Dominik Graf

The Munich student Albert is haunted in his daily life by the disturbing claim that his doppelgänger is walking around the city. The political topic of surveillance, a subject that has often been discussed in the shared student apartment, also becomes intertwined with Albert’s perceived threat. Under the rebellious slogan “Make Yourself Unrecognizable!”, the roommates have been developing little sabotage actions. For Albert, whose fear of control and loss of identity is already growing, the personal and political levels merge. His fear of loss of control and identity develops into a journey between mistrust, identity, and the question of whether reality and paranoia can still be distinguished from each other.

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Forensic biologist Inga Ehrenberg is so absorbed in her work at the Forensic Medicine Institute that she doesn't initially notice how lonely she is after her divorce a few years ago. It is only when her father claims that she has a half-sister and a falconer asks her to take care of a young falcon that she finds herself in a whirlwind of long-hidden, painful feelings. She begins to tame the falcon, convinced that the bird will never leave her.

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In 2020, the author Anatol Regnier published Jeder schreibt für sich allein, a book that examines the life and work of writers in Nazi Germany. In collaboration with Regnier, Dominik Graf, Constantin Lieband, and Felix von Boehm have adapted this book into a polyphonic essay film of the same name – almost three hours in duration – that takes a meticulous look at the contradictory biographies of Hans Fallada, Gottfried Benn, Erich Kästner, Ina Seidel and Will Vesper.

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As a 16-year-old girl, Christina experienced her great love – with 39-year-old Jakob. When he died in an accident, he left an irrevocable gap in her life. Twenty years later, young Patrick rescues Christina from a thunderstorm. From the beginning, he reminds her of Jacob, from his friendly and confident nature to his characteristic gestures. The two become lovers. Christina is happy with Patrick, in whom she sees more and more the Jacob she has found again. But the more the two men become one person for Christina, the more irritated Patrick becomes. When he begins to see more than coincidence in their encounter, Christina has disappeared.

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In 1930s Berlin, Dr. Jakob Fabian, who works by day in advertising for a cigarette company and by night wanders the streets of the city, falls in love with an actress. As her career begins to blossom, prospects for his future begin to wane.

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A woman goes through a weekend full of ups and downs after a shocking diagnose, according to which she has less than a year left to live.

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It's his last chance to get back on his feet. And so Philipp Keyser knows no scruples as he approaches the young painter Alma, to find a lost painting, which is in the possession of a mysterious old man. Too late, Philip is clear that he expires more and more the young woman. In the main roles of Dominik Graf's film "In the evening of all days" Friedrich Mücke and the great theater actor and narrator Ernst Jacobi are to be experienced.

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A documentary about German cinema from 1960 to 1990. It follows "Verfluchte Liebe deutscher Film."

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A breathless criminal hunt, which leads into the remote mountain world of Romania, with the portrait of a foreign country, which has remained standing in time. Hanna Landauer and Sven Schröder are part of a special unit of the LKA, which traps fugitives across the borders to the remotest corners of the world.

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An alternative history of the not-so-well-known West German genre cinema of the 1960s and 1970s.

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Documentary about German film critic Michael Althen.

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A love triangle forms between post-Enlightenment writer Friedrich Schiller and two sisters -- one who became his wife, and the other, his biographer.

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Starnberg. An idyll with fangs. This is where police master trainee Ariane from Dortmund ends up. Inspector Lu takes her firmly under his wing. Her first cases are typical and strange: the Kini is found dead in the lake - again. And then Sisi is kidnapped.

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An overview of the interconnecting relationship between the most important TV award in Germany, the Grimme-Preis, and the town Marl where it is handed out once a year.

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The leitmotif for this film portrait is Oliver Storz’s autobiographical novel Die Freibadclique, which tells the story of a group of friends drafted into the army as fifteen-year-olds just before the end of the Second World War. Again and again, Dominik Graf reads passages from this account and, by juxtaposing them with clips from Storz’s films, reveals the echoes of the past they contain. Whether in his more experimental television plays or his Willy Brandt film "Im Schatten der Macht", Storz always provided new perspectives on the war and on Germany itself. Via a series of personal interviews Graf held with the journalist, director and producer shortly before the latter’s death in summer 2011, we are introduced to an analytical, unconventional man who witnessed the course of history. Graf takes up Storz’s reflections in his commentary, throwing light on an unexpected history of German television.

