Tamara García Iglesias

Can Marguerite Duras cure us of madness? Can that woman who is mute in soul be crazy? This film, through analog casting, explores the representations of madness in silent films of the 20s and 30s.

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How much does private life impact on art? Julen uses persons. The power and domination that a man exerts to make a film. Marian uses her friend June. Using friends to make a movie. Using people to make a movie. The money. Maybe a film has nothing to do with art or storytelling, maybe it's just another way of exercising power.

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Alicia D'Amico was one of the best-known photographers of her time. She worked from the late 50's to 2001, when she died in Buenos Aires. Her best known work are portraits (writers and artists). And her most unknown photographs are dedicated to feminism, made during the last Argentine dictatorship until the end of her life.

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Beatriz Ferreyra is a concrete music artist based in France, but of Argentinean origin, who has developed her own language in experimental music. This documentary has as a script the scores elaborated by Ferreyra along the years, the sounds and silences she built, and the radical proposal that the image is at the service of the sounds.

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A twenty-year-old girl wakes up in a house in the woods after a night of partying. Three young women greet her as the daughters of her kidnapper. They too were kidnapped, and their isolation led them to embrace this community as idyllic.

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Can Marguerite Duras cure us of madness? Can that woman who is mute in soul be crazy? This film, through analog casting, explores the representations of madness in silent films of the 20s and 30s.

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How much does private life impact on art? Julen uses persons. The power and domination that a man exerts to make a film. Marian uses her friend June. Using friends to make a movie. Using people to make a movie. The money. Maybe a film has nothing to do with art or storytelling, maybe it's just another way of exercising power.

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Exploring the issue of stolen children in Spain, the plot tracks Vera’s search for her biological son, given in adoption, thereby coming across Cora and her adoptive son Egoz.

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An experimental film on the geographic and historical voyage of the peculiar sound of the so-called 'Basque ox carts'. Said sound, which could be heard until the decade of the 60s in part of the Bay of Biscay, has now practically disappeared from the Iberian peninsula. The film travels from the silence of the sound in our territory today, until its reappearance, following years of research, in the central area of Brazil.

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