Marianna Rantou

Inspired by Paris, Texas by Wim Wenders and the work of Jonas Mekas, a fragmented video diary unfolds through raw, intimate footage of women in their daily lives—at work, at home, in moments of solitude and connection. Scenes shift between the mundane and the profound, forming a nonlinear tapestry of female experience—desire, limitation, resilience. A voice, both singular and collective, narrates in diary-like reflections, speaking of love, shame, pleasure, and the unspoken rules that shape their bodies and choices. Shot in a cinéma vérité style, the film’s grainy, handheld aesthetic mirrors the imperfection and authenticity of memory, blurring the line between personal and universal. Fleeting moments flicker and dissolve, immersing the viewer in a rhythmic flow of images and emotions. As time loops and fragments, The Land of Wanting More becomes both an intimate confession and a quiet rebellion—an ode to the complexities of womanhood, caught between wanting, waiting, and becoming.

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Inspired by Paris, Texas by Wim Wenders and the work of Jonas Mekas, a fragmented video diary unfolds through raw, intimate footage of women in their daily lives—at work, at home, in moments of solitude and connection. Scenes shift between the mundane and the profound, forming a nonlinear tapestry of female experience—desire, limitation, resilience. A voice, both singular and collective, narrates in diary-like reflections, speaking of love, shame, pleasure, and the unspoken rules that shape their bodies and choices. Shot in a cinéma vérité style, the film’s grainy, handheld aesthetic mirrors the imperfection and authenticity of memory, blurring the line between personal and universal. Fleeting moments flicker and dissolve, immersing the viewer in a rhythmic flow of images and emotions. As time loops and fragments, The Land of Wanting More becomes both an intimate confession and a quiet rebellion—an ode to the complexities of womanhood, caught between wanting, waiting, and becoming.

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The "good vibes only" freshman Mitsos, the "stuck with her parents" 25-year-old Sofia and the "no strings attached" 30-year-old Dimitra. A Saturday night when none knows if they’re ready for the next step.

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Angeliki is a young girl who works as an answering machine in a small company in the city center. Through her work develops a special relationship with an elderly woman, Sophie. Inside from Sophie's fantastic stories, Angeliki will review some situations of her life.

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Inspired by Paris, Texas by Wim Wenders and the work of Jonas Mekas, a fragmented video diary unfolds through raw, intimate footage of women in their daily lives—at work, at home, in moments of solitude and connection. Scenes shift between the mundane and the profound, forming a nonlinear tapestry of female experience—desire, limitation, resilience. A voice, both singular and collective, narrates in diary-like reflections, speaking of love, shame, pleasure, and the unspoken rules that shape their bodies and choices. Shot in a cinéma vérité style, the film’s grainy, handheld aesthetic mirrors the imperfection and authenticity of memory, blurring the line between personal and universal. Fleeting moments flicker and dissolve, immersing the viewer in a rhythmic flow of images and emotions. As time loops and fragments, The Land of Wanting More becomes both an intimate confession and a quiet rebellion—an ode to the complexities of womanhood, caught between wanting, waiting, and becoming.

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