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Eleven years ago, an 8-year-old girl disappeared from a small German town on the German-Czech border. Although her body was never found, nor were there any traces of blood or DNA evidence, a mentally-disabled man was coerced to confess to the crime. Even though he withdrew his admission of guilt two days later, the forced confession was enough to convince the ruling judge. The responsible investigator Altendorf was discharged so that the investigation could be sped along by another colleague.

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The police psychologist Jo is supposed to help catch the sex offender Molesch. Since the hotel is fully booked, she stays with her old college friend Vera and her husband Bruno. It turns out that Vera and Jo used to be in love with the same man. The two women's musings are interrupted when Molesch suddenly appears in the garden.

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Im Angesicht des Verbrechens is a German television series about the Russian mafia in Berlin. It received high critical acclaim, but the viewer figures were disappointing. It was broadcast by ARTE and Das Erste.

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Inspector Süden's friend and colleague Martin Heuer is in the final of the German qualifying round for the air guitar world championship. Suddenly his toughest competitor is nowhere to be found: Edward Loos, an architect and loner in real life, who is better than anyone else as an air guitarist, has disappeared and nobody seems to be bothered by it. Although this is not actually a case for Missing Persons Division 11 - Loos has disappeared but has not been reported missing - Inspector Süden and his team trust Heuer's intuition and set out to search for an air guitarist who has vanished into thin air. But another spooky case is keeping the missing persons department busy. A man claims to have seen his wife, who died in the 2004 tsunami, again in the Munich subway.

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Thirteen German directors present short films exploring the state of their country.

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1818 in the Münsterland: Innumerable pilgrims seeking comfort and consolation visit the bedside of Anna Katharina von Emmerich, a nun whose body bears marks of the holy wounds of Christ on her chest, forehead and hands. Clemens von Brentano, an artist in his prime, visits the nun′s sickbed as a simple "writer of the wonders of God" to take down her visions and beliefs. He believes himself to be in charge of his life as a devout Catholic. The former rake′s encounter with the charismatic nun proves fateful, however. For both of them.

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A village is blackmailing the city of Leipzig.

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A coming-of-age story set in Germany in the 1960s. Siggi becomes involved in a love triangle when he falls for Luise, but the tightening political climate forces him to make a fateful decision.

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A rebellious young woman is thrown out by her wealthy, but marbly parents and gets into a nightmare of poverty, prostitution and sickness.

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Hotte, a Berlin-based pimp with only modest turnovers, suddenly becomes a big player in the prostitution business. He has three girls on the streets: Rosa is in love with Hotte and is working hard for him. Jenny, the new girl, is an unconventional prostitute but nevertheless much sought-after by her clients. And the third girl, Yvonne, also brings in a large turn-out. So, Hotte’s proceeds are more than sufficient to buy expensive accessoires and to boost his reputation with the other pimps. But when Yvonne quits her job and Jenny starts to work for another pimp, Hotte’s rise comes to a sudden end

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Katrin and Jürgen spend their holidays in Corsica. Katrin is in her mid-thirties, working as a tracer at Jürgen’s company who suddenly remembers he’s married – but not with Kathrin. So they decide to end their vacation earlier than they had planned. Virtually a second before they start to drive back to the airport, Katrin takes her belongings out of Jürgen’s car again and lets him go. Now being alone for the remaining days of her vacation, Katrin finds herself more and more bewildered by the things that happened to her.

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Dominik Graf relocates the story of the same name by Henry James from the 19th century to the year 2001.

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A collage of memories, fictional stories, biographies, dreams and missed opportunities, which in their entirety represent the idea of Munich.

