Preben Harris

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The lives of two Danish families cross each other, and an extraordinary but risky friendship comes into bud. But loneliness, frailty and sorrow lie in wait.

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Martin Vinge, former notorious journalist, now successful headhunter with a complicated personal life, is in all confidentiality contacted by 85 year-old N.F. Sieger, S.E.O. of Denmark's largest shipping company and oil empire. Sieger hires Martin to find an alternative heir to the firm instead of his son, Daniel Sieger, who for a long time has been destined to take the company into the next era. Martin starts coming up with suitable names for the position, but discovers that he has actually been entangled in a larger impenetrable power game aimed at deciding what is really going to happen to the company; a brutal power struggle that puts an intense pressure on Martin and his private life and relationships.

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Across three decades – the 1970s to the turn of the millennium – the lives of three boys – Lars Rolsted, Jon Olufsen, and Martin Lund Jensen – are explored, teeming with grandparents, Marxists, expatriate Danes, stolen kisses, rockers, pushers and welfare clients, yuppies and small, polite suburban punks.

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The Killing is a Danish police procedural set in the Copenhagen main police department and revolves around Detective Inspector Sarah Lund and her team, with each season series following a different murder case day-by-day and a one-hour episode covering twenty-four hours of the investigation. The series is noted for its plot twists, season-long storylines, dark tone and for giving equal emphasis to the story of the murdered victim's family alongside the police investigation. It has also been singled out for the photography of its Danish setting, and for the acting ability of its cast.

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A snapshot of the state of the Danish nation: in one of the stories, a woman enters a pole-sitting contest in a desperate bid to reinvent herself. Another is about Erik, whose wife has been lobbying a Better Homes and Gardens type magazine to do a spread on their perfect home. When the editors finally relent, she makes Erik sip his red wine in the laundry room lest he stain their cream-colored couches. Svend, the last remaining Marxist in Copenhagen, is the impassioned organizer of a political mass meeting where no one shows up. Finally, Jens, a pizza and porno connoisseur, connives his way to some booty by convincing Gry the model that he lives with his mentally challenged brother. Over the course of a week, their paths cross and nothing, and nobody, is ever quite the same again.

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The lives of two fictional families during the historical development of Danmarks Radio television network from the 1950s to the 1970s.

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Court drama about a Copenhagen law office and the cases and personal entanglements of its small group of attorneys.

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A fair point, considering the father happens to be dead! Philip is a successful architect with little or no time for his 16-year-old son. When his own father dies, Philip suddenly realises the pain of having been abandoned years ago. Enter Karl, a charming old rogue who claims to have been a close friend of Philip's dad. Philip invites Karl to stay at his house, where Karl quickly becomes a surrogate father-figure for both Philip and his son. But just as Philip's mind starts to open, the truth about Karl threatens to emerge, and soon both men are in for big surprises in this heartwarming, bittersweet comedy about a man's struggle to make peace with his dead father.

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A man grows up in very modest circumstances in the early years of the 20th century, but his diligence, intelligence and willingness to endure hardship helps him to become a leading brain surgeon. A success story on the face of it, but a story about a man – who is none other than the director's father – a man of powerful emotions. The film explores the nature and origin of the guilt that repeatedly deprived him of happiness.

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Jacob is a young man used to getting everything he wants. For several years, he has been living in a happy homosexual partnership with Jørgen, and one night Jacob decides to pop the big question to Jørgen. Jørgen happily accepts Jacobs marriage proposal, but then something happens: Jacob falls in love with a girl, and not just any girl. The girl is Caroline, married to Jørgens younger brother Tom.

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Langt fra Las Vegas is a Danish sit-com, which was first aired on the Danish TV channel TV2 Zulu. It revolved around life at a newly started TV morning show, Jump Start, and focused on the life of the main character, Casper. Langt fra Las Vegas consisted of 53 episodes, aired over 5 seasons with each episode lasting 25 minutes. It ran from 2001-2003.

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Rejseholdet is a Danish television crime series starring Charlotte Fich, Mads Mikkelsen and Lars Brygmann. Produced by Danmarks Radio, the program aired 32 episodes spanning four seasons from 2000 to 2004. Each episode revolved around an elite mobile police task force called "Unit One" that travels around Denmark helping local police solve crimes. Cases portrayed in the show were loosely based upon actual incidents of sensational crimes such as murders, kidnappings, cross-border sex traffic and child pornography. Rejseholdet won the 2002 International Emmy Award for best drama series.

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Anja is a beautiful and very well proportioned high school senior... and still a virgin. She insists that she wants her first time to be with a guy, who knows what it's about. Her rich (and arrogant, pretentious and obnoxious) boyfriend Peter serves the purpose, and he's more than willing. In fact, he's pushing forward as much as he can, but Victor, a freshman who has a serious crush on Anja, has other plans. Her first time should definitely not be with this buffoon, and he's ready to take it VERY far!

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Arvid is an ordinary bank clerk who lives a rather unassuming life with his dear girlfriend. But his life is turned completely upside down when he bravely manages to avert a robbery against the bank where he works.

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Based on director Lotte Svendsen's own memories of her childhood on the Baltic island of Bornholm, but though it is set in 1981 the conflicts portrayed do not seem far away. At the start of the film Lars Erik and his wife Sonja are doing well on the Baltic island of Bornholm. Lars Erik is a successful fisherman, Sonja is a traditional housewife, proud of their new house bulging with consumer goods. Their love for each other is the sturdy footing on which their home is founded. Lars Erik employs three men on his trawler, and spends as fast as he earns, so when fishing quotas are cut he faces a crisis. One by one his men leave the boat, but he refuses to give up. Being a fisherman is like being a farmer - you depend on the wealth of mother nature herself. However, mother nature is like romance, highly capricious!

