James Merendino

"Great Kills" is a dark comedy/mockumentary about a lonely small time hit man who is the subject of a documentary filmmakers. The show reveals a pathetically empty and misguided man and the callousness of the film makers who just want to get the shots, unmoved by torture and murder. The contradiction between personal life and job, and the apathy of the people making the documentary reflects satirically the dispassion of content creators in their relentless pursuit of content.

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Peter and Chris, two young American friends in their late 20s, go from South Dakota to California on a scooter, and as they travel across the American landscape they see their country through different eyes, ranging from Peter's cynically nihilistic point of view, to Chris' high expectations and romantic notions of the United States.

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A documentary about first time film makers going to the Cannes Film Festival.

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Ivan Beckman, Hollywood's most sought-after talent agent, the darling and crown prince of La La Land, is dead. How and why did it happen? Was it drugs, murder, or perhaps something altogether more mundane? We begin with an ending and then catapult back a number of days to the apex of Ivan's brilliant career as he bags international megastar Don West onto his company's books. We then follow Ivan through the highs, lows, and extreme excesses of his final days.

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Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

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"Great Kills" is a dark comedy/mockumentary about a lonely small time hit man who is the subject of a documentary filmmakers. The show reveals a pathetically empty and misguided man and the callousness of the film makers who just want to get the shots, unmoved by torture and murder. The contradiction between personal life and job, and the apathy of the people making the documentary reflects satirically the dispassion of content creators in their relentless pursuit of content.

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Punk's Dead, the sequel to 1999 cult hit SLC Punk, is a punk romp through the Utah hinterlands. Ross, Penny and Crash, young outsiders from different tribes, embark on a road trip to a huge punk show. Ross, 19, is the love child of Trish and Heroin Bob, who died before Ross was born. During their odyssey, and with the help of a healthy dose of drugs, alcohol and punk music, Ross shreds his darkly Gothic outlook and embraces life. His mother Trish, who raised Ross alone in her steam punk shop, discovers that he is in a crisis. She recruits his 'uncles,' Bob's old SLC gang, to help find him. When all collide at the concert, they are forced to deal with their unresolved relationships with Bob.

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Death Club tells the story of a group of friends living in the margin of society. Following the recent suicide of one of them as part of an act of "Art", they decide to create altogether some "near death" experiences in order to feel alive. They become obsessed and addicted to this dangerous game and it leads them automatically to a tragic end.

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A graduate student preparing his thesis on mythology leads his friends on a research expedition to an old plantation estate on the outskirts of the Big Easy. The site is reputed to mysteriously cause madness and death to all who enter it.

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Peter and Chris, two young American friends in their late 20s, go from South Dakota to California on a scooter, and as they travel across the American landscape they see their country through different eyes, ranging from Peter's cynically nihilistic point of view, to Chris' high expectations and romantic notions of the United States.

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A con-man and a wannabe professional magician team up with a waitress and an old professional on their way to Vegas.

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Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.

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Aliens who take on the form of humans are invading Earth, with the ability to manipulate women on a psychological level.

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A man named Kaan Woo (James Lew) is escaping his dark past, having been involved with a cult of brown shroud-wearing, druid-like monk warriors that have mystical powers. He apparently wanted out, because their evil queen, Ling Li (Nancy Kwan), has sent her servant, Sir Xavier (Richard Norton), to do her bidding - i.e., eliminate Woo. During a battle with the dark forces, Woo's soul is transferred into the body of homeless drunkard Earl Stockman (Mark Pellegrino). Now this bum is as surprised as anybody to find out he has mystical kung-fu abilities. Now "Superbum" must take on the evil cult and win the day.

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Their plan was simple...Get the Cash. As Rupert, an ex-con, tries to go straight, his younger brother James pursues a life of delinquency. Days after being released from jail, James is gunned down and lies waiting in a hospital for a liver transplant. In a desperate attempt to save his brother's life, Rupert decides to execute a heist at a downtown club on New Year's Eve that will give him the money he needs. Rupert assembles an eclectic crew of ex-cons, including his best friend and his ex-girlfriend. Rupert and his gang converge on the nightclub for a climax that spins out of control. New Year's Eve has never been so explosive!

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Traumatized after witnessing her jealous husband kill her adulterous lover and then himself, an unbalanced, nymphomaniac young woman finds herself stalked by an unknown assailant, but she cannot make anyone believe her desperate situation.

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Pulp novelist Eric lives in a bad neighborhood, and the guy upstairs annoys him with his noise. Gradually this escalates to pranksters phone calls and wire tapping which ticks off Eric's already unstable, nervous and paranoid personality.

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Sexual encounters and criminal mayhem occur when two people meet via their computers.

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An evil warlock takes over a rock club. He uses beautiful, large-breasted and frequently nude women to try to collect enough souls so that he may be able to bring Satan to Earth.

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Rock musicians are selling their souls to the devil for fame and fortune. An attorney with magical powers attempts to stop it.

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In the world of 1990s punk rock, a young singer, strapped for cash and struggling to maintain his sobriety, pushes his teenage brothers to hop into the family’s van and spend their summer performing chaotic shows across the country.

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