Ana Dumitrașcu

Gianina, a young Romanian, works as a housekeeper for a bourgeois family in Bordeaux. In the evenings, she rehearses the role of a maid with an amateur theater troupe in an adaptation of The Diary of a Chambermaid by Octave Mirbeau. She takes care of Louen, her employers’ son, while her own daughter is growing up far from her, in Romania. The maternal absence deepens into a wound but, as Christmas approaches, the promise of a reunion begins to take shape.

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The corpse of a woman is found in front of Maria’s apartment window. She agrees to take charge of the funeral, becoming involved in her neighbour’s existence. Maria adopts the woman’s unattended dogs and forms a bond with her estranged son. After the burial, Maria tries to reclaim her own life back, but a haunting feeling lingers.

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In modern-day Transylvania, vampire hunts and labor strikes collide with sci-fi twists, romance, and AI-crafted tales, as multiple storylines blend folklore, classic horror, and contemporary elements into a fresh take on Dracula's legend.

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What do a grumpy retiree, a staunch family man, two bachelors, an urban Shaolin master and two lively female students have in common. We find out the answer this fall in The Scara B show.

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Seeking shelter in her work from the pain of a breakup, Lena, a painter turning 40, is commissioned to decorate a brutalist luxury hotel nestled in the depths of the Romanian forest. There, where the Danube ends its course in seemingly miraculous springs, Lena’s moral views are confronted with an overwhelmingly corrupted community.

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The stability of Corina and Stefan's relationship is put to the test when he feels ready to become a father and she undergoes a major career change.

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