José Fernández

Churrería Maravillas opens on New Year's Eve. Inés accepts the holiday shift because she can't afford anything else. Miguel, the owner, pushes the staff to their limits, stretching the business to the breaking point with improvised deliveries and workers without contracts. While the city celebrates, the night speeds up amidst oil, orders, and the general rush. Until something happens, forcing them to stop and revealing another question: How far must we dehumanize ourselves to survive in a place that no longer waits for anyone?

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The greatest fear a mother of a son with disabilities holds is the future: the uncertainty of what will happen to her son once she is gone.

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In an Andalusian village in the early 70s, three daughters who lose their mother go up against the local community. Meanwhile, the unexpected arrival of their estranged brother brings to the surface secrets of the past.

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Tano works for Manuel, a businessman who’s made his fortune in the construction sector and who has a tight network of friends in local government who help him carry out his business safely, in exchange for making sure that the drugs enter and leave the city without causing any violence or making any noise. Tano knows that the golden era is long gone. Now, he’s 54 and struggling to make ends meet. His mission is to keep the drug-trafficking business from Morocco under control and to make sure the money keeps flowing, but someone has brought some samples of a new drug into the city and its effects are devastating, causing the local junkies to go completely crazy. Angel, Manuel’s son and heir to his business empire, is convinced that if they start dealing this new drug, they could go back to making the millions they were before the economic crash.

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The birth of a music label and three characters fighting for their dreams inside the complex inside the music industry.

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