Jitsuko Yoshimura

A girl is kidnapped and the perpetrator roams freely. When a similar case occurs along the same road and in similar circumstances a suspect is identified leading to the accused running away and going into hiding.

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A psychologist connects her missing brother to the strange case of a mysterious little girl believed to be Sadako reincarnated.

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Freelance programmer Sakagami is paralyzed in the lower half of his body and confined to a wheelchair. He sets up a company called dele.LIFE in partnership with a law firm established by his late father. At the request of clients, Sakagami works together with a freelance jack-of-all-trades Mashiba to delete all unfavorable digital records of their clients left in their computers and smartphones after they die. They are not supposed to see inside the files but when they feel something strange in the client’s death, they cannot help getting involved.

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Are bad girls casualties of patriarchy, a necessary evil, or visionary pioneers? By tracing the concept of the bad girl in Japan as a product of specific cultural assumptions and historical settings, Bad Girls of Japan maps new roads and old detours in revealing a disorderly politics of gender. The essays explore deviancy in richly diverse media. Mountain witches, murderers, performance artists, cartoonists, schoolgirls, and shoppers gone wild are all part of the terrain.

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A young girl named Oshin is sent to work for another family, because of her own family's financial condition. Nevertheless, the young girl lives strongly.

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Death-row inmate Sudo sends a letter to magazine reporter Fujii. In his letter, he states that a man named Kimura, also known as "teacher," committed numerous murders for insurance money. While checking out the story, based on Sudo's tip, Fuji becomes convinced that the letter is correct. But, a lot of time has passed from the incidents and Sudo's testimony isn't clear. Due to the persistance of Sudo, who is a former yakuza, and Fuji, the police begin to move.

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Based on the true story of former professional boxer Iwao Hakamada who has spent over 40 years incarcerated on death row. Iwao Hakamada was arrested for the June 10, 1966 murder of a family in Shizuoka . Iwao Hakamada has always insisted on his innocence and many others also believe Iwao Hakamada has been falsely accused ...

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A young couple go on the run after the murder of his mother.

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Two newlyweds decide to build their dream home, and hire an old friend named Yanagisawa to design it. Unfortunately, Yanagisawa isn’t licensed to build homes, so they call in the wife’s father, a retired carpenter, to help out. When Yanagisawa’s contemporary ideas clash with the old carpenter’s traditional Japanese methods, the project becomes a huge mess.

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2000 Japanese movie

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Thirty years after graduation, a man and a woman meet again at an alumni reunion. They are no longer young, but the moment she sees him, memories of her first love are revived. Her love for him has never faded even though she married another man and bore his child. What has kept her going is a white shell the boy gave her and a phrase of Jean Cocteau's poem, "My ears are shells, fondly hearing the sound of the sea..." She gets a divorce, returns to her hometown and opens a bar named "Coquille," which means "shell." Without their knowing, an unexpected turn of events awaits the two...

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Based on the long running manga of the same name by Sadao Shouji.

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Movie adaptation of a novel by Rampo Edogawa.

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Isamu, a sixth-grade boy, lost his mother in a car accident at a young age. Ever since, he's been unable to forgive those who ignore traffic rules. Each day, he stands at the crosswalk with a yellow flag—his mother's keepsake—guiding his classmates and watching over the signals. Though adults dismiss him and his peers call him a "traffic light fool," Isamu remains committed. When his father announces plans to remarry, Isamu refuses the idea of a new mother. But upon learning that the woman too lost loved ones in a traffic accident, he begins to open up. Through this shared grief, Isamu gradually understands the importance of empathy and realizes that rules alone can't heal a broken heart.

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An old man falls into a coma and dreams about his childhood during WWII.

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The 43th NHK Asadora about a female volleyball player who helps out the local community. Starring Azusa Watanabe.

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Daisuke dropped out of high school, and his motorcycle was the only thing that helped him cope with his loneliness. His parents find a new high school where he can ride his motorcycle to school, but he is forced to live in a dormitory. The students in the dormitory are all young people with bitter memories of dropping out of high school. The prefect of the dormitory is a teacher who is passionate about their physical education. The drama depicts the fierce clash between a nineteen-year-old rebellious high school student, who is torn between being an adult and a child, and the adults around him. This is Oda Yuji's first lead role in a TV drama.

