Fei Wu

Thirty years ago, hardened criminal Yip Siu-tin is arrested for armed robbery and sentenced to prison. Siu-tin’s daughter, who has handled the loot, changes her name to Cheung Sum-yuet and starts a new life. She also gets married to yacht company boss Yen Ho-yin. Meanwhile, Chong Chi-kiu is a kid left behind by an accomplice who has died because of the robbery. Kind-hearted Tang Sing-him becomes his foster parent. A traffic accident causes Chi-kiu and Sum-yuet to run into each other again. But this accident somehow has something to do with Siu-tin, who is just released from prison. Sum-yuet can no longer avoid Siu-tin, who is a nightmare to her. Her marriage also has certain issues. Police officer Yeung Yan-hiu intervenes by launching an investigation, and she keeps going after Siu-tin and Chi-kiu. Unresolved grudges for thirty years are again put on the front burner. Everyone implicated in a robbery of yesteryear is drawn into this mess.

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Seasoned Chinese frog closure instructor Kwok-Law Mei-lan has raised her children and grandchildren by herself. She discovers everybody’s issues before her 70th birthday. Her eldest son Kwok Tak-kan’s business has failed, and he is also divorcing his wife Tian Yu-fei. Her second daughter Kwok Tak-bo and her son Kwok King-hin are drifting apart, and her relationship with her boyfriend has also ended. Her youngest son Kwok Tak-ming loses his job as Tak-kan has got him into trouble. While Mei-lan wants to help her children solve their problems, she also plans to team up with her favorite disciple Chong Zi-chang to pass down the craft. Meanwhile, Tak-kan and his siblings keep contradicting each other. And gangster Kwok Chung-shek abruptly shows up and claims he has 50% ownership of the Kwoks’ property. Can Mei-lan’s strict adherence to the Kwoks motto “Keep walking and there’s a way out” unite family members in the confrontation against the enemy?

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It follows secretary Amelia Wong (Ali), who restarts her life after ending a long relationship. She returns to work, meets new people, and develops a relationship with her boss Matt (Moses). Much like many of the people in her life, Amelia takes initiative to search for a journey—a journey of love, of finding oneself, and of finding one’s dreams.

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Healthcare reform in Hong Kong is a controversial topic. The government plans to privatize public hospitals and raise funds to maintain operations. Marshall Paxton, a leading public hospital, has become a pilot for reform. This drama focuses on the everyday workings of medical professionals and the politics behind the healthcare industry in Hong Kong.

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