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Vera Kemp, heiress of an industrial enterprise, lives in an apparently perfect world. While she doesn't care for big business, her husband Manfred runs the company. However, she learns about his affair with a younger woman and tries to save her marriage. During a vacation in Italy, Manfred and their son Max die in a road accident. Vera nearly despairs of her grief and, even worse, recognizes that her whole life has been a lie. Andreas Wolgast, a former employee, is the only one who supports her fight for the company and against her caballing family...

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Andreas Brandt is the head of the research department in a pharmaceutical company. He earns enough to build a future with his wife Monica and his daughter Eva. But a merger puts his position in jeopardy. Brandt randomly observes Larssen, who’s responsible for the merger, raping the waitress Vanessa. Instead of helping her, he takes a file which has previously been stolen by Larssen. It contains incriminating evidence against Larssen. Brandt tries to blackmail Larssen, but Larssen is capable to shift the buck back to Brandt. Slowly Brandt’s family becomes involved...

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The diabolically brilliant doctor Dr. Knock from Karlsruhe takes over a rural doctor's practice in Bavaria. To achieve his goal of a lucrative sanatorium, he must overcome empty waiting rooms, empty coffers and gullible citizens. And so Dr. Knock intrigues ruthlessly. He succeeds in acquiring power, prestige and the desired property. But what is the deal with the blue letters with no sender that flutter into the practice?

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Josef Bertholt is head of operations of the Munich Police's drug squad. When his wife Lily is the victim of a hit by drug dealers, he becomes even more obsessed with his work.

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Dominik Graf, now a leading filmmaker, revisits his late father Robert Graf’s acting career (1956–1966), during which Robert appeared in 20 features and 25 TV dramas by directors like Hoffmann, Staudte, Siodmak, Sturges, and Comencini. Through archival clips and personal reflections, Dominik “meets” his father and confronts the West German society and film industry of that era, where scripted narratives often outweighed real life.

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Director Dominik Graf discusses his experiences working on his film The Cat (1988)

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Johannes, a doctor of physics, travels with his doctoral supervisor to a scientific congress in the Alps. A series of mysterious incidents occur on site. He meets Karin, a mysterious jazz pianist who seems to know more about him than she can know. Suddenly, mysterious deaths begin to pile up and Johannes tries to uncover the secret under the mountain.

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A documentary about German cinema from 1960 to 1990. It follows "Verfluchte Liebe deutscher Film."

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In the 1970s, the Munich Group set about revolutionizing German film with low budgets and an excess of creativity. The Bungalow bar next to the Türkendolch theater was their meeting place, who were inspired by the French New Wave and New Hollywood. Munich Group star Iris Berben takes us on a journey back through time, a wild trip full of film clips and interviews with major figures of an unforgettable era.

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A documentary on the 1973 Sam Fuller film Dead Pigeon on Beethoven Street.

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Documentary by Eckhart Schmidt.

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Thirteen German directors present short films exploring the state of their country.

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This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

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The Munich student Albert is haunted in his daily life by the disturbing claim that his doppelgänger is walking around the city. The political topic of surveillance, a subject that has often been discussed in the shared student apartment, also becomes intertwined with Albert’s perceived threat. Under the rebellious slogan “Make Yourself Unrecognizable!”, the roommates have been developing little sabotage actions. For Albert, whose fear of control and loss of identity is already growing, the personal and political levels merge. His fear of loss of control and identity develops into a journey between mistrust, identity, and the question of whether reality and paranoia can still be distinguished from each other.

Open details →

In 2020, the author Anatol Regnier published Jeder schreibt für sich allein, a book that examines the life and work of writers in Nazi Germany. In collaboration with Regnier, Dominik Graf, Constantin Lieband, and Felix von Boehm have adapted this book into a polyphonic essay film of the same name – almost three hours in duration – that takes a meticulous look at the contradictory biographies of Hans Fallada, Gottfried Benn, Erich Kästner, Ina Seidel and Will Vesper.

Open details →

In 1930s Berlin, Dr. Jakob Fabian, who works by day in advertising for a cigarette company and by night wanders the streets of the city, falls in love with an actress. As her career begins to blossom, prospects for his future begin to wane.

Open details →

An alternative history of the not-so-well-known West German genre cinema of the 1960s and 1970s.

Open details →