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From the point-of-view of the children, "Mother" tells the story of the most unappreciated, loving and giving mother, who would sacrifice her own life, and sometimes the life of others, for her loved ones. In the autumn of 1955, a family of five children is living in the Tohoku area. In order to take care of her paralysed husband, the mother has to sacrifice her five children by giving them away. The children has to suffer all the loneliness and hardships that this decision has brought them. 15 years have passed, all five of them have got married. Now, they come to understand that their mother's love for them was the greatest love of all.

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Senkichi Mizuta, a pharmaceutical company employee, and Shuzo Kadokura, a war profiteer, are diametrically opposed in appearance and personality, but are best friends. Kadokura secretly loves Mizuta's wife, Tami, and both Mizuta and Tami are aware of it. The drama depicts the subtle relationship between the two men and the people around them against the backdrop of the times and customs of the early Showa period, in which both are aware of each other's love, but no one speaks of it.

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On a Tokyo dump’s shantytown edge, interwoven vignettes follow residents scraping by: a boy who “drives” an imaginary trolley, a homeless father and son designing a dream house, a young woman brutalized at home, drunks, schemers, and saints of small kindnesses. Kurosawa crafts a ragged mosaic of hardship, fantasy, and flickers of grace that keep people moving forward.

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Three people from the future, who travel spiritually to the era of the Egyptian queen Cleopatra VII Philopator and her Roman lovers Julius Caesar and Mark Antony, become their closest friends as they try to unravel the nature of the plan developed in their own time by a sinister enemy.

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If You Were Young: Rage highlights the other side of post-war Japanese prosperity, focusing on the throngs of young people who missed out on the boom. We follow a group of young men that can't seem to get ahead, despite their willingness to try. Then one hits upon a plan - to work together to save for a dump truck and thus become independent contractors and be their own bosses at last. Ultimately life presents obstacles: jail for one, violence at the hands of the police for another, and a girlfriend and subsequent children for the third. An early Kinji Fukasaku gem that imports the freewheeling style of the French New Wave and the hip detachment of American noir.

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Japan, February 1868. As the Tokugawa shogunate declines and the power of Emperor Meiji grows, Gonzo, a soldier of the Restoration Army, returns to Sawando, his hometown, to announce the end of tyranny.

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Comedy starring the Crazy Cats' Kei Tani as a salaryman suffering from amnesia.

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A woman has a brief, intense affair with a younger man while awaiting her trial for the murder of her husband's mistress.

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Drama about the trials and tribulations of a teenage girl.

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Toramatsu is a very enthusiastic policeman. Believing that the police should help others he is dismissed the force when his pistol is stolen while doing one of his good deeds. He saves a child from drowning, restores it to his mother, then finds that someone has run off with his gun and later uses it to kill. Then he breaks up a group of hoodlums attacking a young girl named Mieko, and the police, his former friends, deciding he has gone too far, decide to sue him. On top of this the girl gets hurt and, consequently, a child from the kindergarten where Mieko teaches is kidnapped on his way home. Impersonating a policeman he tracks down the gangsters and rescues the boy. Due to this he also uncovers a scandal which allows the police to make a long due clean up in the political world. As a reward for all of this he wins the regard of the girl but now faces a stiff prison sentence for impersonating the policeman he had been and which, at heart, he truly remains.

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Japan-Hong Kong co-production.

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After an American Navy base is annihilated by a secret weapon, Agent OSS 117 is sent to Japan to investigate the organization that's claiming responsibility, and threatening the US with another attack, if they don't pay.

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Ayako, a young woman from a rural fishing village, is sold by her family into a brothel when her father takes ill. There, she is quickly stripped of her innocence and illusions.

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Years of warfare end in a Japan unified under the Tokugawa shogunate, and samurai spy Sasuke Sarutobi, tired of conflict, longs for peace. When a high-ranking spy named Tatewaki Koriyama defects from the shogun to a rival clan, however, the world of swordsmen is thrown into turmoil. After Sasuke is unwittingly drawn into the conflict, he tracks Tatewaki, while a mysterious, white-hooded figure seems to hunt them both. By tale’s end, no one is who they seemed to be, and the truth is far more personal than anyone suspected. Director Masahiro Shinoda’s Samurai Spy, filled with clan intrigue, ninja spies, and multiple double crosses, marks a bold stylistic departure from swordplay film convention.

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Driven by greed and a desire for his cousin's wife, Jiro orchestrates a complex frame-up to have his cousin arrested for murder.

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1965 Nikkatsu youth film.

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