Ulrich Limmer

A Yenish boy is placed in a mental hospital and experiences the Nazi euthanasia program. Aware of what was happening and attached to friends, the lad attempts to sabotage the program. The film addresses the complexities of the program director, the lives of the child victims, and the struggles of the child protagonist. More than five thousand children died in the Nazi euthanasia program.

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The Taschenbiers could actually lead quite a contented life - if it weren't for the strange fact that if you have a Sams in your home for 10 years, you slowly but steadily become a Sams yourself. And this is exactly what happens to Mr. Taschenbier. You can't see his recurring transformations from the outside. But his behavior changes all the more: he's just as greedy, chirpy and cheeky as our Sams. But when he changes back again, he can't remember anything. And what only we know: If Sams stays with the Taschenbiers, then this transformation will continue until Mr. Taschenbier himself has completely turned into a Sams!

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When an extraordinary man who has lived through all is approaching his end, he decides to call his son to join him for the last time at his home in Tuscany. His intention is to share some valuable conversations about his life as a press correspondent in Southeast Asia, about the political and social changes which he has seen, and about the spiritual transformation he has experienced in recent years. But for him the most important is to show his son how he is preparing for the last great adventure of a lifetime.

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After Kati, Hanna and Mila first experiences with guys, it is now necessary to cultivate those relations. The jealous Mila thinks that her friend Markus, would cheat on her with Vanessa. Kati, who is actually together with Tobi, finds that Robert, whom she met during a shooting, more than just cool. Only with Hanna everything seems to work perfectly. Branko is a real gentleman and does everything for her musical career - but not entirely unselfishly, as soon turns out. Problems therefore pre-programmed with the girlfriends and their new conquests!

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When a salon refuses to hire her because of her plump figure, irrepressible hair stylist Kathi plots revenge by opening her own beauty parlor next door. But when she faces a cash-flow problem, Kathi resorts to some creative means of raising capital.

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Eleven-year-old Philipp, known as Lippel, travels from Passau in Bavaria to the Orient without a flying carpet: because his father, the posh chef Otto Mattenheim, is on a business trip, the new housekeeper Mrs. Jakob looks after Lippel. But she turns out to be a petty childish terror. And so Lippel escapes into an oriental dream world at night, in which his father, Mrs. Jakob and two classmates strangely appear. Lippel experiences the most amazing adventures in the Orient. His dreams help him and his classmates to chase the evil Mrs. Jakob out of the house and rescue his new friend, the street dog Muck.

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Teenage best friends Mila, Hanna and Kati play matchmaker to their teachers while helping each other through their own budding romances.

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After his mother’s death, the 12-year-old Max, son of pharmacist Sternheim, wishes for a pet. One day a dog appears in Max’s life. By his power of persuasion he is allowed to keep this dog and names him “Bello”. In the meantime a new tenant, Verena Lichtblau, moves into Sternheim’s house, and Max is not happy. But further Sternheim has got a present, that’s a special mixture. After he has ruined Edgar’s harvest with the mixture, the next accident happened: Bello drinks from the mixture, and so he transforms to a human. With Max’s help, “Mr. Bello” continues a human-life. And Mr. Bello returns Max’s enjoying of life again. But outside of Sternheim’s house Mr. Bello gets in trouble, and there the story begins.

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Somewhere in the Bavarian province the robber Hotzenplotz is up to mischief. One day he robs Kasperl's grandmother's coffee grinder. Since the goofy sergeant Dimpfelmoser sees little hope of finding the robber, Kasperl and his best friend Seppel decide to track down the robber themselves. With a ruse, they manage to find the robber's cave, but are then caught by Hotzenplotz, who sells Kasperl to the magician Zwackelmann.

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Sams in danger, it is said, when Mr. Taschenbier's son Martin brings the Sams back into the household, which, however, is kidnapped shortly afterwards by the sports teacher because of his special skills.

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One Saturday, the Slurb, a strange little creature with a proboscis nose, enters Mr. Taschenbier's life. Slurb, who immediately adopts the shy Mr. Taschenbier as his "daddy," is, however, his sheer opposite: he is cheeky and chaotic and throws his well-ordered life into sheer chaos. But when Taschenbier discovers that he can fulfill all his wishes with the help of Slurb's blue freckles, his life suddenly changes. He appeases his bad-tempered landlady, Mrs. Rotkohl, and he can finally get one over on his nasty neighbor, Mr. Lürcher. Everything could be so nice if Mr. Taschenbier didn't fall in love with his pretty colleague Mrs. März and if the Slurb didn't almost burst with jealousy...

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Flat-dwelling urban family win a pig in a raffle, and decide to keep it. They lose their flat (no pets allowed) but eventually Rudi the pig makes good.

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Schtonk! is a farce of the actual events of 1983, when Germany's Stern magazine published, with great fanfare, 60 volumes of the alleged diaries of Adolf Hitler – which two weeks later turned out to be entirely fake. Fritz Knobel (based on real-life forger Konrad Kujau) supports himself by faking and selling Nazi memorabilia. When Knobel writes and sells a volume of Hitler's (nonexistent) diaries, he thinks it's just another job. When sleazy journalist Hermann Willié learns of the diaries, however, he quickly realizes their potential value... and Knobel is quickly in over his head. As the pressure builds and Knobel is forced to deliver more and more volumes of the fake diaries, he finds himself acting increasingly like the man whose life he is rewriting. The film is a romping and hilarious satire, poking fun not only at the events and characters involved in the hoax (who are only thinly disguised in the film), but at the discomfort Germany has with its difficult past.

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