Toygar Belevi

The film tells the story of a young man who contracts a terminal illness and becomes a commercial star. Zeki supports his family by driving a taxi. After being hit by a car, he is taken to the hospital for examination. His friend Metin learns that Zeki has contracted a terminal illness. The businessman who hit Zeki includes him in an advertising campaign. Believing that everything is for a good cause, Zeki agrees to portray a young man on the brink of death in the advertisements. Despite the advertising campaign gaining significant attention nationwide, things will not unfold as the banker had anticipated.

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It tells the story of a father and son who reunite after many years. Kemal lives a happy life with his family. When Kemal's wife Zeynep falls ill with a terminal disease, the family's life is turned upside down. A large amount of money is needed for treatment. Kemal accepts the offer of Lamia, who is in love with him, and divorces Zeynep. This allows him to secure the necessary funds for treatment. However, his forced marriage to Lamia leads him into alcohol and gambling. He frequently ends up in prison due to the crimes he commits. He secretly sends the money he earns to his son for his education. However, years later, his path will cross with his son, who now hates him.

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The love and marriage story of Rabia, who was raised with religious education, and Italian pianist Peregrini, who became a Muslim for her sake.

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The film depicts the life of John the Baptist. Zechariah becomes father to a son. They name him John. At the same time Mary, who is under the protection of Zechariah, gives birth to Jesus. The people think that Zechariah fathered Mary’s child and kill him for it. Fearing the violence of the people, Zechariah’s wife Elizabeth is forced to flee the town with their son, John. But when John the Baptist grows up, he’ll return to the people to spread the word of God. (Meltem İşler Sevindi)

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Sarı Zeybek is a 1953 biopic film written and directed by Münir Hayri Egeli. The film specifically showed the last 300 days of Mustafa Kemal's life and portrayed his ordinary human characteristics rather than his military prowess or political talents.

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