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For the last ten years 40-year-old Jeppe has paid daily visits to the nursing home where his crippled wife, Tove, has been put after a serious traffic accident to remain for the rest of her life. Desperate about this meningless fate, Jeppe has put everything else in life aside and has chosen to be faithful and devoted to her. But this cannot go on, his pseudo-life becomes too much for his crippled wife. She pretends to be in love with her male nurse and throws Jeppe out.

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Max is a programmer, Nicoline is a chef, and they are both young, in love, and ambitious. Then lightning strikes: they have a baby. From that day on, nothing is ever the same again. Max, who has just been promoted, is certain he has everything well in hand. He has just invented the LifeOrganizer interactive personal scheduler designed to make life easier. But having to endure a baby with colic, piled-up washing and missed deadlines, Max and Nicoline's bachelor lifestyle is put to the test. There are only 24 hours in a day, or are there? With many wacky smiles and lashings of gallows-humour Peter Gren Larsen depicts the stressed out situation young couples face when baby throws a spanner in your career. Max and Nicoline go through an awful lot, including a trial separation, before they accept that kids change your life.

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During a moms' group meeting, it's revealed that the dead body of Camilla's husband is lying in the bedroom next door with a large head wound - caused by Camilla and a frying pan! But what will happen to the baby if she is arrested? The other mothers decide to band together to help her hide the body.

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TAXA is a Danish television drama made by Danmarks Radio with 56 episodes, written by Stig Thorsboe and produced by Rumble Hammerich. The series revolves around a small taxi central, CrownTaxi, in Copenhagen. The series was a success from the start, 14 September 1997 on DR1. The series was broadcast during the period 1997-1999 for a total of five series. CrownTaxi has its ups and downs and in the course of the series, following the various drivers, radio opertor Lizzie and boss Verner Boye-Larsen. They have all their problems both with clients and family life and constantly threaten the show's villain Hermann from the competing taxi firm, City Car, which wants to take over the CrownTaxi. TAXA was also screened in Sweden on SVT1.

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A road movie that tells the story of two very different young women, Charlot and Charlotte, who meet by chance and end up driving together across Denmark from Copenhagen to Skagen. Along the way, they meet a wide range of very different people, from the senile Birksted to the psychopathic mass murderer Poul-Teddy, to a theater troupe and the elderly residents of a nursing home run by a headstrong matron. The naive and provincial Charlotte learns spontaneity from the smart city girl Charlot, while Charlot, in turn, learns from Charlotte to appreciate the experiences close to home.

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A family is held prisoner in their own house, when a summit conference is to be held in Nærum. The terrorist group has the plan of preventing this meeting and therefor capturing a family, and their house until the conference is held. Frederik, the main character, wants to stop them and with a little help from his friends, they try.

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A young man on the run after a stay in prison is chased through the Northern parts of Scandinavia for a murder he has not committed.

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The life of the Danish revue singer Liva Weel (1897-1952), who became very beloved in a series of films. During the Nazi German occupation of Denmark she achieved further renown through the encouraging songs of Poul Henningsen.

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Norwegian miniseries. The story takes place in a jumbo jet on a route between Copenhagen and New York. SAS route 917 takes off from Copenhagen Airport with 350 passengers on board. Among the passengers in first class are four Nordic directors of an American cosmetics group. The atmosphere between them is tense. Shortly after departure, a business manager dies of a heart attack. Later on the journey, someone discovers a dead man in the toilet room. A ruthless murderer is on board the plane.

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This trucker road movie tells the story of four men driving 30-ton meat-carriers in shuttle service between Denmark and Italy. Against their will, the truckers get involved in criminal activities that flourish as a result of European custom service bureaucracy. Their bonding as friends and their strongly rooted family life help them through.

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Matador is a Danish TV series produced and shown between 1978 and 1982. It is set in the fictional Danish town of Korsbæk between 1929 and 1947. It follows the lives of a range of characters from across the social spectrum, focusing specifically on the rivalry between the families of two businessmen: The banker Hans Christian Varnæs, an established local worthy, and social climber Mads Skjern, who arrives in town as the series opens. The name Matador was taken from the localised edition of the boardgame Monopoly, also the series' tentative English title. In addition, in contemporary Danish a "matador" is often used to describe a business tycoon, in the series referring to the character of Mads Skjern and his craftiness as a self-made entrepreneur. Directed by famed Danish film maker Erik Balling, Matador was the idea of author Lise Nørgaard who wrote the bulk of the episodes alongside Karen Smith, Jens Louis Petersen and Paul Hammerich. The series is one of the most well-known and popular examples of Danish television and represents the peak of longtime development of Danish TV drama by the public service channel Danmarks Radio. The series has become part of the modern self-understanding of Danes, partly because of its successful mix of melodrama and a distinct warm Danish humour in the depiction of characters, which were portrayed by a wide range of the most popular Danish actors at the time; but also not least because of its accurate portrayal of a turbulent Denmark from around the start of the Great Depression and through Nazi Germany's occupation of Denmark in World War II.

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Heavily influenced by the French stage sensation La Cage Aux Folles (which was filmed the very same year) a drag-queen comedy about a group of homosexuals sharing an apartment with a naive but straight country boy did not live up to expectations. The lead characters lead boring lives during the day and, as depicted here, downright pathetic existences at night, all decked out in peacock plumes and high heels and with nowhere to go.

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In 1970s Denmark, the criminal police in a provincial town solve different criminal cases, when the police was dominated by men and DNA was not yet a tool in investigation.

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