ünsal) of the billionaire smuggler chief (Muzaffer Tema).

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A man whose life is in difficulties becomes a prosecutor, but he has problems with his wife due to a wrong marriage, and in the meantime he gets close to a journalist.

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This is one of the tragicomic films of Kemal Sunal who is most "serious-comic" artist of the Turkish cinema. This film also reflects socio-economic and cultural life of the 70's-80's Turkiye. The film obviously talk to Turkish audience but who wonder that era of Turkiye can taste of it. The film underlines of love, friendship and -richness in the poorness- and also is a story about the people who prefers love, instead of money and fortune. The theme and narration may include some populist elements -like most Kemal Sunal films- but generally tells its story as well. The story is familiar to Turkish audience: A young man loves young girl. In most Turkish love films one of the partners is rich or poor according to the other but in this movie both sides are poor and they have many difficulties to reach happy end. In my opinion, these kind of movies always gives hope to people to get over it.

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