Érik Canuel

The adventures of professional transporter Frank Martin, who can always be counted on to get the job done—discreetly. Operating in a seedy underworld of dangerous criminals and desperate players, his three rules are: Never change the deal, no names, and never open the package. Occasionally, complications arise and rules get broken.

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As John Barrymore reckons with the ravages of his life of excess, he rents an old theatre to rehearse for a backer's audition to raise money for a revival of his 1920 Broadway triumph in Richard III.

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The gorgeous and charismatic Bo is a supernatural being called a succubus who feeds on the energy of humans, sometimes with fatal results. Refusing to embrace her supernatural clan and its rigid hierarchy, Bo is a renegade who takes up the fight for the underdog while searching for the truth about her own mysterious origins.

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Ambitious young cops try to prove themselves in their high-stakes careers, in which the smallest mistake can have deadly consequences. At the core of the close-knit group is perfectionist Andy McNally, whose father was a homicide detective before he burned out on the job. The series follows Andy and her four colleagues -- Dov Epstein, Gail Peck, Traci Nash and Chris Diaz -- as they experience the trials, triumphs and tribulations of police work, as well as its effect on their personal lives.

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Follows the lives of three young doctors fresh from medical school, and embarking on their new careers.

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Raymond is a jealous, misanthropic, couch potato. Angèle is a sexy TV star, childish and disillusioned. One Halloween, their mother, Solange, suddenly dies. Raymond calls his sister for the first time in 10 years. She agrees to meet him and begins to investigate their mother's death, all in keeping with her TV role of police commissioner. But nothing is simple with the Marchildons. Between a dithering Raymond, the ghost of Solange who continues to haunt her children, and Angèle who's going crazy interviewing suspects, one more bizarre than the next, and the bodies that are filling up the basement, it's hard to keep their love straight. But then, love was always a little twisted in the Marchildon household.

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The Strategic Response Unit (SRU) is an elite team of cops who specialize in high-risk critical incidents. Trained in tactics and psychology, they deal with extreme situations, where split-second decisions could save a life...or cost one.

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When the body of the executive of hockey Benoit Brisset is found on the billboard of the border of Quebec and Ontario, the jurisdiction of the crime is shared between the two police forces and detectives David Bouchard from Montreal and Martin Ward from Toronto are assigned to work together. With totally different styles, attitudes and languages.

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It is the early 20th century. A stranger arrives in the small, rural community and disrupts the lives of its inhabitants. The man, who refuses to give his name, is dubbed The Outlander. A traveller who disdains conventional behaviour and parochialism, The Outlander disturbs the villagers' complacency and scandalizes the community; he also elicits admiration and gains a woman's love. He ultimately leaves in the same manner he had arrived, but not before he has helped the villagers open their eyes to the larger world beyond their village.

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A recently released prisoner reunites his criminal colleagues to pull off one last heist.

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During the Christmas holiday season, Félix and Céline find themselves working as volunteers for the drive-home service Opération Nez Rouge. Right from the first, Félix falls for Céline. But Céline doesn't feel the same way: she can't forget the fact that Félix once wrote a scathing review of her first piece of writing, crushing her literary ambitions in the process. Worse, Félix doesn't even remember her name. Céline decides to take her revenge. Just as things seem to be going from bad to worse for Félix, Céline realizes that he is vulnerable, tender... and madly in love with her. She is ready to surrender to love... but a chance encounter causes her to wonder whether Félix isn't playing some twisted love game.

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Johnny Smith discovers he has developed psychic abilities after a coma.

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A soldier who was long thought dead in World War 2, returns to modern day New York to combat monsters, who are now the power elite, running the city.

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After inheriting a pig farm from their father, sisters Stephane and Betty do their best to keep the family business running. But while the very pregnant Betty is diligent about doing the work that needs to be done, Stephane can focus only on her crippling gambling problem, which has landed her in deep trouble with her creditors. Desperate for cash, she considers a dangerous option for repaying the debt … but will it work?

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Tommy is bitten by a werewolf during a camping trip a week before the start of his senior year. After becoming a werewolf, he fights against supernatural entities to keep his hometown of Pleasantville safe.

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Hemingway: A Portrait

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The Hunger is a British/Canadian television horror anthology series, co-produced by Scott Free Productions, Telescene Film Group Productions and the Canadian pay-TV channel The Movie Network. Though it shares a title with the feature film The Hunger the series has no direct plot or character connection to the film, and was created by Jeff Fazio. Originally shown on the Sci Fi Channel in the UK, The Movie Network in Canada and Showtime in the US, the series was broadcast from 1997 to 2000, and is internally organized into two seasons. Each episode was based around an independent story introduced by the host; Terence Stamp hosted each episode for the first season, and was replaced in the second season by David Bowie. Stories tended to focus on themes of self-destructive desire and obsession, with a strong component of soft-core erotica; popular tropes for the stories included cannibalism, vampires, sex, and poison.

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